repetitions of the first, the second
will be repeated twice, and then their first note will coincide again), but
the beats should be simultaneous (both are made only of quarter notes). But
if I play these MIDI files at the same time and in a loop, their beats
slowly start to shift out of phase.
Johan
Johan Vromans wrote
I would be interested to take a look at some of these...
Hi Johan,
I think I solved my problem. It had something to do with the resolution of
the midi files, which seem to be of 0.001 seconds. Because of the tempo I
was using, both a 3 beat long and a 2 beat long files
2014-04-04 22:06 GMT+02:00 Paul Morris p...@paulwmorris.com:
SoundsFromSound wrote
I'm 99.999% sure that it's not possible to do what you're after,
/
unless
/
you comment out/delete the MIDI block. I think?
Are you able to comment it out or does that interfere somehow?
Yes, I can
On Sat, 5 Apr 2014, Federico Bruni wrote:
the following command _seems_ to work:
lilypond -e (set! write-performances-midis (lambda (performances basename .
rest) 0)) piece.ly
even if I don't know what it's really doing: it just deletes the midi file?
or it really avoids the creation
fedelogy wrote
the following command _seems_ to work:
lilypond -e (set! write-performances-midis (lambda (performances basename
. rest) 0)) piece.ly
even if I don't know what it's really doing: it just deletes the midi
file? or it really avoids the creation of the midi file?
That works
Is there a command line option that will prevent the generation of midi? I
couldn't find one in the docs.[1]
[1] http://lilypond.org/doc/v2.18/Documentation/usage/command_002dline-usage
-Paul
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Paul Morris wrote
Is there a command line option that will prevent the generation of midi?
I couldn't find one in the docs.[1]
[1]
http://lilypond.org/doc/v2.18/Documentation/usage/command_002dline-usage
-Paul
Hi Paul,
I'm not sure if I'm able to answer your question 100% but, fwiw
Paul Morris wrote
Is there a command line option that will prevent the generation of midi?
I couldn't find one in the docs.[1]
[1]
http://lilypond.org/doc/v2.18/Documentation/usage/command_002dline-usage
-Paul
Are you using \midi blocks then, I assume? but you want to suppress them
SoundsFromSound wrote
Are you using \midi blocks then, I assume? but you want to suppress them?
Hi Ben, Yes, that's it. Given a file with a \midi block, looking for a way
to suppress midi output from the command line. It doesn't seem like it
doesn't exist. (I tried your command and the midi
Paul Morris wrote
SoundsFromSound wrote
Are you using \midi blocks then, I assume? but you want to suppress
them?
Hi Ben, Yes, that's it. Given a file with a \midi block, looking for a
way to suppress midi output from the command line. It doesn't seem like
it doesn't exist. (I tried
SoundsFromSound wrote
I'm 99.999% sure that it's not possible to do what you're after,
/
unless
/
you comment out/delete the MIDI block. I think?
Are you able to comment it out or does that interfere somehow?
Yes, I can just comment it out, or delete the midi file afterwards, so it's
On Fri, 4 Apr 2014, Paul Morris wrote:
Is there a command line option that will prevent the generation of midi? I
couldn't find one in the docs.[1]
Not really a lilypond commandline option, but on my linux commandline I
could do a one line command like
lilypond my_example.ly rm -f
Dear All,
I am writing a new email regarding something I spotted in Guy’s example. When
I played the Midi file through Frescobaldi, it started counting 3/4 beats as if
the pickup beat was beat 1. Is this the normal way Midi files are produced, or
specifically a Frescobaldi issue, and can
, which is very bad. So here is another possibility to
download these files via dropbox:
https://www.dropbox.com/sh/eh08y0ot31kvs0x/SWQMqOlNP6
Best,
Gilberto
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Hi all,
For those who already downloaded my programs, I would like to ask you to do
it one more time because I found a mistake on them. I wrongly set MIDI note
60 as c and not as the correct c'. Sorry for the confusion, now everything
should be working perfectly...
