Re: Python dependencies: plea for help

Hi Simon, on which system? And do you need to build it or can you use a deb package? As discussed on Sept 23rd on this list [1], I used this package python3-poppler-qt5_0.24.2-3build1_amd64.deb on my Ubuntu machine. And Jamie found out where it came from: > This one worked for me: > https://ans

Python dependencies: plea for help

Hello everybody, following the post by Vincenzo I take the liberty of turning to this group for advice, even if it’s OT. It’s such a hassle working with LilyPond without Frescobaldi, and I couldn’t solve the problem described in . So I

Re: Scheme help? snippet for movement page headers

On 21/11/17 05:57, Shevek wrote: Hi Timothy, Where are you defining #'header:piece, inside or outside a \score block? To clarify, I'm talking about using \fromproperty with score-level headers. Saul I put every \score inside its own \bookpart and define #'header:piece in the \bookpart, out

Re: Scheme help? snippet for movement page headers

> Oh ugh, Nabble wrapped my lines and now it's all ugly. :( One of the reasons to avoid source code lines longer than, say 78 characters... Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypon

Re: Scheme help? snippet for movement page headers

Oh ugh, Nabble wrapped my lines and now it's all ugly. :( -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Scheme help? snippet for movement page headers

Here is a cleaner, updated version of the snippet. It now gives the stencil the extent of the longest table of contents entry. Not ideal, but close enough for practical use. Also added comments and cleaned up variable names. \version "2.18.2" #(define-markup-command (current-toc-section layout pr

Re: Scheme help? snippet for movement page headers

Hi Timothy, Where are you defining #'header:piece, inside or outside a \score block? To clarify, I'm talking about using \fromproperty with score-level headers. Saul -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user

Re: Scheme help? snippet for movement page headers

On 20/11/17 08:45, Shevek wrote: Hi all, It would be quite nice to be able to use \fromproperty #'header:piece in oddHeaderMarkup and evenHeaderMarkup, so that the title of the current movement will display in the page header. Unfortunately, after investigating the Lilypond source code, I can't

Scheme help? snippet for movement page headers

Hi all, It would be quite nice to be able to use \fromproperty #'header:piece in oddHeaderMarkup and evenHeaderMarkup, so that the title of the current movement will display in the page header. Unfortunately, after investigating the Lilypond source code, I can't see how to make that work, because

Re: Scheme Help

Thanks, this looks very helpful. Yes, I want any note at line-begin to be visible, but if the note is a breve and not at line-begin I want to check whether there is a breath mark immediately before it, or whether the note immediately before it is not a breve, in which case the current breve needs

Re: Scheme Help

2017-11-11 17:11 GMT+01:00 Benjamin Bloomfield : > I am trying to write a scheme to achieve the functionality I was asking > about in my earlier message. I think that I could do it with a simple > callback function on the NoteHead.transparent property and make the notehead > transparent if it is a

Re: percussion (drum set) help

Hi, you could also override or tweak the staff-position of the rest. It seems more inline with what the intention is, but it warns you about the stems (don't know how to fix that): \score{ \new DrumStaff \drummode{ \clef percussion << { cymr4 4 4 4 } \\ { \once \override Rest.staff-

Scheme Help

I am trying to write a scheme to achieve the functionality I was asking about in my earlier message . I think that I could do it with a simple callback function on the NoteHead.transparent property and make the notehead transpa

Re: percussion (drum set) help

On Fri, Nov 10, 2017 at 01:56:56PM -0600, David Wright wrote: > On Fri 10 Nov 2017 at 12:27:19 (-0700), Paul Scott wrote: > > How can I move the eighth rest to the level of the snare drum part? > > sn8\rest doesn't seem to be allowed. > > Any other feedback on my code would also be appreciated. > >

Re: percussion (drum set) help

On Fri 10 Nov 2017 at 12:27:19 (-0700), Paul Scott wrote: > How can I move the eighth rest to the level of the snare drum part? > sn8\rest doesn't seem to be allowed. > Any other feedback on my code would also be appreciated. > I'm successful with most of my percussion code. > > \version "2.19.80"

percussion (drum set) help

How can I move the eighth rest to the level of the snare drum part? sn8\rest doesn't seem to be allowed. Any other feedback on my code would also be appreciated. I'm successful with most of my percussion code. \version "2.19.80" \score{ \new DrumStaff \drummode{ \clef percussion << { cymr

