Sehr geehrte Damen und Herren
ich kann mit meiner LilyPond-Version 2.10.33 keine Midi-Datei nach
.ly-Konvertieren. Das zuständige Script midi2ly.py gibt in der Zeile 51 ("import
midi") einen Fehler aus (Modul konnte nicht gefunden werden!).
Wie kann ich das Problem beheben bzw. benötig
;
wechseln. Ansonsten ist mir die Endung "py" unbekannt, aber das
könnte wohl am Betriebssystem liegen.
Viel Glück!
Stefan Thomas
>Sehr geehrte Damen und Herren
>
>ich kann mit meiner LilyPond-Version 2.10.33 keine Midi-Datei nach
>.ly-Konvertieren. Das zuständige Script
Hi,
I'm having a problem setting the MIDI tempo from within a function. When I
compile the file below, I get the error message:
GNU LilyPond 2.11.35
Processing `test.ly'
Parsing...
:3:11: error: syntax error, unexpected SCM_TOKEN, expecting DIGIT or
UNSIGNED or DURATION_IDENTIFIER
I am using v. 2.10.33 and I am getting no midi output when using
LilyPond-book (i.e. \include "lilypond-book-preamble.ly" ).
---
%Example that works
\version "2.10.33"
\include "lilypond
AFAIK midiInstrument goes in the Staff context, and you can use it like:
%% CODE BEGIN
\version "2.11.37"
Notes = \new Staff \relative {
\set Staff.midiInstrument = "recorder"
c4 d2 e4 |
f1
}
%% For Visual output
\score {
\Notes
}
%% For midi output
\scor
Op zaterdag 26 januari 2008, schreef Thomas Spuhler:
> Lilypond doesn't like my midi section:
Try:
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 90 4)
}
\context {
\Staff
midiInstrument = "recorder"
}
}
The \set Staff.midiInstrument
On Saturday 26 January 2008, Wilbert Berendsen wrote:
> Op zaterdag 26 januari 2008, schreef Thomas Spuhler:
> > Lilypond doesn't like my midi section:
>
> Try:
> \midi {
> \context {
> \Score
> tempoWholesPerMinute = #(ly:make-moment 90 4)
&
\new Staff {
\new Voice { \instrumentOne }
}
\new Staff {
\new Voice { \instrumentTwo }
}
>>
\layout {}
\midi {}
}
There should be no problem with using barchecks.
Music functions can take rationals as type ly:moment?, I
believe.
It should be possible to rep
he musical expressions in
functions, so that a different definition of addStaccato is used for
print output versus MIDI output.
Defining addStaccato for print output is easy, as it's almost the
addMarcato example in the docs. I haven't quite got it working for MIDI
output yet, but
El Tue, 11 Mar 2008 12:30:07 +1100
Peter Chubb <[EMAIL PROTECTED]> escribió:
> The artemis orchestra competition has specified Lilypond as
> its input format
since the subject of "better midi" on lilypond has surfaced, i'd like
to take the opportunity to express a w
I faced the same problem four or five years ago, and I ended up writing
a perl script that
converted the volume changes into velocities in the midi file. If
necessary, I can dig up and try
to find it in my archives...
Darius.
luis jure wrote:
El Tue, 11 Mar 2008 12:30:07 +1100
Peter Chubb
Is there an easy way to produce a MIDI file per voice? Or should I do it
with several runs of Lilypond, commenting the other voiced out?
Regards,
Morten
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2008/5/6 Mats Bengtsson <[EMAIL PROTECTED]>:
> Currently, LilyPond uses a separate track (and channel) for each Lyric
> context to output
> the corresponding lyric syllables,
AFAICT all lyrics could perfectly go into the same track. Lyrics
events and other META events do not have a channel.
One
Mats Bengtsson <[EMAIL PROTECTED]> writes:
> For songs with several verses, I guess the lyric printouts won't
> make any sense, no matter how we place the information in the MIDI
> files.
Not unless we introduce some kind of semantic to tell Lilypond that
they are verses,
Hi Michael:
it would be very useful to have some universal dynamics
for the layout and midi, some additional dynamics for the
layout only and some additional dynamics for the midi only.
Depending on how your brain works, there are two obvious ways to do it:
1. Define three variables
take effect on encountering a dynamic mark, so be
sure you have a mark at the beginning of the piano notes.
