inues with the new version!
What distro are you using Urs? Just curious. What issues have you seen on
your end w/ Qt5?
-
composer | sound designer
LilyPond Tutorials (for beginners) --> http://bit.ly/bcl-lilypond
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Hi Bart,
I think you'll find that if you don't save your work in freescobaldi before
running it, it will put the PDF and midi files into a temporary folder.
Cheers,
DM
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Bart,
I did some experimentation with the \tag command. It is great for different
> editions of printed music of course, but I tried it in the midi block
> without luck.
>
> I'm trying to create some music dictation exercises and want to separate
> the midi file for the student in
oogle.com/u/0/b/116379400376517483499/>
2016-12-02 21:51 GMT+01:00 bart deruyter <bart.deruy...@gmail.com>:
> Hi all,
> disregard this mail.. it does work.. :-)
> What made it work is : save the file first. Apparently frescobaldi
> re-renders unsaved work into pdf's, but not midi-files.
Hi all,
disregard this mail.. it does work.. :-)
What made it work is : save the file first. Apparently frescobaldi
re-renders unsaved work into pdf's, but not midi-files...
thx anyway.
Bart
http://www.bartart3d.be/
On Twitter <https://twitter.com/Bart_Issimo>
On Identi.ca <http://
Hi all,
I did some experimentation with the \tag command. It is great for different
editions of printed music of course, but I tried it in the midi block
without luck.
I'm trying to create some music dictation exercises and want to separate
the midi file for the student in parts of each 2 bars
Am 01.12.2016 um 17:59 schrieb David Kastrup:
> SoundsFromSound <soundsfromso...@gmail.com> writes:
>
>> Hello everyone,
>>
>> I just wanted to let you guys know that not long ago I uploaded some
>> tutorials showing how to setup a MIDI keyboard for
SoundsFromSound <soundsfromso...@gmail.com> writes:
> Hello everyone,
>
> I just wanted to let you guys know that not long ago I uploaded some
> tutorials showing how to setup a MIDI keyboard for MIDI input of your scores
> (using Frescobaldi), as well as how to listen t
Hello everyone,
I just wanted to let you guys know that not long ago I uploaded some
tutorials showing how to setup a MIDI keyboard for MIDI input of your scores
(using Frescobaldi), as well as how to listen to your score playback, and
also how to export MIDI. These were at the top of my most
If I write
\version "2.19.49"
\include "articulate.ly"
\score
{
\displayLilyMusic \articulate {c'4\trill}
\layout {}
\midi{}
}
the trill generated starts with d. Is there any way to make "articulate"
generating
Dear Daniel,
does this snippet from the LilyPond Snippets Repository help you:
http://lsr.di.unimi.it/LSR/Item?id=876
HTH,
Joram
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the
decay is still sounding. This produces some ugly-sounding results.
See here:
http://x31eq.com/lilypond/
So unfortunately the best way to get alternative tunings is still to use a
microtunable synthesizer and then a score that represents the notes as the
MIDI notes played, not the pitches heard
Hello all,
I was wondering if there was a way with this cool program to include a
metronome with the midi playback. I have set up drum loops in the past.
However, is there a way to set it up so that the loop will only last as long as
the actual music automatically? Thanks everyone.
Daniel
Hi,
I want to use Pitch Bend to detune the output in MIDI files. The NR
states that pitch bend is supported but doesn't give any information how
it is applied.