Files on both links
Hi all,
I just would like to share two silly little programs I wrote, one of which
converts LilyPond notation (in the default dutch language) into MIDI number
and the other does the opposite. I have no idea if anyone else will find use
for these, but nevertheless here they are:
http://www
Hi, lilyponders:
I have a choir SA-TB with piano. I can generate midi for voices.
Alto (voiceTwo} has many rests at the beginning. When generate rehearsal midi
of alto, it contains all those rests. How can I generate alto midi without
rests (or just 1 full bar rest) without deleting all
Hi Ming,
You can use the tag function :
http://www.lilypond.org/doc/v2.18/Documentation/notation/different-editions-from-one-source.html#using-tags
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Hi,
Sorry. I have additional question.
In the middle of alto voice, there are 20 full bar rests, How can I generate
alto rehearsal midi not to include 19 full bars, leaving 1 full bar only. This
way when practise alto, one do not need to wait for 19 full bar rests.
Emmanuel,
Ming
I think that the reply is the same: use \tag
I couldn't find any other solution on the LSR or -user arhives.
\compressFullBarRests is effective only on the PDF, while the midi will
play all the rests.
2014-02-20 18:54 GMT+01:00 MING TSANG tsan...@rogers.com:
Hi,
Sorry. I have additional
Thank you Federico Pierre:
On Thursday, February 20, 2014 1:11:41 PM, Federico Bruni fedel...@gmail.com
wrote:
I think that the reply is the same: use \tag
I couldn't find any other solution on the LSR or -user arhives.
\compressFullBarRests is effective only on the PDF, while the midi
Hi all!
I’m a blind person and I’m trying using lilypond because I find it a really
good way for reading good music score using a pc instead of using braille books.
Here is my question for you:
I have a midi file I would like to convert into lilypond notations.
Is there a way for doing it?
I
I know Lilypond can import MusicXML files, so you could import the MIDI
into something that can export Music XML (I think Sibelius might work?) and
then import the XML file. I'm not sure if it's possible to go directly from
MIDI to Lilypond.
On Tue, Feb 4, 2014 at 7:35 AM, Claudio Garanzini
Claudio,
look up midi2ly. I use it from time to time. There are also a few
useful options or switches for it.
best of luck,
Shane
On Tue, Feb 4, 2014 at 9:25 PM, Alex Loomis thebluemusic...@gmail.com wrote:
I know Lilypond can import MusicXML files, so you could import the MIDI into
something
$ lilymidi --pretty /home/karl/examples/aeiou.mid | head
Filename: /home/karl/examples/aeiou.mid
MIDI format: 1 (one or more simultaneous tracks)
Divisions:768 per whole note
#Tracks: 10
Track 1:
Time 0:
Track name: A-e-i-o-u
Copyright: TM: trad. occitan. / Marc H
--pretty `pwd`/aeiou.mid
$ lilymidi --pretty /home/karl/examples/aeiou.mid | head
Filename: /home/karl/examples/aeiou.mid
MIDI format: 1 (one or more simultaneous tracks)
Divisions:768 per whole note
#Tracks: 10
Track 1:
Time 0:
Track name: A-e-i-o-u
On Tue, 2014-01-28 at 13:42 +0100, Johan Vromans wrote:
'ticks' = 192,
# Track #0 ...
['set_tempo', 0, 50],
['time_signature', 0, 1, 3, 24, 8],
Weird time sig. 1/8 ?
I have seen used in a MIDI file to indicate a 1/8 upbeat (anacrusis,
pickup
Richard Shann:
On Tue, 2014-01-28 at 13:42 +0100, Johan Vromans wrote:
'ticks' = 192,
# Track #0 ...
['set_tempo', 0, 50],
['time_signature', 0, 1, 3, 24, 8],
Weird time sig. 1/8 ?
I have seen used in a MIDI file to indicate a 1/8 upbeat
notation), but the text confuses the reader with
expressions like quarter note, MIDI quarter note and
metronome click. Where obviously the quarter note isn't a normal
quater note.