Re: Help with chord dictionaries

That works perfectly. Thank you! On 09/14/2017 12:18 PM, Robin Bannister wrote: > Shamus Hammons wrote: > >> This gets closer, but the flat sign is sitting all by itself, as if it >> were a separate word and not part of the chord symbol (like so: "B b >> maj7"). > > OK, sorry. Instead of \line u

Re: Help with chord dictionaries

Shamus Hammons wrote: This gets closer, but the flat sign is sitting all by itself, as if it were a separate word and not part of the chord symbol (like so: "B b maj7"). OK, sorry. Instead of \line use \concat: \concat { "B" \chordFlat "maj7" } Also, doesn't address the issue of the chord n

Re: Help with chord dictionaries

This gets closer, but the flat sign is sitting all by itself, as if it were a separate word and not part of the chord symbol (like so: "B b maj7"). Also, doesn't address the issue of the chord names floating too high above the diagrams. On 09/14/2017 11:26 AM, Robin Bannister wrote: > Shamus Hammo

Re: Help with chord dictionaries

Shamus Hammons wrote: > > In the example I included, you can see that the text for the > > Bbmaj7 chord is rendered in pieces, and the chord names are generally > > farther above the diagrams than they should be. You are using \center-column to get these two things arranged vertically. It see

Re: Help with chord dictionaries

This *does not* solve the issue--this is identical to what I attached to my previous email with the exception that you dropped the flat sign markup from the third chord (it should be Bbmaj7 with a real flat sign in it, not Bmaj7). Also, it does not solve the issue with the texts above the fretboard

Re: Help with chord dictionaries

Hello Shamus, Using: subtitle = \markup { \override #'(font-family . sans) { \center-column { C9 \fret-diagram-terse #"x;3;2;3;3;x;" } " " \center-column { "B7#9" \fret-diagram-terse #"x;2;1;2;3;x;" } " " \cen

Re: Help changing chord names

Thank you Matthew. This issue is way more complex than I anticipated. I will dig into the resources you referenced. So far, at least, d1:11.13 does what I need in the interim.On July 18, 2017 at 10:04 AM msk...@ansuz.sooke.bc.ca wrote:On Mon, 17 Jul 2017, Tom Swan wrote:Hi. How do I change the cho

Re: Need help with lilypond-book

gt; Phil Holmes > > > > - Original Message - > *From:* 410172 Chief <410...@gmail.com> > *To:* lilypond-user@gnu.org > *Sent:* Tuesday, July 18, 2017 1:17 PM > *Subject:* Need help with lilypond-book > > Dear all, > > I need some help on getting L

Re: Help changing chord names

On Mon, 17 Jul 2017, Tom Swan wrote: > Hi. How do I change the chord name to just D13, not D9 13, as in the > following snippet? This is probably rudimentary, but I'm a bit rusty and > just getting back into lp. Thanks. -- Tom Looks like the use case for this thread: http://lilypond.1069038.n5.

Re: Need help with lilypond-book

It seems clear that the system cannot find the lilypond executable. Have you tried adding the path to lilypond to your PATH variable? -- Phil Holmes - Original Message - From: 410172 Chief To: lilypond-user@gnu.org Sent: Tuesday, July 18, 2017 1:17 PM Subject: Need help

Re: Help changing chord names

Kieren -- Thank you! That's exactly what I was looking for and couldn't find in the library. I will certainly welcome the new chord name enhancements when available. -- TomOn July 18, 2017 at 8:06 AM Kieren MacMillan wrote:Hi Tom,Please don't quote an entire digest in your answer.How do I edit th

Need help with lilypond-book

Dear all, I need some help on getting Lilypond to work with LaTeX. I have worked with both for quite some time now, but am unable to compile my .lytex. For a start, I did not write my own scripts, but tried examples from different websites like: https://martin-thoma.com/how-to-write-music-with

Re: Help changing chord names

Hi Tom, Please don't quote an entire digest in your answer. > How do I edit the engraved text shown for a chord name? I am stuck for a > solution. 1. Override the name (cf. ), and choose your chords acco

Re: Help changing chord names

Yes, I guess it's fortunate that does works for the snippet example, but it doesn't help me with my other numerous chord names I have to change (I am designing custom fretboard diagrams for guitar). Specifying the chord as an 11th when it isn't that at all is not very attractive

