Am 24.01.2018 um 02:58 schrieb joedavnport:
Q1. Is there a way to create (and show) an empty stave in a score,
rather than creating {s1 s1 s1} spaces?
You can write s1*3 instead of s1 s1 s1 ;)
Q2. Sometimes I want to omit a phrasing for certain files (e.g. showing
repeat marks), instead of
Hi LilyPond,
Here are some general questions on coding, which I think can be answered in any
way that works. The first, however, is more specific.
Q1. Is there a way to create (and show) an empty stave in a score, rather than
creating {s1 s1 s1} spaces?
-because I'm lazy.
Q2. Sometimes I want
Hello,
to work with foot- or end-notes its good to know the current position in
music - of course this doesn't make sense for a paragraph of pure text ;-)
So I digged for a way to fetch the current position in music - these are
only some hints for me to remember and perhaps for you to try:
Wow, nice !
Thanks a lot, this really helps :-p
LaTeX-like text footnotes are nearly done.
After doing these footnotes and endnotes, I will probably try to implement
drop caps support.
(My secret wish is to get rid of lilypond-book...)
Regards,
Bertrand
On 8 February 2011 23:40, Bertrand Bordage bordage.bertr...@gmail.com wrote:
Hello,
I'm currently trying to find some solutions to this issue
: http://code.google.com/p/lilypond/issues/detail?id=737
I started implementing a solution for endnotes (attached). It is based on
this snippet :
Hello Bertrand,
I reworked this snippet a little bit to display asterisks instead of
numbers. This is the way we usually see those little footnotes in
published notes - but it still faces a similar problem:
If you have several staffs, the remarks are ordered first in system-
*then* in
It may be totally unrelated but that reminds me of this:
http://lists.gnu.org/archive/html/bug-lilypond/2010-12/msg00425.html
Cheers,
Xavier
Hi Xavier,
this is related to the footnote snippet ... if you have footnotes at a
pagebreak, the footnote might be on the wrong page. For these
Thanks Jan-Peter !
I agree with your idea of using asterisks instead of numbers when annotating
scores (but for text, numbers seems more elegant).
For the moment, I will try to do LaTeX-like footnotes for markuplines.
Indeed, this would be a good solution for now :
- A column of footnotes on
Hello,
I'm currently trying to find some solutions to this issue :
http://code.google.com/p/lilypond/issues/detail?id=737
I started implementing a solution for endnotes (attached). It is based on
this snippet : http://lsr.dsi.unimi.it/LSR/Item?id=728
As you can see, there is a problem when
Gilles Thibault proposed the function \shiftMusic #1 { }. How can I
loop through an arbitrary range (for example: #-7 .. #14)?
Thanks for any help
Thomas
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I am looking for a way to create sequences in a key. The old posting I
found (Re: command for 'sequences'? Rune Zedeler Fri, 21 Sep 2001) is
written for an old version.
leaving away the old stuff I get to this solution - which does not work.
Any help available
Thomas
\version 2.12.1
leaving away the old stuff I get to this solution - which does not work.
Any help available
Thomas
\version 2.12.1
#(define ((shift-pitch amount) p)
(let* ((o (ly:pitch-octave p))
(a (ly:pitch-alteration p))
(n (ly:pitch-notename p)))
(set! n (+ amount n))
(while ( n
Mats Bengtsson [EMAIL PROTECTED] writes:
Take a look at the example file input/test/music-box.ly
in the distribution. I think it does more or less what
you're trying to achieve.
/Mats
Wow! That is amazing. *peers* So it takes a sequential list of
pattern - note pairs and applies each
((a (ly-get-mus-property x 'elements)))
(display (car a))
(display \n===\n)
(display (cadr a))
)
x)
---
I noticed by looking at what displayed that (car a) was the
\myduration sequence and (cadr a) was \music. However, the two
resulting sequences do not act
a) was \music. However, the two
resulting sequences do not act like ordinary lists, and normal
mapping
functions do not work. In addition, (car a) is the unevaluated form
of \myduration, with information about how many times to repeat but
the
repeats themselves not unfolded.
At this point I'm
Wow. Too many trailing spaces.
r8 | \partial 8 g8 | c2:3- f:3-.7| c4
c8 d [es () d] c4 | d:min es4 c8:min r8 | f4 f8 g [es() d] c g |
c2:min f:min7 | c4 c8 d [es () d] c4 | g:7^3.5 c:min | d4
es8 d c4. \bar |. |
Take a look at the example file input/test/music-box.ly
in the distribution. I think it does more or less what
you're trying to achieve.
/Mats
Does anyone know how to perform an operation (using the Guile
interpreter) that combines two sequences of notes? I'm not entirely
sure how
Does anyone know how to perform an operation (using the Guile
interpreter) that combines two sequences of notes? I'm not entirely
sure how to iterate from note to note, and I'm not sure how to get at
the notes after they have been evaluated for unfolding repeats.
I wanted to pair two sequences
On mar, 2001-10-02 at 11:37, Rune Zedeler wrote:
Do you plan to put it in
next realease (something just like \gacen{d}) ?
No, I am quite sure that this will never be implemented in lilypond.
If one could just run ly2dvi as a filter then it would be no problem to
run it like
HI
I have a lilypond question: is there a command for
making sequences of notes? A sequence is a series of
notes within a certain scale (eg g major), based on
a cell of notes eg, 'g a b c'. A sequence would then
be for instance:
g a b c a b c d b c d ec d e f# d e f# g
etc. What
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