Apart from that I've only found this LSR snippet
http://lsr.di.unimi.it/LSR/Snippet?id=785 but I must admit I don't
really understand
Hi Gianmaria,
How about:
\score { { <>\p \frag <>\f \frag } \midi{}}
HTH,
Cheers,
Pierre
2016-11-14 14:55 GMT+01:00 Gianmaria Lari <gianmarial...@gmail.com>:
>
>
> On 14 November 2016 at 12:03, Bernhard Kleine <bernhard.kle...@gmx.net>
> wrote:
>
>
On 14 November 2016 at 12:03, Bernhard Kleine <bernhard.kle...@gmx.net>
wrote:
> Am 14.11.2016 um 11:16 schrieb Gianmaria Lari:
>
> I have something like this:
>
> frag = { \repeat volta 2 {c'^\markup {p (2nd time: f)} d' e' f'}}
>
> \score {\frag \layout{}}
>
> \
Am 14.11.2016 um 11:16 schrieb Gianmaria Lari:
> I have something like this:
>
> frag = { \repeat volta 2 {c'^\markup {p (2nd time: f)} d' e' f'}}
>
> \score {\frag \layout{}}
>
> \score {\unfoldRepeats \frag \midi{}}
>
>
> As you can see I mentioned in
I have something like this:
frag = { \repeat volta 2 {c'^\markup {p (2nd time: f)} d' e' f'}}
\score {\frag \layout{}}
\score {\unfoldRepeats \frag \midi{}}
As you can see I mentioned in the markup that the first time the score
should be played piano and the second forte. Is there any way
>
> If I do this...
>
> \version "2.19.48"
> { c' }
> \midi { }
>
> ...and open the resulting MIDI file in SpeedyMidi (
> http://speedymidi.sourceforge.net/ ) it looks like LilyPond set the
> volume to 100. (MIDI allows 0 - 128, right?)
I tried to do the
On 11/1/2016 5:24 PM, Gianmaria Lari wrote:
>
> What's the default midi volume in case I don't specify an absolute
> dynamic mark (like \p \f etc)? Is there any way to change this default
> value?
>
If I do this...
\version "2.19.48"
{ c' }
\midi { }
...and ope
What's the default midi volume in case I don't specify an absolute dynamic
mark (like \p \f etc)? Is there any way to change this default value?
A crescendo mark that's not ending with an absolute dynamic mark how much
does increase or decrease the midi volume?
In case I separate the dynamics
Thank you Vaughan, it works great!
g.
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On 31 October 2016 at 18:52, Gianmaria Lari <gianmarial...@gmail.com> wrote:
> If you don't use the dynamic mark from \p to \f but you limit
> yourseft from \p to \f, the midi output is often too tight.
>
> Is there any (easy) way to make the range from \p to \f
If you don't use the dynamic mark from \p to \f but you limit
yourseft from \p to \f, the midi output is often too tight.
Is there any (easy) way to make the range from \p to \f playing as \p
to \f?
Thank you, g.
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On Fri 14 Oct 2016 at 16:41:31 (-0700), Flaming Hakama by Elaine wrote:
> > 4.) What's the proper way to write the following:
> >
> > c4 4 4
> >
> > when c's duration is actually "2." (a single button press) and d's
> > duration is "2" (again a single button press)? Should one draw c2. or
> >
in parenthesis at the end? How do you type
> >> it in? Or "c2(c4)" with a potentially dashed tie/slur/whatever that is
> >> called.
> >>
> >> b) How does one get a correct MIDI file? I can imagine writing
> >>
> >> aa = {...}
>
r 2016 at 01:22, Flaming Hakama by Elaine wrote:
> >
> >> Is there a way to make this both appear correctly and play correctly
> >> in a midi file?
> >
> > Similar to an earlier question, no, MIDI doesn't honor or respect repeats.
>
> This is not entirel
Mojca Miklavec writes:
> Thank you very much for the example. I compiled it, but the output
> doesn't look too appealing to me.
>
> But you gave me the idea how to do it with two voices. For the visual
> part I decided to use something like the following:
>
>
ere in the middle due to an additional syllable in the
>> lyrics.
>>
>> a) What's the correct way to visually represent that? Drawing the full
>> c2. plus some additional c4 in parenthesis at the end? How do you type
>> it in? Or "c2(c4)" with a potentially dashed ti
correctly and play correctly
>> in a midi file?
