tie <> to << {} \\ {} >>

2015-01-22 Thread Luca Danieli
Hi all, how can I tie the notes in the following example? 16 << { \once \override NoteColumn.force-hshift = #-0.6 \once \override Stem.direction = #DOWN d2 } \\ { \once \override NoteColumn.force-hshift = #0.6 \once \override Stem.direction = #up ees2^\trill } >> the ~ do not show in

Re: tie <> to << {} \\ {} >>

2015-01-22 Thread Steve Lacy
Putting the d~ and ees~ inside the <<...>> block gets a bit closer. You can see the ties, but has other differences from your original example. I'm not sure exactly what your final goal is: \relative c' { << { d16~ \once \override NoteColumn.force-hshift = #-0.6 \once \override Stem.direction = #D

Re: tie <> to << {} \\ {} >>

2015-01-22 Thread Pierre Perol-Schneider
Hi Luca, hi Steve, Luca, do you mean : \version "2.18.2" \transpose c c' { %16 ~ << { \once\stemDown \once\hideNotes ees16~ \once\override NoteColumn.force-hshift = #0.6 ees2^\trill } \\ { \once\stemUp 16 \once\override NoteColumn.for

Re: tie <> to << {} \\ {} >>

2015-01-25 Thread Robin Bannister
My contribution of two days ago hasn't turned up on the list (yet), so here goes again: Here is a variant of Pierre's proposal: \transpose c c' { %16 ~ << { \once \override NoteColumn #'ignore-collision = ##t \once \hideNotes 16 \once \override NoteColumn.force-

Ending Tie to No Note

2021-08-06 Thread Ernie Braganza
Is there a better way to do this? I am trying to end a repeated section with a tie to the first note back at the beginning of the section. This is written as an unterminated tie. I can get it to look right with this code, but I get an error message "programming error: bounds of this piece a

Re: Ending Tie to No Note

2021-08-06 Thread Aaron Hill
On 2021-08-06 11:29 am, Ernie Braganza wrote: Is there a better way to do this? I am trying to end a repeated section with a tie to the first note back at the beginning of the section. This is written as an unterminated tie. I can get it to look right with this code, but I get an error

Re: Ending Tie to No Note

2021-08-08 Thread Ernie Braganza
Thank you. I had never heard of semi-ties before. Always something new to learn, On Fri, Aug 6, 2021 at 3:05 PM Aaron Hill wrote: > On 2021-08-06 11:29 am, Ernie Braganza wrote: > > Is there a better way to do this? > > > > I am trying to end a repeated section with a tie t

tie to note inside double backslashing voicing

2012-04-06 Thread trandrusiii
nyone experienced this before? or know a better way to do single note dynamics? Thanks. r c'( a fis'\< a, d,) g2.~\mp << { g2. } \\ { s4\> s4 s4\! } >> %no tie -- View this message in context: http://old.nabble.com/tie-to-note-inside-double-backslashing-voicing-tp3363725

Re: tie to note inside double backslashing voicing

2012-04-06 Thread Janek Warchoł
Hi, On Fri, Apr 6, 2012 at 6:00 PM, trandrusiii wrote: > The only way I've found to create dynamics for a single note is to use > voicing with spacers. This worked ok for a while but now I have a note that > is tied to the upper voice and I get an error message saying that the tie is > not termin

Re: tie to note inside double backslashing voicing

2012-04-06 Thread Kieren MacMillan
score. Has anyone experienced > this before? or know a better way to do single note dynamics? Thanks. > > r c'( a > fis'\< a, d,) > g2.~\mp > << { g2. } \\ { s4\> s4 s4\! } >> %no tie > -- > View this message in context: > http://old.

Re: tie to note inside double backslashing voicing

2012-04-07 Thread trandrusiii
t;> is tied to the upper voice and I get an error message saying that the tie >> is >> not terminated and nothing shows up on the score. Has anyone experienced >> this before? or know a better way to do single note dynamics? Thanks. >> >> r c'( a >> fis&#

Re: tie to note inside double backslashing voicing

2012-04-07 Thread Janek Warchoł
On Sat, Apr 7, 2012 at 4:29 PM, trandrusiii wrote: > > Thanks for your input. I've tried both methods and I have the same problem. > When I add a cresc. to the measure, the spacing of my entire piece gets > completely messed up. I don't understand why Lilypond won't allow me to > create dynamics w

Re: tie to note inside double backslashing voicing

2012-04-07 Thread trandrusiii
u posted. > Can you post sample code again, with an illustration of what you want > to achieve? > > cheers, > Janek > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lily

Re: tie to note inside double backslashing voicing

2012-04-07 Thread Reinhold Kainhofer
On 2012-04-06 18:00, trandrusiii wrote: The only way I've found to create dynamics for a single note is to use voicing with spacers. This worked ok for a while but now I have a note that is tied to the upper voice and I get an error message saying that the tie is not terminated and nothing shows