I don't agree. I read it the following way (p. 4 and 12):
cc:
there are two formats of dividing (delta) time: metrical
Le 26/01/2014 22:32, k...@aspodata.se a écrit :
I'm experimenting with midi file to lilypond conversion since
midi2ly creates files that are hard to read for me, and thus makeing
it hard to use its output. Yes I can write a program to tidy up its
output, and I did so, but looking at the dump
Phil Hézaine philippe.heza...@free.fr writes:
Le 26/01/2014 22:32, k...@aspodata.se a écrit :
I'm experimenting with midi file to lilypond conversion since
midi2ly creates files that are hard to read for me, and thus makeing
it hard to use its output. Yes I can write a program to tidy up
David Kastrup wrote
Uh, this is awkward, but you do know that the LilyPond distribution
comes with a program called lilymidi which you can use like
lilymidi --pretty somefile.midi
in order to get a readable representation of a Midi file?
but - at least here - it doesn't produce more than
Am 2014-01-27 um 16:43 schrieb Eluze elu...@gmail.com:
David Kastrup wrote
Uh, this is awkward, but you do know that the LilyPond distribution
comes with a program called lilymidi which you can use like
lilymidi --pretty somefile.midi
in order to get a readable representation of a Midi
in order to get a readable representation of a Midi file?
but - at least here - it doesn't produce more than the help information
On my LilyPond 2.18.0 on OSX (Intel) 10.9 there’s a wrong MIDI library in
LilyPond:
$ lilymidi --pretty something.mid
Traceback (most recent call last):
File
On 2014-01-27 12:29, David Kastrup wrote:
David Kastrup wrote
Uh, this is awkward, but you do know that the LilyPond distribution
comes with a program called lilymidi which you can use like
lilymidi --pretty somefile.midi
Ugh. Can we collect feedback on the various platforms? For me, stuff
):
File /opt/lilypond/usr/bin/lilymidi, line 250, in module
go ()
File /opt/lilypond/usr/bin/lilymidi, line 231, in go
midi_data = read_midi (midi_file)
File /opt/lilypond/usr/bin/lilymidi, line 67, in read_midi
import midi
ImportError: /opt/lilypond/usr/lib/lilypond/current/python
Phil Hézaine philippe.heza...@free.fr writes:
Perhaps you don't know midicomp.
Here the latest version:
https://github.com/markc/midicomp
Since you're focussing on Perl tools: the CPAN module MIDI::Tweaks comes
with a midi-dump tool that outputs a decomposed and commented Perl
structure
Phil:
Le 26/01/2014 22:32, k...@aspodata.se a écrit :
...
Perhaps you don't know midicomp.
Here the latest version:
https://github.com/markc/midicomp
It gives you all information on a midifile.
As you know Perl there is a tiny exemple to use it with midicomp in the
README.
Perhaps it's
David Kastrup:
...
Uh, this is awkward,
What is awkward?
but you do know that the LilyPond distribution
comes with a program called lilymidi which you can use like
Yes I know.
lilymidi --pretty somefile.midi
in order to get a readable representation of a Midi file?
I've tried
Johan Vromans:
...
Since you're focussing on Perl tools: the CPAN module MIDI::Tweaks comes
with a midi-dump tool that outputs a decomposed and commented Perl
structure of the midi input. This structure can be evalled to produce a
new MIDI::Opus object.
I'm using the MIDI module, but have
of a Midi file?
I've tried it, but:
$ lilymidi --pretty aeiou.mid
Traceback (most recent call last):
File /usr/local/bin/lilymidi, line 250, in module
go ()
File /usr/local/bin/lilymidi, line 231, in go
midi_data = read_midi (midi_file)
File /usr/local/bin/lilymidi, line 68
midi_data = read_midi (midi_file)
File ./LilyPond 2.16.2.app/Contents/Resources/bin/lilymidi, line 67, in
read_midi
import midi
ImportError: dlopen(/Applications/music/LilyPond
2.16.2.app/Contents/Resources/lib/lilypond/current/python/midi.so, 2): no
suitable image found. Did find
- Original Message -
From: k...@aspodata.se
To: lilypond-user@gnu.org
Sent: Sunday, January 26, 2014 9:32 PM
Subject: understanding midi files
Looking at midi files created with NoteWorthy Composer, e.g.:
http://www.cipoo.net/downloads/midi/LottiAminAgnus.mid
it should be possible
Phil Holmes:
- Original Message -
From: k...@aspodata.se
Looking at midi files created with NoteWorthy Composer, e.g.:
http://www.cipoo.net/downloads/midi/LottiAminAgnus.mid
it should be possible to create a good readable .ly files.