>
> Similar to an earlier question, no, MIDI doesn't honor or respect repeats.
This is not entirely true. I happily use a super easy way to make this work:
melody = {...}
\unfoldRepeats { \melody }
to generate the MIDI f
> 4.) What's the proper way to write the following:
>
> c4 4 4
>
> when c's duration is actually "2." (a single button press) and d's
> duration is "2" (again a single button press)? Should one draw c2. or
> three c4, connected with a tie/slur?
>
I think there are different approaches to
set Score.repeatCommands = #'((volta "4") end-repeat)
> ...
> }
> }
>
> Is there a way to make this both appear correctly and play correctly
> in a midi file?
>
Regarding the custom endings, what's wrong with this approach, such that
you need a better approach? I
t's the correct way to visually represent that? Drawing the full
> c2. plus some additional c4 in parenthesis at the end? How do you type
> it in? Or "c2(c4)" with a potentially dashed tie/slur/whatever that is
> called.
>
> b) How does one get a correct MIDI file? I can imagi
> From: Mojca Miklavec <mojca.miklavec.li...@gmail.com>
> Subject: Beginner's questions about long repeats & MIDI files
> Hi,
>
> I have some simple beginner's questions about different aspects of
> repeats, mostly from the perspective of creating proper MIDI
Hi,
I have some simple beginner's questions about different aspects of
repeats, mostly from the perspective of creating proper MIDI files.
1.) Let's assume that the song has one of the following patterns
Intro-A1-A2-B1-B2-A1-A2-A3
Intro-A1-A2-B1-B2-A1-A2-B1-B3
A1 = part A with the first
Dominicus <jav...@ruiz-alma.com> writes:
> Flaming Hakama by Elaine wrote
>>> I'm dealing with several of these MIDI errors during compilation of a
>>> long
>>> piece.
>>> "programming error: Impossible or ambiguous (de)crescendo in MIDI."
&g
I'm dealing with several of these MIDI errors during compilation of a long
piece.
"programming error: Impossible or ambiguous (de)crescendo in MIDI."
I tried to get rid of these by placing a starting volume, but alas, it's not
that simple. I'm not the original typesetter for the pi
Facebook group a few days ago, but I
figured I'd share it here for those who do not use Facebook. Hope that's ok.
*TL;DR*
I've uploaded a new video showing a complete guide on how to use LilyPond
and MIDI input (Frescobaldi). Also I have resumed a weekly LilyPond tutorial
upload schedule. Topics
Hi everyone,
I had posted this in the LilyPond Facebook group a few days ago, but I
figured I'd share it here for those who do not use Facebook. Hope that's ok.
*TL;DR*
I've uploaded a new video showing a complete guide on how to use LilyPond
and MIDI input (Frescobaldi). Also I have resumed
and
> > fixes in 2.19), and recently I noticed that midi dynamics in my
> > piano scores aren't being rendered correctly anymore. Looking into
> > the commit log, I saw this:
> >
> > Issue 4947: Link notes to dynamics in Dynamic_performer rather
> > th
Hi,
On Fri, 2016-08-19 at 10:16 -0700, H. S. Teoh wrote:
> I've been using lilypond from git HEAD (mainly because lilypond in my
> distro is too old, still stuck at 2.18, and I need features and fixes
> in 2.19), and recently I noticed that midi dynamics in my piano
> scores aren't be
I've been using lilypond from git HEAD (mainly because lilypond in my
distro is too old, still stuck at 2.18, and I need features and fixes in
2.19), and recently I noticed that midi dynamics in my piano scores
aren't being rendered correctly anymore. Looking into the commit log, I
saw
On Fri 12 Aug 2016 at 07:06:04 (+0200), Werner LEMBERG wrote:
>
> >> shouldn't \hideNotes also suppress music output to the MIDI file?
> >
> > Why? \hide\ff is nice for inserting MIDI-only instructions.