Re: tie to note inside double backslashing voicing

2012-04-09 Thread Janek Warchoł
On Sat, Apr 7, 2012 at 11:27 PM, trandrusiii wrote: > > Hi. The problem I am having now is different. When I attempt to add a hairpin > decres the spacing of my entire piece gets corrupted. I've attached a > screencap to illustrate. I would like the spacing to remain at 31 or 32 > pages. > http://

Re: tie to note inside double backslashing voicing

2012-04-09 Thread Stan Sanderson
On Apr 9, 2012, at 8:13 AM, Janek Warchoł wrote: > On Sat, Apr 7, 2012 at 11:27 PM, trandrusiii wrote: >> >> Hi. The problem I am having now is different. When I attempt to add a hairpin >> decres the spacing of my entire piece gets corrupted. I've attached a >> screencap to illustrate. I would

Move tie to the end(top) of the stem

2014-04-21 Thread Knute Snortum
I have a piece I'm typesetting where an internal voice needs a tie, but \tieDown isn't enough. The tie spanner needs to be at the bottom (in this case) of the stems. Here is a snippet that illustrates the problem: \version "2.18.2" \new Staff { \key bes \major \time 5/4 << { 4 8[ ] }

Re: Move tie to the end(top) of the stem

2014-04-21 Thread Conor Cook
Does the tie need to connect the eeses? This looks good, but maybe not to your specs. \version "2.18.2" \new Staff { \key bes \major \time 5/4 << { 4 8[ ] } \\ { \override Stem.length = #8.0 \stemDown ees'2. ees'4^~ ees'8 r8 } >> } Best, Conor Cook On Apr 21, 2014, at 5:01 PM, Knute Snortu

Re: Move tie to the end(top) of the stem

2014-04-21 Thread Simon Albrecht
Alternatively, use the override inserted below. Best, Simon Am 22.04.2014 00:40, schrieb Conor Cook: Does the tie need to connect the eeses? This looks good, but maybe not to your specs. \version "2.18.2" \new Staff { \key bes \major \time 5/4 << { 4 8[ ] } \\ { \override Stem.length = #

Re: Move tie to the end(top) of the stem

2014-04-21 Thread Knute Snortum
That's it, Simon! Thanks. And thanks for the suggestion, Conor. That did look better. Knute Snortum (via Gmail) On Mon, Apr 21, 2014 at 3:43 PM, Simon Albrecht wrote: > Alternatively, use the override inserted below. > > Best, Simon > > Am 22.04.2014 00:40, schrieb Conor Cook: > > Does the

Re: Move tie to the end(top) of the stem

2014-04-21 Thread Conor Cook
You’re welcome. But Simon’s definitely looks better :) ~Conor Cook On Apr 21, 2014, at 7:59 PM, Knute Snortum wrote: > That's it, Simon! Thanks. And thanks for the suggestion, Conor. That did > look better. > > > Knute Snortum > (via Gmail) > > > On Mon, Apr 21, 2014 at 3:43 PM, Simon

Re: Move tie to the end(top) of the stem

2014-04-21 Thread Janek Warchoł
2014-04-22 0:43 GMT+02:00 Simon Albrecht : > >> On Apr 21, 2014, at 5:01 PM, Knute Snortum wrote: >> >>> I have a piece I'm typesetting where an internal voice needs a tie, but >>> \tieDown isn't enough. The tie spanner needs to be at the bottom (in this >>> case) of the stems. Here is a snippet

Re: Move tie to the end(top) of the stem

2014-04-23 Thread Knute Snortum
I can see your point. I'm trying to get the LilyPond score to look like the original, but maybe in this case a slavish concern for exactness isn't appropriate. Knute Snortum (via Gmail) On Mon, Apr 21, 2014 at 11:10 PM, Janek Warchoł wrote: > 2014-04-22 0:43 GMT+02:00 Simon Albrecht : > > > >

Re: Last note of a first alternative is a tie to the first note in the repeat; how to engrave this?

2022-07-27 Thread Hwaen Ch'uqi
Greetings Ken, I wonder if this isn't a place for \laissezVibrer Hwaen Ch'uqi On 7/28/22, Kenneth Wolcott wrote: > Hi; > > I must be missing something obvious here. > > The last note of a first alternative is a tie to the first note in the > repeat. >

Re: Last note of a first alternative is a tie to the first note in the repeat; how to engrave this?

2022-07-27 Thread David Wright
On Wed 27 Jul 2022 at 21:27:53 (-0700), Kenneth Wolcott wrote: > > I must be missing something obvious here. > > The last note of a first alternative is a tie to the first note in the > repeat. > > Lilypond 2.22.2 complains: > > La_Bamba.ly:67:40: warning: un

Re: Last note of a first alternative is a tie to the first note in the repeat; how to engrave this?

