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the lower voice is written in quarters…
so either you break at another point or you write the corresponding quarter
as tied 8th!
hth
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Hi, thanks for your email, adding \break doesn't seem to change anything,
please see the example below
regards,
zb
\version 2.12.3
upper = \relative c'' {
\clef treble
\key c \major
\cadenzaOn
c4. c c c c c c c c c c c c \bar \break c c c c c c c c c c c c c c
c c c c c c c c c c c
well yes, i guess the question was if the line can be broken at any point
regardless of rhythmical values
is that possible?
zb
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Hello,
I'm trying to produce a piano score with two independent staves
with long sections of unmetered music
filled with notes of different rhythmical values.
using two cadenzas with \bar fails to produce a line
break (I guess since the rhythms always sum up to something different).
Is
On 5/30/2010 11:14 PM, zbigniew brzezinski wrote:
Hello,
I'm trying to produce a piano score with two independent staves
with long sections of unmetered music
filled with notes of different rhythmical values.
using two cadenzas with \bar fails to produce a line
break (I guess since the rhythms