Dumping this midi file with midi.pl
David Kastrup:
k...@aspodata.se writes:
...
$ lilymidi --pretty aeiou.mid
Traceback (most recent call last):
File /usr/local/bin/lilymidi, line 250, in module
go ()
File /usr/local/bin/lilymidi, line 231, in go
midi_data = read_midi (midi_file)
File
k...@aspodata.se writes:
IOError: [Errno 2] No such file or directory: 'aeiou.mid'
$ ls -l aeiou.mid
-rw--- 1 karl users 9760 Jan 27 10:44 aeiou.mid
To eliminate some odds, try passing the file using a complete path, e.g.
$ lilymidi --pretty `pwd`/aeiou.mid
-- Johan
I'm experimenting with midi file to lilypond conversion since
midi2ly creates files that are hard to read for me, and thus makeing
it hard to use its output. Yes I can write a program to tidy up its
output, and I did so, but looking at the dump of a midi file with
this simple program
Cheers, Jan-Peter
On 23.01.2014 02:45, MING TSANG wrote:
but when I added rehearsal midi generation, I got warning bar-check error.
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- Original Message -
From: David Kastrup d...@gnu.org
To: MING TSANG tsan...@rogers.com
Cc: lilypond-user mailinglist lilypond-user@gnu.org
Sent: Thursday, January 23, 2014 2:15 AM
Subject: Re: bar-check warning when generating rehearsal midi soprano,
alto,tenor etc
MING TSANG tsan
failed at: 5/6
b'4. d'8~ d'4 b'8( a'8)
| a'2 r4 a'8 b'8 |%m11-12
MIDI output to `test-midi-sopranoVoiceI.mid'...
Interpreting music...
C:/Users/Tsang/Dropbox/CHOIR/the-rock/test-midi.ly:43:8: warning: barcheck
failed at: 7/8
r4
R1*6 |%m00-06
C:/Users/Tsang/Dropbox/CHOIR/the-rock/test-midi.ly:44:3
Hi MING TSANG,
I think, there is just a typo. You give \sopranoVoiceI as last argument
lyrics to the rehaersalMidi function. But that is the melody.
\verseSopranoVoiceI are the lyrics.
I changed that and the barcheck erros disappeared.
HTH
Jan-Peter
On 23.01.2014 16:08, MING TSANG wrote:
1- I
Op Mon, 20 Jan 2014 09:41:06 +0100
Johan Vromans jvrom...@squirrel.nl schreef:
BTW: Whoever maintains the new score wizard: the s1*0\f trick to get
the midi volume right is no longer necessary for LilyPond 2.18.
I changed it in the following way:
diff --git a/frescobaldi_app/scorewiz/parts
When compile the .ly there is no warning or error in the log file:
Starting lilypond-windows.exe 2.19.0 [test-midi.ly]...
Processing `C:/Users/Tsang/Dropbox/CHOIR/the-rock/test-midi.ly'
Parsing...
Interpreting music...[8][16][24][32]
Preprocessing graphical objects...
Interpreting music...
MIDI
/the-rock/test-midi.ly'
Parsing...
Interpreting music...[8][16][24][32]
Preprocessing graphical objects...
Interpreting music...
MIDI output to `test-midi.mid'...
Finding the ideal number of pages...
Fitting music on 3 or 4 pages...
Drawing systems...
Layout output to `test-midi.ps
graphical objects...
Interpreting music...
MIDI output to `test-midi.mid'...
Finding the ideal number of pages...
Fitting music on 3 or 4 pages...
Drawing systems...
Layout output to `test-midi.ps'...
Converting to `./test-midi.pdf'...