Re: Help changing chord names

2017-07-18 0:54 GMT+02:00 Tom Swan : > Hi. How do I change the chord name to just D13, not D9 13, as in the > following snippet? This is probably rudimentary, but I'm a bit rusty and > just getting back into lp. Thanks. -- Tom > > \version "2.18.2" > songChords = \chordmode { > {d1:13} | > } > \sco

Help changing chord names

Hi. How do I change the chord name to just D13, not D9 13, as in the following snippet? This is probably rudimentary, but I'm a bit rusty and just getting back into lp. Thanks. -- Tom \version "2.18.2"songChords = \chordmode { {d1:13} |} \score { << \new ChordNames { \songChords } >> \layout { }}

Re: Need help with tuplets on my first score

Hey Liam, Welcome to LilyPond! Unfortunately, I cannot help you out because your request lacks a few key elements. A couple suggestions: 1) In order to get help faster, please send the list a minimal example of what you are trying to accomplish in the .ly file.  The picture is excellent, but

Re: Need help with tuplets on my first score

Am 16.07.2017 um 00:56 schrieb Liam Umbs: For my first score, I am transcribing Chopin’s Waltz in A Minor, and I am having trouble with the tuplets in measure 22. The ly file is how mine looks, and the picture is how it should look. Also confusing to me is the ottava I’m not quite sure

Need help with tuplets on my first score

For my first score, I am transcribing Chopin’s Waltz in A Minor, and I am having trouble with the tuplets in measure 22. Frederic-Chopin-Waltz-in-A-Minor.ly Description: Binary data The ly file is how mine looks, and the picture is how it should look. Also confusing to me is the ottava I’m not

Re: lilypondblog.org: A Simple Trick to Help all Musicians

Hi Sally, While your article is interesting, lilypond is a tool for advanced music engraving, and this mailing list and the website focus on that and the use of the lilypond engraving software pretty much exclusively rather than music theory or practice matters. You may find a more appropriate for

Re: lilypondblog.org: A Simple Trick to Help all Musicians

o a mailing list, and not even having done that much homework about whom she was contacting suggests her interest is primarily in advertising her own thing, not in anything that would align with our interests. I regularly get solicitations from people offering to "help" me with "fr

Re: lilypondblog.org: A Simple Trick to Help all Musicians

s Am 21.06.2017 um 11:12 schrieb Sally Perkins: > Hi There, > > My name is Sally and I am writing because I’m a freelance writer for a > small music education site. Recently, we released an eye opening guide > highlighting how a simple trick known as the circle of fifths can help &

lilypondblog.org: A Simple Trick to Help all Musicians

Hi There,  My name is Sally and I am writing because I’m a freelance writer for a small music education site. Recently, we released an eye opening guide highlighting how a simple trick known as the circle of fifths can help all musicians, especially new ones, learn to master their

Re: help to tie individual note to a chord

Mark, Thank you. Ming From: Mark Stephen Mrotek To: 'MING TSANG' ; 'Steven Weber' ; 'Lilypond-usermailinglist' Sent: Saturday, May 27, 2017 1:14 PM Subject: RE: help to tie individual note to a chord #yiv4407243761 #yiv4407243761 -- _

Re: help to tie individual note to a chord

Michael, Thank you for your kind suggestion. Next time I will do that before I ask the list. Ming. From: Michael Gerdau To: MING TSANG ; lilypond-user@gnu.org Sent: Saturday, May 27, 2017 12:14 PM Subject: Re: help to tie individual note to a chord >> I code \stemUp for f

RE: help to tie individual note to a chord

Ming, Try \stemDown Or \stemNeutral Mark From: MING TSANG [mailto:tsan...@rogers.com] Sent: Saturday, May 27, 2017 5:26 AM To: Steven Weber ; Lilypond-usermailinglist ; Mark Stephen Mrotek Subject: Re: help to tie individual note to a chord Steven and Mark, Thank you

Re: help to tie individual note to a chord

>> I code \stemUp for for the second group. It works but all subsequent >> stems are all UP. How can I stop the \stemUp for next measure onward? >> > > You can "release" the stems again with \stemNeutral. > > But I'm not sure if you should use \stemUp in the first place. Maybe you > should actual