>
> Mhmm. Given that it actually makes the corresponding o
Werner LEMBERG <w...@gnu.org> writes:
>>> shouldn't \hideNotes also suppress music output to the MIDI file?
>>
>> Why? \hide\ff is nice for inserting MIDI-only instructions.
>
> Mhmm. Given that it actually makes the corresponding object only
> transpare
>> shouldn't \hideNotes also suppress music output to the MIDI file?
>
> Why? \hide\ff is nice for inserting MIDI-only instructions.
Mhmm. Given that it actually makes the corresponding object only
transparent, thus influencing the typesetting process, I wouldn't call
tha
Werner LEMBERG <w...@gnu.org> writes:
> Folks,
>
>
> shouldn't \hideNotes also suppress music output to the MIDI file?
Why? \hide\ff is nice for inserting MIDI-only instructions. \hideNotes
allows one to have ties work "across" voices. You won't get accurate
MIDI
Folks,
shouldn't \hideNotes also suppress music output to the MIDI file?
Right now, it doesn't...
Werner
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On Fri 29 Jul 2016 at 23:02:22 (+0200), Mojca Miklavec wrote:
> On 29 July 2016 at 21:55, David Wright wrote:
> > On Fri 29 Jul 2016 at 14:29:57 (+0200), Mojca Miklavec wrote:
> >> I have a midi file that I wanted to convert into scores, but the
> >> scores simply don't
On 29 July 2016 at 21:55, David Wright wrote:
> On Fri 29 Jul 2016 at 14:29:57 (+0200), Mojca Miklavec wrote:
>> I have a midi file that I wanted to convert into scores, but the
>> scores simply don't look right.
>>
>> While I have a real (relatively long) song in the MI
On Fri 29 Jul 2016 at 14:29:57 (+0200), Mojca Miklavec wrote:
> I have a midi file that I wanted to convert into scores, but the
> scores simply don't look right.
>
> While I have a real (relatively long) song in the MIDI, I believe that
> I can fully reproduce the problem wit
Hello,
I have a midi file that I wanted to convert into scores, but the
scores simply don't look right.
While I have a real (relatively long) song in the MIDI, I believe that
I can fully reproduce the problem with the following simple example:
\score {
\new Voice = "m
di2ly -> (some manual
> editing) -> lilypond -> denemo
lilypond->denemo would likely also be problematic, only working for a
constrained syntax. If Denemo gets a more useful MIDI import then
visualizing the problems and cleaning up would be easier, before
generating the LilyPond
ne I sent you / the one you mentioned below.
>> but it doesn't seem to like the original MIDI file. Not being familiar
>> with its GUI interface, I'm completely confused, but after importing
>> the MIDI and pressing play, I get some semi-nonsense out of it.
>
> with the "Se
se it originated in a human performance (it would be a
> > sophisticated program that generated this in that case)
>
> Yes, I agree :)
> I suspect computers ...
>
> > or some sort of
> > human-modified MIDI performance (you could easily "conduct" a MIDI
> >
that generated this in that case)
Yes, I agree :)
I suspect computers ...
> or some sort of
> human-modified MIDI performance (you could easily "conduct" a MIDI
> performance causing the tempo to vary throughout and record the modified
> MIDI by adding a track with the tempo changes
On Tue, 2016-07-26 at 15:45 +0200, Mojca Miklavec wrote:
> Hello,
>
> Just before I give up about midi2ly:
>
> On 22 July 2016 at 17:50, David Kastrup wrote:
> > Mojca Miklavec writes:
> >
> >> That said, I wouldn't mind suggestions for some good OpenSo
On 7/26/2016 8:45 AM, Mojca Miklavec wrote:
> I have to keep playing with more MIDI files. The ones I tried last
> time were more problematic (or maybe I just didn't get the parameters
> right).