Success: compilation successfully completed
Completed
Federico Bruni:
2014/1/21 Vaughan McAlley vaug...@mcalley.net.au
On 20 January 2014 07:09, Colin Campbell c...@shaw.ca wrote:
\set Score.midiPanPosition = #RIGHT
\set Staff.midiPanPosition = #LEFT
This is missing in the 2.18 changes, so I didn’t know about it until
now. Very
Am 2014-01-22 um 03:35 schrieb k...@aspodata.se:
Federico Bruni:
2014/1/21 Vaughan McAlley vaug...@mcalley.net.au
On 20 January 2014 07:09, Colin Campbell c...@shaw.ca wrote:
\set Score.midiPanPosition = #RIGHT
\set Staff.midiPanPosition = #LEFT
This is missing in the 2.18 changes, so
Henning Hraban Ramm lilypon...@fiee.net writes:
Am 2014-01-22 um 03:35 schrieb k...@aspodata.se:
Federico Bruni:
2014/1/21 Vaughan McAlley vaug...@mcalley.net.au
On 20 January 2014 07:09, Colin Campbell c...@shaw.ca wrote:
\set Score.midiPanPosition = #RIGHT
\set Staff.midiPanPosition =
Colin Campbell c...@shaw.ca writes:
You're on the right track with File|New Score With Wizard. The Parts
tab has a section for Vocal and under it, you should choose Choir.
That opens a set of parameters on the right side of the panel, and
among them is the option to generate rehearsal MIDI
them is the option to generate rehearsal MIDI files.
Okay, found it. I'm gonna give this a try.
Do you know why \rehearsalMidi requires the lyrics? It doesn't seem to
serve a purpose.
BTW: Whoever maintains the new score wizard: the s1*0\f trick to get
the midi volume right is no longer
on the right side of the panel, and
among them is the option to generate rehearsal MIDI files.
Okay, found it. I'm gonna give this a try.
Do you know why \rehearsalMidi requires the lyrics? It doesn't seem to
serve a purpose.
BTW: Whoever maintains the new score wizard: the s1*0\f trick to get
{
\rehearsalMidi $name $midiInstrument $lyrics
\midi { }
}
}
#})
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Noeck noeck.marb...@gmx.de writes:
I used this (which might be adapted from Frescobaldi or the LSR). It
requires the music to be written into \soprano \alto \tenor and \bass
(but this can for sure be adapted).
So you want lyrics events in the midi. For karaoke?
-- Johan
So you want lyrics events in the midi. For karaoke?
It's more like Why not/Just because I can. I implemented it like that
back then. As at least in Timidity the timing of music and the lyrics is
not in sync, I would remove it, if I used it now.
Cheers,
Joram
Noeck noeck.marb...@gmx.de writes:
So you want lyrics events in the midi. For karaoke?
It's more like Why not/Just because I can. I implemented it like that
back then. As at least in Timidity the timing of music and the lyrics is
not in sync, I would remove it, if I used it now.
Timidity
On 01/15/2014 02:37 PM, Peter Bjuhr wrote:
On 01/15/2014 08:28 PM, Bric wrote:
Please forgive me if this has been discussed and/or documented; I
haven't found specifics yet.
Are there lilypond controls for things like staccato, accents, and
other articulations/dynamics, with respect to midi
warns, this, of course, alters the rendered visual while
(trying to) alter the midi properly.
It seems that IDEALLY, one would want the modification to be done directly
on midi level, with the visual, written left unaltered. Plus, if there were
a variety of overrides and (micro)controls over
On 20 January 2014 07:09, Colin Campbell c...@shaw.ca wrote:
\set Score.midiPanPosition = #RIGHT
\set Staff.midiPanPosition = #LEFT
This is missing in the 2.18 changes, so I didn’t know about it until
now. Very nice!
Vaughan
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2014/1/21 Vaughan McAlley vaug...@mcalley.net.au
On 20 January 2014 07:09, Colin Campbell c...@shaw.ca wrote:
\set Score.midiPanPosition = #RIGHT
\set Staff.midiPanPosition = #LEFT
This is missing in the 2.18 changes, so I didn’t know about it until
now. Very nice!