Re: help to tie individual note to a chord

I code \stemUp for for the second group. It works but all subsequent stems are all UP. How can I stop the \stemUp for next measure onward? You can "release" the stems again with \stemNeutral. But I'm not sure if you should use \stemUp in the first place. Maybe you should actually use \voi

Re: help to tie individual note to a chord

8~ d16~ a16~ 2. } I code \stemUp for for the second group. It works but all subsequent stems are all UP. How can I stop the \stemUp for next measure onward? Thanks,Ming  From: Steven Weber To: MING TSANG ; Lilypond-usermailinglist Sent: Friday, May 26, 2017 9:46 PM Subject: RE: help to

RE: help to tie individual note to a chord

Ming, Use \set tieWaitForNote = ##t c8~ g'16~ e'~ 8 Mark From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of MING TSANG Sent: Friday, May 26, 2017 6:35 PM To: Lilypond-usermailinglist Subject: help to tie individual note

Re: help to tie individual note to a chord

Hi Ming, { \clef bass \set tieWaitForNote = ##t c,8~ g,16~ e16~ 4 } This is described in the NR. Andrew ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

RE: help to tie individual note to a chord

\set tieWaitForNote = ##t http://lilypond.org/doc/v2.18/Documentation/notation/writing-rhythms --Steven From: lilypond-user [mailto:lilypond-user-bounces+panteck=hotmail@gnu.org] On Behalf Of MING TSANG Sent: Friday, May 26, 2017 6:35 PM To: Lilypond-usermailinglist Subject: help to tie

help to tie individual note to a chord

Lilyponders I have trouble to produce the following score. (A)  Here is the snippet: \version "2.19" {   \clef bass  c,8~ g,16~ e16~ 4} produces the following (B) Question:   How can I code lilypond to produce image (A) Thanks for the help.Ming___ lilyp

Re: looking for a lot of help for piano reduction

On Monday, May 15, 2017 5:17 PM, Molly Preston wrote: Hello everyone. I don't know anyone who has lilypond who can help me with writing up a piano reduction, so I thought I would ask the list. I have a project that is (technically) due next Monday. But I don't have the time to mes

Re: looking for a lot of help for piano reduction

ing about, and what texture (SATB, brass > choir, etc)? > > Karen > > > On Monday, May 15, 2017 5:17 PM, Molly Preston > wrote: > > > Hello everyone. > > I don't know anyone who has lilypond who can help me with writing up a > piano reduction, so I thought I wou

Re: looking for a lot of help for piano reduction

Hi Molly, How big a composition are we talking about, and what texture (SATB, brass choir, etc)? Karen On Monday, May 15, 2017 5:17 PM, Molly Preston wrote: Hello everyone.  I don't know anyone who has lilypond who can help me with writing up a piano reduction, so I thought I

looking for a lot of help for piano reduction

Hello everyone. I don't know anyone who has lilypond who can help me with writing up a piano reduction, so I thought I would ask the list. I have a project that is (technically) due next Monday. But I don't have the time to mess with all the lilypond errors I'm getting fro

looking for a lot of help for piano reduction

Hello everyone. I don't know anyone who has lilypond who can help me with writing up a piano reduction, so I thought I would ask the list. I have a project that is (technically) due next Monday. But I don't have the time to mess with all the lilypond errors I'm getting fro

Re: looking for help debugging a "return code 1 error"

Hi Kieran, Send it to me. Andrew On 13 April 2017 at 20:53, Kieren MacMillan wrote: > Hi all, > > I’ve been trying to debug this myself, to no avail. Is there someone out > there willing to have me send them (off-list) my entire \include tree, so > that you can help me fin

Re: looking for help debugging a "return code 1 error"

Hi all, I’ve been trying to debug this myself, to no avail. Is there someone out there willing to have me send them (off-list) my entire \include tree, so that you can help me find the source of this compile problem? Thanks, Kieren. Kieren MacMillan, composer

Re: looking for help debugging a "return code 1 error"

Kieren MacMillan writes: > Hi David, > > Thanks for the detailed and [perhaps surprisingly] helpful reply. > >> The last lines of the traceback >> >> 243: 13 [ly:book-process # #< Output_def> ...] >> In unknown file: >> ?: 14* [# #] >> ?: 15* [# # #] >> ?: 16* [# #] >> >> point to code l

Re: looking for help debugging a "return code 1 error"