Attached is a MIDI file you can try importing. This was done with the
SpeedyMIDI program f
Hello,
Just before I give up about midi2ly:
On 22 July 2016 at 17:50, David Kastrup wrote:
> Mojca Miklavec writes:
>
>> That said, I wouldn't mind suggestions for some good OpenSource (GUI)
>> MIDI editors. I have a bunch of weird MIDI files that I would like to
>> turn
On 7/22/2016 9:27 AM, Mojca Miklavec wrote
> It would also be a nice experiment to figure out how to create a sound
> font from recordings of the highest quality instrument.
Sound fonts - have you tried the GeneralUser GS one by S. Christian Collins?
On 7/22/16 7:11 AM, "David Wright" <lily...@lionunicorn.co.uk> wrote:
>On Fri 22 Jul 2016 at 08:51:52 (+0200), Mojca Miklavec wrote:
>> I don't have much experience with MIDI. I just tried all the media
>> players on OS X and realized than only QuickTime Playe
On Fri, 2016-07-22 at 17:50 +0200, David Kastrup wrote:
> Mojca Miklavec <mojca.miklavec.li...@gmail.com> writes:
>
> > Off-topic:
> >
> > That said, I wouldn't mind suggestions for some good OpenSource (GUI)
> > MIDI editors. I have a bunch of weird MIDI
Am 22.07.2016 um 14:41 schrieb Phil Holmes:
> Probably better to follow the instructions in the snippet "Changing MIDI
> output to one channel per voice" in the NR.
Oh, of course, I should have read that (it's a snippet):
http://lilypond.org/doc/v2.18/Documentation/source/Docume
Mojca Miklavec <mojca.miklavec.li...@gmail.com> writes:
> Off-topic:
>
> That said, I wouldn't mind suggestions for some good OpenSource (GUI)
> MIDI editors. I have a bunch of weird MIDI files that I would like to
> turn into scores. They sound OK, but I'm not exactly sur
On Fri, Jul 22, 2016 at 8:28 AM, Mojca Miklavec [via Lilypond] <
ml-node+s1069038n19296...@n5.nabble.com> wrote:
> Off-topic:
>
> That said, I wouldn't mind suggestions for some good OpenSource (GUI)
> MIDI editors. I have a bunch of weird MIDI files that I would like to
On 22 July 2016 at 11:46, Robert Blackstone wrote:
> On 22 Jul 2016, at 08:51 , Mojca Miklavec wrote:
>
>> Hello,
>>
>> I don't have much experience with MIDI. I just tried all the media
>> players on OS X and realized than only QuickTime Player 7 had some
>>
On Fri 22 Jul 2016 at 08:51:52 (+0200), Mojca Miklavec wrote:
> I don't have much experience with MIDI. I just tried all the media
> players on OS X and realized than only QuickTime Player 7 had some
> very very basic support for playing MIDI files (I cannot even make it
> play loud
GarageBand in Mac OS X will play MIDI files.
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- Original Message -
From: "Noeck" <noeck.marb...@gmx.de>
To: <lilypond-user@gnu.org>
Sent: Friday, July 22, 2016 12:32 PM
Subject: Re: Changing and playing a different instrument in MIDI
Hi,
from the other replies I conclude that the Voice has no midiInstrument
Hi,
from the other replies I conclude that the Voice has no midiInstrument
and one cannot change the instrument inside the staff.
Or do you mean 'set' (once for the whole piece) by 'change'?