BTW, an easier way may be to simply use quieter dynamic marks on the music
of the instruments you want to reduce - these also affect the MIDI volume.
To do this i use often "stac
WithChords \global \Alto >>
\new Staff << \WithChords \global \Tenore >>
\new Staff << \WithChords \global \Baritono >>
>>
\layout { }
}
--
>
> BTW, an easier way may be to simply use quieter dynamic marks on the
> music
> of the instr
You're right (I think), I can't make dynamics work in the ChordMode context
either.
However, if all you want to do is to silent the chords you can try removing
the Note_performer, like this:
\midi {
\context {
\ChordNameVoice
\remove Note_performer
}
}
Writi
Hi,
How do you play from lilypond exported midi drum files? How do match
hi-hat from score with hi-hat from sequencer/ synth?
Regards,
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Hello,
I'm having some trouble with MIDI output. Using this:
\relative c'' {
<< { c4 d e c } \\ { c1 } >>
}
The last c4 is not played because the c1 is still playing.
Is there a way to work around this behavior?
Thanks,
Itay
__
It's not in the docs because it's not lilypond. Consult the docs
for your MIDI player and/or synth.
Cheers,
- Graham
On Wed, 08 Oct 2008 13:52:25 -0500
Jonathan Kulp <[EMAIL PROTECTED]> wrote:
> Can someone tell me how to disable the reverb effect that is used by
> defa
Thanks Graham. I didn't realize this (obviously) :)
Jon
Graham Percival wrote:
It's not in the docs because it's not lilypond. Consult the docs
for your MIDI player and/or synth.
Cheers,
- Graham
On Wed, 08 Oct 2008 13:52:25 -0500
Jonathan Kulp <[EMAIL PROTECTED]> wro
2008/10/8 Graham Percival <[EMAIL PROTECTED]>:
> It's not in the docs because it's not lilypond. Consult the docs
> for your MIDI player and/or synth.
LilyPond is for typesetting but it also has MIDI capabilities.
LilyPond's typesetting capabilities are expande
I followed Graham's advice to check into my MIDI player and found that
Timidity has a huge array of command-line options. I tried disabling
reverb and it helped a bit. Hard to say. It sounded like it still had
some reverb but it wasn't nearly as bad. I'm not even co
2008/10/9 Jonathan Kulp <[EMAIL PROTECTED]>:
> There were no examples in the manpage (argh!!
> I hate that!!), and it was hard to say exactly how to do it, since the
> disable reverb option was nested inside another option that apparently
> didn't need a hyphen and...(sigh...)
Well, I guess not ev
Why is it important to play the midi file during generation?
John O'Hagan wrote:
Hi,
I'm using Lilypond to print the results of an algorithmic music program written
in Python.
I'm looking for a way to play the results as they are produced (i.e bar by
bar), and it occu
I think LilyPond must have the full score to create the MIDI, it doesn't
happen measure by measure.
John O'Hagan wrote:
Why is it important to play the midi file during generation?
I'm glad you asked! The program is intended to have a performance mode: you
enter a set
fill
the memory and never complete. This way, it can begin to "perform"
immediately.
Of course, it is possible to play midi files (or scores) produced
by Lilypond
at the end of the process, but that may be much later, or never.
To date, I've been using the sox synth to play the r
On Mon, 13 Oct 2008, Bertalan Fodor (LilyPondTool) wrote:
> Why is it important to play the midi file during generation?
I'm glad you aked! The program is intended to have a performance mode: you
enter a set of requirements and restrictions on the command-line (this is the
creative pa
Le 1 novembre 2008 14:20, www.bigcab <[EMAIL PROTECTED]> a écrit :
> le probleme c'est qu'il n'y a pas de bloc score quand on execute
> musicxmltoly
Effectivement ; il faut donc en ajouter un (autour de
\new Staff << ... >>
ou
\new StaffGroup << ... >>
à la fin du fichier).
Cordialement,
Valent
include -user-fr as a Cc, not -user).
Thanks (a lot) to Reinhold, musicxml2ly's next version will make it a
lot easier to have midi output!
