On Wed, Jan 04, 2017 at 09:56:34PM +0100, Dario Marrini wrote:
[...]
>may you and anybody suggest me any MIDI editor avaluable for Linux?
>I don't use Windows anymore, since '99...
[...]
Many years ago I used Rosegarden. I don't use it anymore these days,
since I work mostly in notation n
Am 2017-01-04 um 21:56 schrieb Dario Marrini :
> I thought using lilypond might be better to manipulate some stuff like
> crescendo and diminuendo; simply putting two commands among notes; I have no
> idea how a midi editor could do that, but in case of a long crescendo
> (several bars) I think
many thanks Teoh,
I'll take time to study all you sent me, I see it's hard to understand in a
first look...
may you and anybody suggest me any MIDI editor avaluable for Linux? I don't
use Windows anymore, since '99...
I thought using lilypond might be better to manipulate some stuff like
crescend
On Wed, Jan 04, 2017 at 07:59:17PM +0100, Dario Marrini wrote:
[...]
> * violin part has many 1/8 notes, many are repeating itselves,
>listening the MIDI output it seems it's not very well, notes'
>sounds are too much closing, and repeating notes sound like a
>unique so
thanks to all, I tried the Teoh's solution and it worked in a few
seconds...
now, other questions...
- violin part has many 1/8 notes, many are repeating itselves, listening
the MIDI output it seems it's not very well, notes' sounds are too much
closing, and repeating notes sound like a
2017-01-04 17:07 GMT+01:00 Dario Marrini :
> Hi everybody,
> I'm trying to get a 'expressive' midi file, classical music ( I'm copying
> the Final from Beethoven's Leonora n.3 Ouverture); I prefere to manage
> expression marks separately from notes' body, so I created two voice
> contextes, one f
On Wed, Jan 04, 2017 at 05:07:30PM +0100, Dario Marrini wrote:
[...]
> <<
> \new Voice = "violino_I" { \violin_I }
> \new Voice = "espress" { \expr_violin_I }
> >>
[...]
In the latest 2.19.x, the MIDI dynamics performer has been moved from
Staff into Voice. So proba
Hi everybody,
I'm trying to get a 'expressive' midi file, classical music ( I'm copying
the Final from Beethoven's Leonora n.3 Ouverture); I prefere to manage
expression marks separately from notes' body, so I created two voice
contextes, one foe the notes and one for expression; each value n the