In both cases, if you want different instruments within the same staff,
you could make a separate midi
On 22 July 2016 at 16:51, Mojca Miklavec <mojca.miklavec.li...@gmail.com> wrote:
> Hello,
>
> I don't have much experience with MIDI. I just tried all the media
> players on OS X and realized than only QuickTime Player 7 had some
> very very basic support for playing MIDI file
On 22 Jul 2016, at 08:51 , Mojca Miklavec <mojca.miklavec.li...@gmail.com>
wrote:
> Hello,
>
> I don't have much experience with MIDI. I just tried all the media
> players on OS X and realized than only QuickTime Player 7 had some
> very very basic support for playing MIDI
Gilles <gil...@harfang.homelinux.org> writes:
> On Fri, 22 Jul 2016 08:51:52 +0200, Mojca Miklavec wrote:
>> Hello,
>>
>> I don't have much experience with MIDI. I just tried all the media
>> players on OS X and realized than only QuickTime Player 7 had some
>&
On Fri, 22 Jul 2016 08:51:52 +0200, Mojca Miklavec wrote:
Hello,
I don't have much experience with MIDI. I just tried all the media
players on OS X and realized than only QuickTime Player 7 had some
very very basic support for playing MIDI files (I cannot even make it
play loud enough, let
Hello,
I don't have much experience with MIDI. I just tried all the media
players on OS X and realized than only QuickTime Player 7 had some
very very basic support for playing MIDI files (I cannot even make it
play loud enough, let alone do anything else with it). None of the
others I have
Hi,
I wonder if there is any easier (more intuitive) way to run the midi
to lilypond conversion on Mac than
arch -32 /System/Library/Frameworks/Python.framework/Versions/2.7/bin/python
/Applications/LilyPond.app/Contents/Resources/bin/midi2ly test.midi
which additionally complains about
Federico Bruni <f...@inventati.org> writes:
> Il giorno sab 16 lug 2016 alle 16:31, pkarl <jpk...@gmail.com> ha
> scritto:
>> It would be so nifty if the following snippet produced equivalent
>> output in the midi file to what is produced in the pdf:
[Example u
Il giorno sab 16 lug 2016 alle 16:31, pkarl <jpk...@gmail.com> ha
scritto:
It would be so nifty if the following snippet produced equivalent
output in the midi file to what is produced in the pdf:
\version "2.19.38"
musicA = \relative {
\set Staff.instrumentName = "A
It would be so nifty if the following snippet produced equivalent output
in the midi file to what is produced in the pdf:
\version "2.19.38"
musicA = \relative {
\set Staff.instrumentName = "A"
\repeat volta 2 {
c''4 d e f
}
f d e c
\bar "
Hello Kaj,
while writing my last message, I was distracted and in a hurry ;-)
Am 31.05.2016 um 08:33 schrieb Kaj Persson:
Sorry, I do not exactly understand the intention of your proposal. I
am almost always using two \score sections, one for the midi and one
for the layout (pdf
Hello Jan-Peter,
Sorry, I do not exactly understand the intention of your proposal. I am
almost always using two \score sections, one for the midi and one for
the layout (pdf). There are many reasons for that, among others
"\unfoldRepeats" to take care of repeats. There are
Hi Kaj,
if you use separate templates for pdf and midi, of course you can adjust
the template as needed per case.
But it seems, you want to create both from one template. If you can use
at least two score-statements, you can separate both cases and - for
example - use tags to avoid double
remains however, if the first attempt with the dynamics as
a separate voice is working for the printed score, why does not this
information go into the MIDI file, when any of the voices is named.
/Kaj
Den 2016-05-30 10:34, skrev Jan-Peter Voigt:
Hi Kaj,
perhaps it doesn't matter that its named
lto:70147pers...@telia.com>
*To:* Lilypond-User Mailing List <mailto:lilypond-user@gnu.org>
*Sent:* Monday, May 30, 2016 9:28 AM
*Subject:* MIDI and template for dynamics
Hi all,
Using a template for dynamics is a convenient way of writing, when
dealing with voic
Have you tried \new Dynamics { \Dynamics } instead of \new Voice ?