Hi David, Thanks for the detailed and [perhaps surprisingly] helpful reply. > The last lines of the traceback > > 243: 13 [ly:book-process # #< Output_def> ...] > In unknown file: > ?: 14* [# #] > ?: 15* [# # #] > ?: 16* [# #] > > point to code likely introduced in version 2.19.55 Befor

Re: looking for help debugging a "return code 1 error"

Kieren MacMillan writes: > A little more that might help: > > 1. My skeleton score has a bunch of partcombine-d staves (all empty), > and a single vocal staff (with music). > > 2. The vocal staff uses David Nalesnik’s > text-spanner-inner-texts. This works perfectly in the p

Re: looking for help debugging a "return code 1 error"

A little more that might help: 1. My skeleton score has a bunch of partcombine-d staves (all empty), and a single vocal staff (with music). 2. The vocal staff uses David Nalesnik’s text-spanner-inner-texts. This works perfectly in the piano-vocal score of the same piece (i.e., without the

looking for help debugging a "return code 1 error"

Hello all, In 2.19.58, I’m getting a “return code 1” error for some reason, in an essentially blank score (though there are lots of include files, context tweaks, etc.). Can anyone look at the following log output and tell me roughly what I should be looking for in order to fix this? (n.b. Inc

Re: Help - Align staff to the middle of page.

Hi Allen, > Anyone knows how to align music staff to the middle of the page instead of > the top? This should give you a hint about what parameters to consider: \version "2.19.54" \paper { tagline = ##f ragged-bottom = ##f ragged-last-bottom = ##f top-system-spacing = #

Re: Help - Align staff to the middle of page.

On Sun, Mar 19, 2017 at 2:57 PM, Allen Wu wrote: > Hey guys, > > Anyone knows how to align music staff to the middle of the page instead of > the top? > I guess you could fake it with top-margin: \version "2.19.56" \relative { c'4 d e f | g f e d | c1 | } \paper { top-margin = 100 } --- Kn

Help - Align staff to the middle of page.

Hey guys, Anyone knows how to align music staff to the middle of the page instead of the top? Best, Allen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: help on note head, thanks

On 2017/3/3 23:14, David Kastrup wrote: [snipped] I guess that this is a beginner's book and this indicates fingering the B3 in advance simultaneously with the F4♯ by pressing down on both with your middle finger. Yes, it's a score from a beginner's book. Thanks you very much for the explanat

Re: help on note head, thanks

On Fri, Mar 3, 2017 at 10:57 AM, Simon Albrecht wrote: > Am 03.03.2017 um 16:49 schrieb Jeffery Shivers: >> >> [1] find a full list of available glyphs in "ps/encodingdefs.ps". > > > More easily, there is an appendix to the Notation Reference under A: ‘The > Feta Font’, which shows all the glyphs

Re: help on note head, thanks

Am 03.03.2017 um 16:49 schrieb Jeffery Shivers: [1] find a full list of available glyphs in "ps/encodingdefs.ps". More easily, there is an appendix to the Notation Reference under A: ‘The Feta Font’, which shows all the glyphs along with their names. Best, Simon

Re: help on note head, thanks

On Fri, Mar 3, 2017 at 10:14 AM, David Kastrup wrote: > Jinsong Zhao writes: > >> On 2017/3/3 17:02, David Kastrup wrote: >>> Jeffery Shivers writes: >>> On Thu, Mar 2, 2017 at 9:48 PM, Jinsong Zhao wrote: > On 2017/3/3 10:35, Jeffery Shivers wrote: >> >> On Thu, Mar 2, 2017 at

Re: help on note head, thanks

Jinsong Zhao writes: > On 2017/3/3 17:02, David Kastrup wrote: >> Jeffery Shivers writes: >> >>> On Thu, Mar 2, 2017 at 9:48 PM, Jinsong Zhao wrote: On 2017/3/3 10:35, Jeffery Shivers wrote: > > On Thu, Mar 2, 2017 at 9:24 PM, Jinsong Zhao wrote: >> >> Hi there, >> >>>

Re: help on note head, thanks

On 2017/3/3 17:02, David Kastrup wrote: Jeffery Shivers writes: On Thu, Mar 2, 2017 at 9:48 PM, Jinsong Zhao wrote: On 2017/3/3 10:35, Jeffery Shivers wrote: On Thu, Mar 2, 2017 at 9:24 PM, Jinsong Zhao wrote: Hi there, In a violin score, I saw something similar to the following code,