Cheers,
Valentin
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On Mon, Nov 17, 2008 at 03:50:29AM +, Ian Hulin wrote:
> Why isn't the effect of \unfoldRepeats in a \midi block the default
> behaviour? If you're listening to a sound playback of your piece, don't
> you want to hear it as it would be played rather than the compute
Graham Percival <[EMAIL PROTECTED]> writes:
> It depends on why you're listening to the piece. I *do* want to
> hear it clunking along, since I only ever listen to midi as a
> quick "proofread" [...]
Yes, though I'd say Ian has a point, too. I use the midi in
Apologies to the list if this comes in twice, I'm replying using gmane
newsgroup in Thunderbird for the first time :-) .
Graham Percival wrote:
It depends on why you're listening to the piece. I *do* want to
hear it clunking along, since I only ever listen to midi as a
quick "
Hi Johan,
Johan Vromans wrote:
Graham Percival <[EMAIL PROTECTED]> writes:
It depends on why you're listening to the piece. I *do* want to
hear it clunking along, since I only ever listen to midi as a
quick "proofread" [...]
Yes, though I'd say Ian has a
be
> able to steal from the best . . . )
This is exactly what I did *not* want.
If you want to change the score to control unfolding, it is much
easier to do:
\score {
\unfoldRepeats
\allMusic
\midi { }
}
and comment/uncomment the line \unf
David Picón Álvarez <[EMAIL PROTECTED]> writes:
> d''4*95/192 s4*1/192 a'4*95/192 s4*1/192 a4*95/192 s4*1/192 g4*95/192
> s4*1/192 f4*95/192 s4*1/192 e4*95/192 s4*1/192 d4*95/192 s4*1/192
> e4*95/192 s4*1/192 |
>
> I was looking at the source of the converter, and although I'm not
> sure if
ch below my current file which generates pretty nice sheet
music, but which has some weakness in the structuring of the melody
sections and the lyrics.
Also, I haven't been able to figure out the midi generation. When I
put a midi block in, then the output has the chords but doesn't fol
I won't attempt to answer all of this, but, the easiest beginning to
a solution is to have two separate \score blocks, one with a \layout
and one with a \midi. That way, you can structure your midi output
the way it should be, and structure the pdf the way it should be.
Very simpl
Grateful Frog wrote:
how to get that out in a midi file that plays properly,
and only the melody not the lyrics and chords?
You can get the midi output to do repeats,
but it won't know about the D.C.
So give it a helping hand by defining
myNotesDC = {
\r
be welcome!
In the meantime I am overwhelmed by the quality and power of lilypond as
well as the cohesiveness and strength of its user community! Both are
uplifting!
Cheers,
GF.
On Tue, Jan 20, 2009 at 11:33 PM, Robin Bannister wrote:
> Grateful Frog wrote:
>
>> how to get that out in
meantime I am overwhelmed by the quality and power of
lilypond as well as the cohesiveness and strength of its user
community! Both are uplifting!
Cheers,
GF.
On Tue, Jan 20, 2009 at 11:33 PM, Robin Bannister
wrote:
Grateful Frog wrote:
how to get that out in a midi file that plays pro
graphical objects...
Finding the ideal number of pages...
Fitting music on 1 page...
Drawing systems...
Layout output to `satb.ps'...
Converting to `./satb.pdf'...
warning: cannot find file: `'
error: failed files: ""
...and no midi file - the .ps and .pdf files are generated fin
Hi:
We can make new dynamic marks with make-dynamic-script, but can the
new dynamic symbol reflected in MIDI? For example, in some music "f"
is written as "forte", "p" as "piano". If I want to keep this text
but want MIDI to express the f
om = ##f
> The other issue is the generating of a midi file. The score has what I
> assume to be the proper \midi { } placement since there are no error
> messages...but I don't see any midi file being created.
do you have:
\score {
<< all music >>
\layout { }
\midi
Hi, users.
I want to set volume range of midi,
so use midiMinimumVolume and midiMaximumVolume.
But I could not resolve some problems.
1st
work so good.
2nd
midi volume over the value of midiMaximumVolume.
3rd
set \f with transparent, midi volume is good, but Hairpin too short.
4th
midi volume
Hello, I'm using the latest versions of both Lilypond and LilypondTool (which
I find extremely useful) on WinXP sp3 with jEdit, but nowthe "play MIDI"
function doesn't work, and the player tells me "Error loading MIDI". The
reason could be it tries to load a &qu
How can I play a file in midi?
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Am 27.05.2009 um 19:09 schrieb Frédéric Bron:
Does anybody know any good free midi player for windows?