It's not even
I've noticed that Lilypond, for its midi output, starts each track off by
sending a CC#7 command (channel volume) on each channel with a value of 100.
This create some problems for me, for example when I'm importing and playing
the data in Logic and want to change the channel volume (yes, I could
I'm sorry that that I'm going off-topic here (well, it's not /that/
off-topic), but I thought that if I could find anybody who knew how to do
what I'm trying to achieve right now, it would be a hardcore LilyPond user
:)
Anyhow, I'm using LilyPond to output midi files of my SATB arrangements.
Now
Speldosa wrote Sunday, January 19, 2014 12:51 PM
Anyhow, I'm using LilyPond to output midi files of my SATB arrangements.
Now, I want to create individual mp3 rehearsal files for each voice. That
is, for sopranos, I want a file that is mixed so that the soprano part is
the loudest
sorry that that I'm going off-topic here (well, it's not /that/
off-topic), but I thought that if I could find anybody who knew how to do
what I'm trying to achieve right now, it would be a hardcore LilyPond user
:)
Anyhow, I'm using LilyPond to output midi files of my SATB arrangements.
Now, I
2014/1/19 Shane Brandes sh...@grayskies.net:
After beating my head against the wall on a problem like that for days
i would change the dynamics in the LilyPond file and run a special
rehearsal version, until you figure out the more clever method you
propose.
For balancing volumes of
things like that last year. Never again! 2014 is the year of automation
for me :)
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Speldosa l4rs...@gmail.com writes:
Anyhow, I'm using LilyPond to output midi files of my SATB arrangements.
Now, I want to create individual mp3 rehearsal files for each voice. That
is, for sopranos, I want a file that is mixed so that the soprano part is
the loudest, for the altos I want
that Lilypond, for its midi output, starts each track off by
sending a CC#7 command (channel volume) on each channel with a value of 100.
This create some problems for me, for example when I'm importing and playing
the data in Logic and want to change the channel volume (yes, I could simply
remove the CC
On 19.01.2014 13:51, Speldosa wrote:
I want a file that is mixed so that the soprano part isthe loudest,
for the altos I want the alto part to be the loudest, and so on.
I don't understand your problem,
but I do this without volume adjustments,
based on several midi scores along the lines
to output midi files of my SATB arrangements.
Now, I want to create individual mp3 rehearsal files for each voice. That
is, for sopranos, I want a file that is mixed so that the soprano part is
the loudest, for the altos I want the alto part to be the loudest, and so
on.
If you're using Frescobaldi
Colin Campbell c...@shaw.ca writes:
If you're using Frescobaldi, just set up a new score and on the Parts
tab, check the box for rehearsal MIDI files. Then, go into the
rehearsalMidi section of the generated score and make the following
tweaks:
You lost me completely...
set up a new score
On 01/19/2014 03:20 PM, Johan Vromans wrote:
Colin Campbell c...@shaw.ca writes:
If you're using Frescobaldi, just set up a new score and on the Parts
tab, check the box for rehearsal MIDI files. Then, go into the
rehearsalMidi section of the generated score and make the following
tweaks:
You
That is correct. However, I want to remove the CC#7 commands all together,
not modify them.
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Please forgive me if this has been discussed and/or documented; I
haven't found specifics yet.
Are there lilypond controls for things like staccato, accents, and other
articulations/dynamics, with respect to midi output?
I noticed that the midi output is sensitive to the \staccato
directive
On 01/15/2014 08:28 PM, Bric wrote:
Please forgive me if this has been discussed and/or documented; I
haven't found specifics yet.
Are there lilypond controls for things like staccato, accents, and
other articulations/dynamics, with respect to midi output?
I noticed that the midi output
Hi,
When, using Lilypond 2.19.0, if my score starts with a rest, the resulting
MIDI file does NOT start with a rest.
%minimal example
\score {
\version 2.19.0
\relative c' {
R1 | c d e f | R1 | f e d c |
}
\midi {}
}
%end of example
Result: The MIDI file starts without a rest
Martin Tarenskeen wrote
Hi,
When, using Lilypond 2.19.0, if my score starts with a rest, the resulting
MIDI file does NOT start with a rest.
