On Tue, Feb 03, 2009 at 11:00:23PM +0100, Robin Bannister wrote:
Ed Ravin wrote:
Would the extra grace notes corrupt the MIDI output?
No. But you can hear them, and you might think that inappropriate. :)
Try out this: { \once \override Rest #'transparent = ##t \grace b4\rest\(
c8 g8 c8
Am 04.02.2009 um 14:01 schrieb Ed Ravin:
On Tue, Feb 03, 2009 at 11:00:23PM +0100, Robin Bannister wrote:
Ed Ravin wrote:
Would the extra grace notes corrupt the MIDI output?
No. But you can hear them, and you might think that inappropriate. :)
Try out this: { \once \override Rest
Ed Ravin wrote:
I'm guessing the silent rest somehow makes the grace note silent?
I wanted a rest (for silence).
If you say just r32, lilypond gives you silence OK,
but also does the vertical positioning automatically,
so you can't adjust the slur any more.
\rest lets you do the vertical
On Mon, Feb 02, 2009 at 12:25:43AM +0100, Robin Bannister wrote:
...
A fairly easy way in this case is to add a hidden grace note:
{ \hideNotes \grace b16\( \unHideNotes c8 g8 c8 \) | }
And you can use the grace pitch to adjust the starting height. This is
usually necessary if you want to
Ed Ravin wrote:
Would the extra grace notes corrupt the MIDI output?
No.
But you can hear them, and you might think that inappropriate. :)
Try out this:
{ \once \override Rest #'transparent = ##t \grace b4\rest\( c8 g8 c8 \) | }
Cheers,
Robin
hi,
On Feb 2, 2009, at 12:25 AM, Robin Bannister wrote:
Well, \repeatTie doesn't take you very far into the ensuing phrase.
And it doesn't swoop properly.
A fairly easy way in this case is to add a hidden grace note:
{ \hideNotes \grace b16\( \unHideNotes c8 g8 c8 \) | }
And you can use the
Am 02.02.2009 um 09:46 schrieb Simon Bailey:
hi,
On Feb 2, 2009, at 12:25 AM, Robin Bannister wrote:
Well, \repeatTie doesn't take you very far into the ensuing
phrase. And it doesn't swoop properly.
A fairly easy way in this case is to add a hidden grace note:
{ \hideNotes \grace b16\(
hi,
On Feb 2, 2009, at 9:52 AM, James E. Bailey wrote:
given how well it works, defining a variable like PhrasingAdjustment
= {s1*32 \grace s8 } and then just including that in all parts
doesn't seem to be too much of a hassle. And wouldn't really wreak
havoc.
wreak havoc may have been
This reminds me, I still haven't heard anything
from my feature request on -devel on this topic.
Anyone?
http://lists.gnu.org/archive/html/lilypond-devel/2008-12/msg00403.html
http://lists.gnu.org/archive/html/lilypond-devel/2008-12/msg00404.html
- Mark
Am 02.02.2009 um 09:56 schrieb Simon Bailey:
hi,
On Feb 2, 2009, at 9:52 AM, James E. Bailey wrote:
given how well it works, defining a variable like
PhrasingAdjustment = {s1*32 \grace s8 } and then just including
that in all parts doesn't seem to be too much of a hassle. And
wouldn't
One solution is \repeatTie, see
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Writing-rhythms#Ties
/Mats
Ed Ravin wrote:
I'm using LilyPond Version 2.10.29-1 on a PPC MacOS 10.4 (Tiger).
I'm trying to typeset a piece that has phrasing slurs and repeats.
One of the phrasing
Well, \repeatTie doesn't take you very far into the ensuing phrase.
And it doesn't swoop properly.
A fairly easy way in this case is to add a hidden grace note:
{ \hideNotes \grace b16\( \unHideNotes c8 g8 c8 \) | }
And you can use the grace pitch to adjust the starting height.
This is
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