I mean so that intrument sounds are like the real instruments, not an
awful output.
Frédéric
The sounds are probably controlled by a soundfont, not the midi
player. There may be midi
Am 2009-05-27 um 19:09 schrieb Frédéric Bron:
Does anybody know any good free midi player for windows?
I mean so that intrument sounds are like the real instruments, not an
awful output.
If you mean only free as in beer, try QuickTime:
http://www.apple.com/quicktime/download/
(No soundfonts
>
> Does anybody know any good free midi player for windows?
> I mean so that intrument sounds are like the real instruments, not an
> awful output.
>
> Frédéric
>
I recommend Timidity, which is available for Windows as well as Linux. You
can choose the sound fo
>>>>> "bernie" == bernie arai writes:
bernie> i'm trying my hand at finally using the midi output of
bernie> lilypond to audition my scores (instead of relying on my
bernie> horrid piano playing). after a bit of messing around, and a
bernie> while look
2009/6/5 bernie arai :
> i'm trying my hand at finally using the midi output of lilypond to
> audition my scores (instead of relying on my horrid piano playing).
> after a bit of messing around, and a while looking through the docs,
> i'm a bit stumped as to what to t
>>>>> "Francisco" == Francisco Vila writes:
Francisco> 2009/6/5 bernie arai :
>> i'm trying my hand at finally using the midi output of lilypond to
>> audition my scores (instead of relying on my horrid piano playing).
>> after a bit of mess
2009/6/5 Peter Chubb :
> Francisco> Please use \transposition for this.
>
> \transposition doesn't sit well with MIDI output if you're going to do
> further transpositions.
>
> Try:
> \version "2.11.62'
> clarinet = \transpose bes c' { \tr
Hi All,
When I output to MIDI, it seems that notes on my DrumStaff do not go to
channel ten--in the MIDI file, they are assigned a basic GM piano sound. Is
there a way to explicitly assign MIDI channel 10 to DrumStaff?
Thanks,
Dave
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Andy wrote:
Hello,
sorry for off-topic question. Since you're experineced with notation I hope
you can help. I am looking for a GUI based notation editor. The requirements
are:
- runs on Windows VISTA
- open source or other free software
- visual input (GUI)
- can generate MIDI files
I
- can generate MIDI files
I would be nice if support for multiple staves is included.
The intention is to enter a score to generate a play along MIDI for
practice.
Can you point to any tool I can use?
Try Musescore
\r
btw why don't you install ubuntu 9.04? It has all you want
great software, a
lot of readers use the PC also for other tasks than generating fine
scores or MIDI files.
Regards,
Helge
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ould install ubuntu x.xx when you have ported i.e.
> Platform Builder 6.0
> The Nokia PC Suite
> Skype
> to ubuntu. Please keep in mind: Despite Lilypond is a great software, a
> lot of readers use the PC also for other tasks than generating fine
> scores or MID
so for other tasks than generating fine
> scores or MIDI files.
Many people have solved this issue by installing a dual-boot system.
BTW: skype is available for Ubuntu also, and for connecting my Nokia
phone to Linux I'm using gammu and gnokii.
On the other hand, MuseScore, Lilypon
spite Lilypond is a great software,
a lot of readers use the PC also for other tasks than generating fine
scores or MIDI files.
You obviously knows little about recent Ubuntu versions...
\r
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r other tasks than generating fine
> scores or MIDI files.
...you don't know that!
Jan.
--
Jan Nieuwenhuizen | GNU LilyPond - The music typesetter
Avatar®: http://AvatarAcademy.nl| http://lilypond.org
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t;
Even if you have worked with MuseScore only! Better go to a concert, or give
money to open source fondation :)
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Once I had very little time to produce a score, so gave a chance to
Finale Notepad (it was free then).
Then I realized I need to change the time signature in the middle of the
piece. And Finale Notepad didn't allow.
Actually I give a chance to Linux every year (thanks to the Live CD-s it
is ea
> lilypond-user mailing list
> lilypond-user@gnu.org
> http://lists.gnu.org/mailman/listinfo/lilypond-user
>
>
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hat memo? And even if some cellphones are equipped with WinCE, I have
nothing to do with mobile devices. I use this software and just asked
how Grammostola would run it with ubuntu or any other Linux.
to ubuntu. Please keep in mind: Despite Lilypond is a great software, a
lot of readers
Pleas
Grammostola Rosea gmail.com> writes:
> > Try Musescore
> >
> > \r
> btw why don't you install ubuntu 9.04? It has all you want.
