David Kastrup d...@gnu.org writes:
Federico Bruni brunol...@gmx.com writes:
Alexander Kobel wrote:
Federico Bruni wrote:
Even this (just repeat without alternatives) does not work:
\parallelMusic #'(VoiceA VoiceB) {
\repeat volta 2 {
r4 g' c e ~ |
c,1 |
e4 g, c e ~ |
b1
Le 8 déc. 2009 à 18:40, Alexander Kobel a écrit :
It was written by someone (Nicolas?) who needed it
I've written it be never needed it nor used it. It was a very old
feature request.
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Alexander Kobel n...@a-kobel.de writes:
David Kastrup wrote:
-Eluze elu...@gmail.com writes:
i think \parallelMusic is just thought for a quick and easy input -
without sophisticated structuring of a piece!
In my personal opinion, tools of quick and easy nature that do not fit
well with
David Kastrup wrote:
Alexander Kobel n...@a-kobel.de writes:
-Eluze elu...@gmail.com writes:
i think \parallelMusic is just thought for a quick and easy input -
without sophisticated structuring of a piece!
Although it's an example of a functionality that IMHO is to valuable
to be hidden
Alexander Kobel n...@a-kobel.de writes:
David Kastrup wrote:
Alexander Kobel n...@a-kobel.de writes:
-Eluze elu...@gmail.com writes:
i think \parallelMusic is just thought for a quick and easy input -
without sophisticated structuring of a piece!
Although it's an example of a functionality
David Kastrup wrote:
Alexander Kobel n...@a-kobel.de writes:
Standardization does not mean let's call the current inconsistent
ad-hoc behavior standard. A standard needs to make sense of its
own, not just be a side-effect of a particular implementation.
Ah, come on. Of course your reasoning
Alexander Kobel n...@a-kobel.de writes:
David Kastrup wrote:
Alexander Kobel n...@a-kobel.de writes:
Standardization does not mean let's call the current inconsistent
ad-hoc behavior standard. A standard needs to make sense of its
own, not just be a side-effect of a particular
I'm trying to use \parallelMusic to write polyphonic pieces.
Unfortunately, I can't use \repeat and \alternative, otherwise
everything breaks up. In fact, it interprets each line as a new
measure, it can't see the voices anymore.
I wonder if it's a bug or if I'm doing something wrong.. (I attach
:
http://old.nabble.com/parallelMusic-and-repeat-tp26674088p26674382.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
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-Eluze wrote:
I can use \bar |: :| for repeats, but I don't know how to set the
alternate endings manually. Any hint?
you could add a further voice taking care of these repeats:
\\
{
\repeat volta 2 {
s 1 s 1
}
\alternative {
-Eluze elu...@gmail.com writes:
Federico Bruni-3 wrote:
I'm trying to use \parallelMusic to write polyphonic pieces.
Unfortunately, I can't use \repeat and \alternative, otherwise
everything breaks up. In fact, it interprets each line as a new
measure, it can't see the voices anymore.
I
-Eluze wrote:
i think \parallelMusic is just thought for a quick and easy input - without
sophisticated structuring of a piece!
oh, I see
that's what I wanted to know..
well, it's a pity because it's very handy, you can see all the voices
in a measure without having to scroll from one
Mats Bengtsson wrote:
-Eluze wrote:
I can use \bar |: :| for repeats, but I don't know how to set the
alternate endings manually. Any hint?
you could add a further voice taking care of these repeats:
\\
{
\repeat volta 2 {
s 1 s 1
}
On Mon, Dec 07, 2009 at 11:08:46AM +0100, David Kastrup wrote:
Maybe one would need a standard test suite template with multiple
voices, input methods, repeats and midi output, and any new feature that
gets moved into core needs to get this template expanded into the test
suite, and every test
Federico Bruni wrote:
In a normal piece, I have to scroll a lot when I enter music, because
each voice is separated.
That's why I hoped I could use \parallelMusic instead..
Do it, and try to somehow get around it's rough edges.
Although it has it's shortcomings, I can really recommend it, from
David Kastrup wrote:
-Eluze elu...@gmail.com writes:
i think \parallelMusic is just thought for a quick and easy input -
without sophisticated structuring of a piece!
In my personal opinion, tools of quick and easy nature that do not fit
well with the rest of Lilypond, partly because a proper
this (just repeat without alternatives) does not work:
\parallelMusic #'(VoiceA VoiceB) {
\repeat volta 2 {
r4 g' c e ~ |
c,1 |
e4 g, c e ~ |
b1 |
}
}
\new StaffGroup
\new Staff { \clef G_8 \relative c \VoiceA \\ \VoiceB }
\new TabStaff { \clef moderntab \relative c \VoiceA \\ \VoiceB
Federico Bruni wrote:
Even this (just repeat without alternatives) does not work:
\parallelMusic #'(VoiceA VoiceB) {
\repeat volta 2 {
r4 g' c e ~ |
c,1 |
e4 g, c e ~ |
b1 |
}
}
Everything inside the \repeat braces is considered as a single music
expression, so I'm not surprised
Alexander Kobel wrote:
Federico Bruni wrote:
Even this (just repeat without alternatives) does not work:
\parallelMusic #'(VoiceA VoiceB) {
\repeat volta 2 {
r4 g' c e ~ |
c,1 |
e4 g, c e ~ |
b1 |
}
}
Everything inside the \repeat braces is considered as a single music
to modify every single voice if a change in the
arrangement happens!
greetings
-Eluze
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Federico Bruni brunol...@gmx.com writes:
Alexander Kobel wrote:
Federico Bruni wrote:
Even this (just repeat without alternatives) does not work:
\parallelMusic #'(VoiceA VoiceB) {
\repeat volta 2 {
r4 g' c e ~ |
c,1 |
e4 g, c e ~ |
b1 |
}
}
Everything inside
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