--
Phil Holmes
- Original Message -
From: 70147pers...@telia.com
To: Lilypond-User Mailing List
Sent: Monday, May 30, 2016 9:28 AM
Subject: MIDI and template for dynamics
Hi all,
Using a template
template for dynamics is a convenient way of writing, when
dealing with voices following the same dynamics pattern. Basically it
works very well for producing beautiful scores, and also controlling
MIDI. But now I have found something that might be a bug, even if I hope
it is just a mistake of
Hi all,
Using a template for dynamics is a convenient way of writing, when
dealing with voices following the same dynamics pattern. Basically it
works very well for producing beautiful scores, and also controlling
MIDI. But now I have found something that might be a bug, even if I hope
On Thu, 19 May 2016 17:57:52 +0200
Marco Oros <marco.oro...@gmail.com> wrote:
> I have a question. Is there any software for converting a Midi to sheet?
> This software will haveto be for free.
Try RoseGarden.
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There's a program called Musescore (free open source WYSIWYG music sheet
program) that can import and render MIDI. Might be messy, depending on the
complexity of the music, but that's probably the same in all programs ...
Best, Robert.
__
It is wrong always, everywhere, and for anyone
On 5/19/2016 10:57 AM, Marco Oros wrote:
> Is there any software for converting a Midi to sheet?
LilyPond (which is free software) includes a command-line conversion
tool called midi2ly.
http://lilypond.org/doc/v2.18/Documentation/usage/invoking-midi2ly
This converts a MIDI f
Hello people!
I have a question. Is there any software for converting a Midi to sheet?
This software will haveto be for free.
Thank You!
Marco Oros
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2016-04-13 23:39 GMT+02:00 Gianmaria Lari <gianmarial...@gmail.com>:
> Ciao Thomas
>
> [How can I make lilypond display single note in the score but generate
> chords in the midi file?]
>
>> Maybe:
>>
>> \version "2.19.36"
>>
>> m = \cho
Ciao Thomas
[How can I make lilypond display single note in the score but generate
chords in the midi file?]
Maybe:
>
> \version "2.19.36"
>
> m = \chordmode { c4 d:m e:m7 }
>
> \score {
> \new Staff $(event-chord-reduce m)
> }
>
> \score {
>
with lilypond is easy but the generated midi file will contain
> single notes and not chords.
>
> How can I make lilypond display single note in the score but generate chords
> in the midi file?
>
> Thank you, g.
Maybe:
\version "2.19.36"
m = \chordmode { c4 d:m e:m
this with lilypond is easy but the generated midi file will
contain single notes and not chords.
How can I make lilypond display single note in the score but generate
chords in the midi file?
The most ‘simple’, although certainly not most convenient way would be
spelling out different versions of the music
On 13.04.2016 22:51, Gianmaria Lari wrote:
On the accordion the recommended notation to indicate a chord is
writing in the bass staff a *single* note between d' and d and writing
on top of them 'M' for major, 'm' for minor etc.
Doing this with lilypond is easy but the generated midi file
On the accordion the recommended notation to indicate a chord is writing in
the bass staff a *single* note between d' and d and writing on top of them
'M' for major, 'm' for minor etc.
Doing this with lilypond is easy but the generated midi file will contain
single notes and not chords.
How can
There is really no way to do this? E.g., this source code
http://git.savannah.gnu.org/cgit/lilypond.git/tree/lily/midi-control-function-performer.cc#n74
seems to indicate that I can set values for properties
but I'm forced to name them, and the name gets
translated to a number via the table
Hi.
Is there a way to send raw MIDI messages
(that is, sequences of bytes) from a description
inside a lilypond text? (possibly embedded LISP)
my application: to an external synthesizer device
that accepts a lot of control messages.
Base case: I want to send "program changes" where th
Hi.
turns out my previous question already is answered in the docs:
http://lilypond.org/doc/v2.18/Documentation/notation/repeats-in-midi
and it handles \alternative correctly as well.
- J.
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Hello to all
I am using version 2.18.2
I managed to write tambourine percussion music ...
Although I did code tambourine "shake" as trill ( tamb2^\startTrillSpan
tamb4\stopTrillSpan )
I do not know how to generate that tambourine "shake" in the MIDI file
(generated at t
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