Carl: Thanks!
I finished the engraving of the piano score of "Jesus Paid It All",
although I still haven't solved starting and ending hairpins in
simultaneous voices as of yet (I think that it may not start outside of of
such a section and end inside it)
Mike Dean
On Wed, Dec 20, 2017 at 12:3
In this multi-voice context, I'm not sure where to put the hairpin
decrescendo to not generate a warning
Mike Dean
On Tue, Dec 19, 2017 at 11:36 PM, Mike Dean wrote:
> So far , it has helped!
> In this construct, though, do I need to put the meter change in each part
> of this system (4/4 in me
So far , it has helped!
In this construct, though, do I need to put the meter change in each part
of this system (4/4 in measure 6, 3/4 in measure 7)
(English accidentals used)
<<
\relative c' {
\once \stemDown c2. | c4. bf8 af bf |
\once \stemDown c2. | c4. bf8 af bf |
\once \st
From: Mike Dean
Measures 1,3,5 are chords, while measures 2,4,6 has the temporary polyphony and
trying to fit what I want to do into the example is a struggle...
I use \stemDown to put the stem down and merge it with the chord:
{
\clef bass
\time 3/4
<<
\relative c' {
\onc
Since the png pix is too big..
I am engraving a manuscript I wrote a number of years ago, and am having
problems conceptualizing temporary polyphony (2.18 manual, pages 159-160)
Link:
https://drive.google.com/file/d/0ByAN66y33JJGOHhodExjWjQ5OExFVHJpWmhpenpoZERvQV84/view?usp=sharing
Measures 1,3,5