> Lilypond
> Musescore
> Nted
> Rosegarden
> Frescobaldi
Do I need all these programs to generate MIDI? It looks like
Andy wrote:
Grammostola Rosea gmail.com> writes:
Try Musescore
\r
btw why don't you install ubuntu 9.04? It has all you want.
Lilypond
Musescore
Nted
Rosegarden
Frescobaldi
Do I need all these programs to generate MIDI? It looks like I had only to
install MuseScore on VISTA.
> David
>
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Hi,
It's a little bit annoying thing.
I have installed it on Gentoo with the ebuild improved on the
Frescobaldi's site. All is right. But when i save, compile and want to
play the midi, a box opens where i have to write *each time* the path
from timidity. It doesn't record the
Hi Everyone,
Is there a way to export quarter tone information to midi?
Thanks!
Avner
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Hi,
Does anyone know if it is possible to convert a MIDI file to an
proportional (spacial) notated score with LilyPond? In other words: can
LilyPond calculate the right spaces between the notes based on timing in a
MIDI file?
I have no experience with LilyPond yet, and wonder if it is
Hello Karl,
Thanks for your reaction.
I could not open the miditoly.pl file. but that is no problem. At first I
will try the conversion with LilyPond. If that doesn't work (good enough)
I'll try your program and ask you again.
Peter
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uot; \tempo marks to control midi
playback speed. Or more precisely, \tag them so that they are removed
from the typeset score, but included in the midi score. Something like
this:
myMusic = {
\tempo 4 = 120 % initial tempo
...
\tag #'midi
Hi,
you can omit the tempo and still have the effect:
\version "2.19.21"
\score {
{
\tempo 4=120
a
\omit Score.MetronomeMark
\tempo 4=30
b
\omit Score.MetronomeMark
\tempo 4=120
a
}
\midi{}
}
Che
insert "invisible" \tempo marks to control midi
playback speed. Or more precisely, \tag them so that they are removed
from the typeset score, but included in the midi score. Something like
this:
myMusic = {
\tempo 4 = 120 % ini
Gilberto Agostinho writes:
> Hi all,
>
> In the MIDI output, is it possible to make the grace notes to be played on
> the beat as opposed to stealing time from the previous bar?
I don't think so. But conceivably the articulate script deals correctly
with \appoggiatura.
-
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7;2
\appoggiatura {c'16} d'2
\appoggiatura {c'32} d'2
r2
\appoggiatura {c'8 e'} d'2
\appoggiatura {c'16 e'} d'2
\appoggiatura {c'32 e'} d'2
r2
}
\score {
\music
\layout{}
}
\score {
\articulate \music
\midi{}
}
"
>
> music = {
> \appoggiatura {c'8} d'2
> \appoggiatura {c'16} d'2
> \appoggiatura {c'32} d'2
> r2
> \appoggiatura {c'8 e'} d'2
> \appoggiatura {c'16 e'} d'2
> \appoggiatura {c'32 e'
t:
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7; bes,]} ees,4 \grace {dis'32}
ees,4}
B = {\clef bass c,4 c, c, c,}
\markup {"score"}
\score {
<<
\new Staff \A
\new Staff \B
>>
\layout {}
}
\markup {"playback"}
\score {
<<
\new Staff \articulate \A
\new Staff \B
>>
\la
On Sat 28 Nov 2015 at 06:23:00 (-0700), Gilberto Agostinho wrote:
> David Kastrup wrote
> > So how should this be rigged instead? Nominal length, unless that would
> > swallow all of the following notelength or more? And otherwise scale
> > down repeatedly by a factor of 2 until it doesn't?
>
>
David Wright writes:
> On Sat 28 Nov 2015 at 06:23:00 (-0700), Gilberto Agostinho wrote:
>> David Kastrup wrote
>> > So how should this be rigged instead? Nominal length, unless that would
>> > swallow all of the following notelength or more? And otherwise scale
>> > down repeatedly by a factor
David Wright wrote
> That's not true for all appoggiaturas of that era, is it?