Re: help on note head, thanks

Jeffery Shivers writes: > On Thu, Mar 2, 2017 at 9:48 PM, Jinsong Zhao wrote: >> On 2017/3/3 10:35, Jeffery Shivers wrote: >>> >>> On Thu, Mar 2, 2017 at 9:24 PM, Jinsong Zhao wrote: Hi there, In a violin score, I saw something similar to the following code, but the sec

Re: help on note head, thanks

ine. > >> >> Is what you're looking for here? >> http://lilypond.org/doc/v2.19/Documentation/notation/note-heads >> >>> I can not recognize it, and >>> don't know how to input it into lilypond. Any help? Thanks in advance. >>> &

Re: help on note head, thanks

ilypond.org/doc/v2.19/Documentation/notation/note-heads I can not recognize it, and don't know how to input it into lilypond. Any help? Thanks in advance. \relative c' { \key g \major << {dis16 [fis b, ais]} \\ {s \omit Stem b4} >> } This is a better version of your sn

Re: help on note head, thanks

ou want? Was it definitely a triangle, by the way? Not a diamond? Is what you're looking for here? http://lilypond.org/doc/v2.19/Documentation/notation/note-heads > I can not recognize it, and > don't know how to input it into lilypond. Any help? Thanks in advance. > > \relative

help on note head, thanks

Hi there, In a violin score, I saw something similar to the following code, but the second voice b4 was displayed as a triangle. I can not recognize it, and don't know how to input it into lilypond. Any help? Thanks in advance. \relative c' { \key g \major << {dis16 [fis

Re: Help coding two different voices in the same bar

r that I > can not code, no matter what I try. Any help will be greatly > appreciated. Look at this picture, at the second bar...   thanks! A.  > View this message in context: Help coding two different voices in the > same bar > Sent from the User m

Re: Help coding two different voices in the same bar

38.n5.nabble.com/Help-coding-two-different-voices-in-the-same-bar-tp200088p200091.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Help coding two different voices in the same bar

Hello, I am starting now coding in Lilypond and I am trying to learn using old scores that I have at home.I found a particular bar that I can not code, no matter what I try.Any help will be greatly appreciated.Look at this picture, at the second bar... <http://lilypond.1069038.n5.nabble.com/f

Re: Help coding two different voices in the same bar

Aldo wrote > Hello, I am starting now coding in Lilypond and I am trying to learn using > old scores that I have at home. > I found a particular bar that I can not code, no matter what I try. > Any help will be greatly appreciated. > Look at this picture, at the second bar... &

Re: help with frameEngraver-bars-and-boxes function

Thanks David and Holland!! It is working now. All the best, James Original Message Subject: Re: help with frameEngraver-bars-and-boxes function Local Time: January 9, 2017 12:48 PM UTC Time: January 9, 2017 2:48 PM From: david.nales...@gmail.com To: holl

Re: help with frameEngraver-bars-and-boxes function

`FrameExtender' failed; value `#' > must be of type `list' > warning: type check for `Frame' failed; value `#' must be > of type `list' > Interpreting music... > Exited with exit status 1. > > My code skills aren't enough to fix it. Can someone h

Re: help with frameEngraver-bars-and-boxes function

`list' > warning: type check for `Frame' failed; value `#' must be of > type `list' > Interpreting music... > Exited with exit status 1. > > My code skills aren't enough to fix it. Can someone help me? > I am attaching the .ily file, I hope the author wi

help with frameEngraver-bars-and-boxes function

ited with exit status 1. My code skills aren't enough to fix it. Can someone help me? I am attaching the .ily file, I hope the author will be ok with. Thanks in advance!!! frameEngraver-bars-and-boxes.ily Description: Binary data ___ lilypond

Re: Ugly slur with large leap - help?

Hi All, I just want to say that I make very heavy and extensive use of the \shapeII function in openlilylib in my dense new complexity school scores and it behaves perfectly. This is contrary to what Simon reports, so I am mystified. I mention this so that the experience of Simon does not put you

Re: Ugly slur with large leap - help?

Am 23.12.2016 um 11:49 schrieb Simon Albrecht: > Maybe try \shapeII from openlilylib as well, it’s much more comfortable > to use, though in my experience sadly it messes with system/staff > placement in a way that makes it unusable. Could you please elaborate a little bit on that, possible with e

Re: Ugly slur with large leap - help?