%minimal example
\score {
\version 2.19.0
\relative c' {
R1 | c d e f | R1 | f e d c |
}
\midi {}
}
%end of example
On Sun, 12 Jan 2014, Eluze wrote:
Martin Tarenskeen wrote
Hi,
When, using Lilypond 2.19.0, if my score starts with a rest, the resulting
MIDI file does NOT start with a rest.
%minimal example
\score {
\version 2.19.0
\relative c' {
R1 | c d e f | R1 | f e d c |
}
\midi
:
Martin Tarenskeen wrote
Hi,
When, using Lilypond 2.19.0, if my score starts with a rest, the
resulting
MIDI file does NOT start with a rest.
%minimal example
\score {
\version 2.19.0
\relative c' {
R1 | c d e f | R1 | f e d c |
}
\midi {}
}
%end of example
Result: The MIDI file starts without a rest
Hi,
I wanted to test the swing patch, do I need version 2.16 for that? 2.14
doesnt seems to work
https://code.google.com/p/lilypond/issues/attachmentText?id=687aid=6870029001name=swingtest.lytoken=ndOkZOHxPedrruWZArMs5tLny80%3A1389347237994
Starting lilypond 2.14.2 [swingtest.ly]...
Processing
rosea grammostola rosea.grammost...@gmail.com writes:
Hi,
I wanted to test the swing patch, do I need version 2.16 for that? 2.14
doesnt seems to work
yep, works with 2.16, thx
On Fri, Jan 10, 2014 at 11:26 AM, David Kastrup d...@gnu.org wrote:
rosea grammostola rosea.grammost...@gmail.com writes:
Hi,
I wanted to test the swing patch, do I need version 2.16 for that? 2.14
doesnt seems to work
Hi,
Can I change the midi instrument for the Chordnames, guitar instead of
piano?
Now i've
chordsPart = \new ChordNames \chordNames
Regards,
\r
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rosea grammostola rosea.grammost...@gmail.com writes:
Hi,
Can I change the midi instrument for the Chordnames, guitar instead of
piano?
Now i've
chordsPart = \new ChordNames \chordNames
chordsPart = \new ChordNames \with { midiInstrument = guitar } \chordNames
--
David Kastrup
Is it possible to change tempo for a certain part of the score and make
that also audible in the midi file?
In the template there is:
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 100 4)
}
}
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rosea grammostola rosea.grammost...@gmail.com writes:
Is it possible to change tempo for a certain part of the score and make
that also audible in the midi file?
In the template there is:
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 100 4)
}
}
I'd rather
Have you tried \tempo?
\score {
{
\tempo 4 = 120
c''4 c'' c'' c''
\tempo 4 = 40
c''4 c'' c'' c''
}
\layout {}
\midi {}
}
--
Phil Holmes
- Original Message -
From: rosea grammostola
To: lilypond-user
Sent: Tuesday, January 07, 2014 11:44 AM
Subject: tempo changes (midi
''
\tempo 4 = 40
c''4 c'' c'' c''
}
\layout {}
\midi {}
}
--
Phil Holmes
- Original Message - From: rosea grammostola
To: lilypond-user
Sent: Tuesday, January 07, 2014 11:44 AM
Subject: tempo changes (midi)
Is it possible to change tempo for a certain part of the score
Why not try it and find out?
--
Phil Holmes
- Original Message -
From: rosea grammostola
To: Phil Holmes
Cc: lilypond-user
Sent: Tuesday, January 07, 2014 12:15 PM
Subject: Re: tempo changes (midi)
Ok thx. You just have to put it in the score of one instrument, or do
On 2014-01-07 11:44, rosea grammostola wrote:
Is it possible to change tempo for a certain part of the score and make
that also audible in the midi file?
In the template there is:
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 100 4)
}
}
I find it easier
I was just searching, without success, for a way to change the number of
pulses-per-quarter in MIDI output. The default, 384, handles double
divisions and triplets, but quintuplets are inexact. I would rather use 480
for this particular file.
The section in the notation reference on the \midi
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