Hi Mike,
Incidentally Kieren are you related to Keith and/or Edward? Keith
was the Chairman of the music dept. at Ottawa U when I was there.
Well if you are my apologies - it's 'Ernest' not 'Edward' of course.
I believe I saw both of them in a genealogy report years ago… but
it's a pretty
Mike Blackstock wrote:
Incidentally Kieren are you related to Keith and/or Edward? Keith was
the Chairman of the music dept. at Ottawa U when I was there.
Well if you are my apologies - it's 'Ernest' not 'Edward' of course.
M.
___
lilypond-u
Ah, I see... so it's the dotted note that makes the difference in the 2
examples. Makes sense. I guess i didn't think of looking under
'Collision Resolution'. Thanks!
Incidentally Kieren are you related to Keith and/or Edward? Keith was
the Chairman of the music dept. at Ottawa U when I was t
Hi Mike,
Is there something in the manual I've missed?
merge-differently-dotted
merge-differently-headed
HTH!
Kieren.
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Guitar music has a lot of this stuff:
\relative c' {
<<
{g'16 d' b d}
\\
{g,4}
>>
}
where the G in the top part lines up with the G in the bottom and they
share the same notehead; exactly as expected and wanted.
However in this:
\relative c' {
\time 3/8
<<
{g'8 b d}
\\