On 23.12.2016 11:29, Shevek wrote: My question was specifically if there is a way to fix this behavior*without* manually tweaking each slur. Or failing that, if this is a known bug. It is known that the slur and tie and phrasing slur printing algorithms aren’t very good in difficult situations

Re: Ugly slur with large leap - help?

My question was specifically if there is a way to fix this behavior *without* manually tweaking each slur. Or failing that, if this is a known bug. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Ugly-slur-with-large-leap-help-tp198395p198403.html Sent from the User

Re: Ugly slur with large leap - help?

See: http://lilypond.org/doc/v2.18/Documentation/notation-big-page#modifying-ties-and-slurs - Original Message - > From: "Shevek" > To: "Lillypond Users Mailing List" > Sent: Friday, December 23, 2016 10:18:12 AM > Subject: Re: Ugly slur with large l

Re: Ugly slur with large leap - help?

Flipping the slur avoids the worst problems, but it's not really correct. Ideally, it should bend dramatically underneath the stem then upwards towards the grace note. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Ugly-slur-with-large-leap-help-tp198395p198401

Re: Ugly slur with large leap - help?

Sent: Friday, December 23, 2016 8:47:13 AM > Subject: Ugly slur with large leap - help? > I have a passage similar to the following: > > \version "2.18" > \language "english" > > \relative c''' { > \grace { f8( } c,8 b c2.) > } > &g

Ugly slur with large leap - help?

stem. Is this a bug? Is there a way to improve how it looks without manually tweaking each slur? This figure appears a lot throughout the piece. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Ugly-slur-with-large-leap-help-tp198395.html Sent from the User

Re: Half-note stem length Function help

Good point, shall we say, to match what is commonly done in this style ;) No point in calling the same over and over again. How about:  halve-half-stems =  \override Stem.before-line-breaking =  #(lambda (grob)  (if (= 1 (ly:grob-property grob 'duration-log))  (let ((half-orig-lngth (/ (ly:grob-p

Re: Half-note stem length Function help

Hi Carl, 2016-12-18 6:20 GMT+01:00 Carl Williams : > For those interested, > > I made some improvements to the solution for this. It now accounts for > whether the stems are up or down, so as to match what is commonly done in > modern tablature. I really doubt about "commonly" ;) I've seen so man

Re: Half-note stem length Function help

e functionality simply by \including the file, without any need to change the music, or to type the function each time you need it. But of course you can just do whatever fits your need best :-) It is standard to keep conversation always on-list: others may be interested in the information or have more s

Re: Help with function to output formatted \mark

I achieved a working solution after I found out about lambda*. I would like to improve on this, but at least I achieved the expected result. The example: \version "2.19.52" %Useful definitions #(define characters.thinSpace (ly:wide-char->utf-8 #x2009)) #(define characters.longDash (ly:wide-char-

Re: Help with function to output formatted \mark

I made some progress, although I'm sure there better and more elegant solution. Example: \version "2.19.52" %Useful definitions #(define characters.thinSpace (ly:wide-char->utf-8 #x2009)) #(define characters.longDash (ly:wide-char->utf-8 #x2013)) #(define characters.curvyEqual "≈") %Properties

Re: Half-note stem length Function help

may be interested in the information or have more skills and/or time to help out than I. So always ‘Reply All’, unless there is a compelling reason to keep any information private. Best, Simon ___ lilypond-user mailing list lilypond-user@gnu.org https

Help with function to output formatted \mark

Hello everyone, I finally decided to start using Scheme functions. For learning purposes, I'm trying to write a function that will imitate the output from this snippet from the repository . I achieved the look of the output but I can't seem to figure ou

Re: Half-note stem length Function help

standard to keep conversation always on-list: others may be interested in the information or have more skills and/or time to help out than I. So always ‘Reply All’, unless there is a compelling reason to keep any information private. Best, Simon

Re: 8va - ottava bracket help

Yes, it does. Thank you! On 16 December 2016 at 00:48, David Nalesnik wrote: > On Thu, Dec 15, 2016 at 5:24 PM, Gianmaria Lari > wrote: > > I'm editing a score where I would like to specify "8va". > > > > If I write > > > > \version "2.19.52" > > { > > \ottava #1 > > a b > > } > > > > > > l

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