Well, with old music it's always tricky to find rules for these type of
things, and to cater our MIDI output around it will lead to madness IMO. But
I'd say it's quite safe to assume the
at 3:18 PM, Gilberto Agostinho
wrote:
> David Wright wrote
>> That's not true for all appoggiaturas of that era, is it?
>
> Well, with old music it's always tricky to find rules for these type of
> things, and to cater our MIDI output around it will lead to madness
On Thu 03 Dec 2015 at 21:08:30 (+0100), David Kastrup wrote:
> David Wright writes:
>
> > On Sat 28 Nov 2015 at 06:23:00 (-0700), Gilberto Agostinho wrote:
> >> David Kastrup wrote
> >> > So how should this be rigged instead? Nominal length, unless that would
> >> > swallow all of the following
The following snippet:
\version "2.19.32"
S = \relative c'' { c d e f }
SLyrA = \lyricmode { tra la la la }
T = \relative c'' { c d e f }
\score {
<<
\new Staff \S
\addlyrics \SLyrB
\new Staff \T
>>
\layou
> Everything that is common to everybody *is* and should be in that variable.
>
> Well, most everything:
> My problem is with volta.
>
> The cool thing though is that it gets correctly displayed.
> The problem arrise when \unfoldRepeat is used in the midi score.
> Then the
Pierre-Luc Gauthier writes:
> 2016-03-24 11:26 GMT-04:00 Simon Albrecht :
>> An alist being a list of list you should be able to write
>>
>> midiDrumPitches = #(append midiDrumPitches
>> `((key . ,(ly:make-pitch 0 6 FLAT))
>>(cr . ,(ly:make-pitch 1 1
On 25.03.2016 17:47, David Kastrup wrote:
Pierre-Luc Gauthier writes:
2016-03-24 11:26 GMT-04:00 Simon Albrecht :
An alist being a list of list you should be able to write
midiDrumPitches = #(append midiDrumPitches
`((key . ,(ly:make-pitch 0 6 FLAT))
Simon Albrecht writes:
> On 25.03.2016 17:47, David Kastrup wrote:
>> Pierre-Luc Gauthier writes:
>>> 2016-03-24 11:26 GMT-04:00 Simon Albrecht :
An alist being a list of list you should be able to write
midiDrumPitches = #(append midiDrumPitches
`((key
Hi.
Is there a way to send raw MIDI messages
(that is, sequences of bytes) from a description
inside a lilypond text? (possibly embedded LISP)
my application: to an external synthesizer device
that accepts a lot of control messages.
Base case: I want to send "program changes" where th
Adam Spiers adamspiers.org> writes:
> I've noticed that MIDI generation doesn't honour transparent notes,
> e.g. in
>
> f8( \hideNotes \grace { c16 \glissando } \unHideNotes f8)
>
> a NoteOn event is generated for the c16. Hopefully I should be able
> to
On Mon, Jan 7, 2013 at 9:30 AM, Johannes Rohrer wrote:
> Adam Spiers adamspiers.org> writes:
>
>> I've noticed that MIDI generation doesn't honour transparent notes,
>> e.g. in
>>
>> f8( \hideNotes \grace { c16 \glissando } \unHideNotes f8)
&g
Adam Spiers adamspiers.org> writes:
> On Mon, Jan 7, 2013 at 9:30 AM, Johannes Rohrer johannesrohrer.de>
wrote:
>> Adam Spiers adamspiers.org> writes:
>>
>>> I've noticed that MIDI generation doesn't honour transparent notes,
>>> e.g.
Hello,
I want to generate a simple MIDI file. Unfortunately I found a problem
in context of an appogiatura. When it follows a tied note the MIDI
output doesn't include one tied note but two indiviual notes. Is there
any way to circumvent?
Regards
Helge
\version "2.16.0"
\score
Ought that not to be the midi players responsibility? I would use
something like Scala and Timidity++ to do that.
Shane
On Wed, Mar 6, 2013 at 2:12 PM, Robert Schmaus wrote:
> Hi everyone,
>
> I'm looking for a command to calibrate the Midi output to (e.g.) a' = 442
> H
Hi Shane,
that's quite possible, and surely the reason there's nothing to be found
on the subject.
Thanks for your suggestions, I will look at these!
Best,
Robert
Am 3/6/13 10:10 PM, schrieb Shane Brandes:
Ought that not to be the midi players responsibility? I would use
some
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