2022-07-27 Thread Kenneth Wolcott
ot;gotcha" list. Ken On Wed, Jul 27, 2022 at 9:55 PM David Wright wrote: > > On Wed 27 Jul 2022 at 21:27:53 (-0700), Kenneth Wolcott wrote: > > > > I must be missing something obvious here. > > > > The last note of a first alternative is a tie to the first

Re: Last note of a first alternative is a tie to the first note in the repeat; how to engrave this?

2022-07-28 Thread David Kastrup
Kenneth Wolcott writes: > Hi Hwaen and David; > > Thank you very much for your replies. > > It does solve the problem. > > I saw that command but, for some reason I did not think it applied > to my situation. The current naming is a drag. "\repeatTie" and "\laissezvibrer" are a stupid com

Re: Last note of a first alternative is a tie to the first note in the repeat; how to engrave this?

2022-07-28 Thread Carl Sorensen
On Thu, Jul 28, 2022 at 7:30 AM David Kastrup wrote: > > The current naming is a drag. > > "\repeatTie" and "\laissezvibrer" are a stupid combination of terms for > the two different half ties you need to deal with in the context of > repeats or other visual non-linearities. > I completely agree

Re: Last note of a first alternative is a tie to the first note in the repeat; how to engrave this?

2022-07-28 Thread David Kastrup
Carl Sorensen writes: > On Thu, Jul 28, 2022 at 7:30 AM David Kastrup wrote: > >> >> The current naming is a drag. >> >> "\repeatTie" and "\laissezvibrer" are a stupid combination of terms for >> the two different half ties you need to deal with in the context of >> repeats or other visual non-l

Re: Last note of a first alternative is a tie to the first note in the repeat; how to engrave this?

2022-07-28 Thread Jean Abou Samra
> Le 28 juil. 2022 à 16:06, Carl Sorensen a écrit : > >  > > >> On Thu, Jul 28, 2022 at 7:30 AM David Kastrup wrote: >> >> The current naming is a drag. >> >> "\repeatTie" and "\laissezvibrer" are a stupid combination of terms for >> the two different half ties you need to deal with in th

Re: Last note of a first alternative is a tie to the first note in the repeat; how to engrave this?

2022-07-28 Thread Simon Albrecht
On 28/07/2022 16:25, David Kastrup wrote: There is also \startTrillSpan/\stopTrillSpan, \startGroup/\stopGroup, \startGraceSlur/\stopGraceSlur, \startTextSpan/\stopTextSpan, \startMeasureCount/\stopMeasureCount, \startMeasureSpanner/\stopMeasureSpanner . On the opposite side, there is \endSpanne

Re: Last note of a first alternative is a tie to the first note in the repeat; how to engrave this?

2022-07-28 Thread David Kastrup
Simon Albrecht writes: > On 28/07/2022 16:25, David Kastrup wrote: >> There is also \startTrillSpan/\stopTrillSpan, \startGroup/\stopGroup, >> \startGraceSlur/\stopGraceSlur, \startTextSpan/\stopTextSpan, >> \startMeasureCount/\stopMeasureCount, >> \startMeasureSpanner/\stopMeasureSpanner . On t

Re: Last note of a first alternative is a tie to the first note in the repeat; how to engrave this?

2022-07-28 Thread Paul Hodges
From: David Kastrup There is also \startTrillSpan/\stopTrillSpan, \startGroup/\stopGroup, \startGraceSlur/\stopGraceSlur, \startTextSpan/\stopTextSpan, \startMeasureCount/\stopMeasureCount, \startMeasureSpanner/\stopMeasureSpanner .  So there is a clear pattern of \startItem and \endItem b

Re: Last note of a first alternative is a tie to the first note in the repeat; how to engrave this?

2022-07-28 Thread David Kastrup
Paul Hodges writes: > From: David Kastrup > There is also \startTrillSpan/\stopTrillSpan, \startGroup/\stopGroup, > \startGraceSlur/\stopGraceSlur, \startTextSpan/\stopTextSpan, > \startMeasureCount/\stopMeasureCount, > \startMeasureSpanner/\stopMeasureSpanner .  > > So there is a clear pa

Re: Last note of a first alternative is a tie to the first note in the repeat; how to engrave this?

2022-07-28 Thread Kieren MacMillan
Hi all, > I don't see why. They are halfties. So why not \halftie #LEFT and \halftie #RIGHT? (i.e., they're both halfties, so just have a direction parameter) Just a thought. Kieren.

Re: Last note of a first alternative is a tie to the first note in the repeat; how to engrave this?

2022-07-28 Thread David Kastrup
Kieren MacMillan writes: > Hi all, > >> I don't see why. They are halfties. > > So why not \halftie #LEFT and \halftie #RIGHT? > (i.e., they're both halfties, so just have a direction parameter) There isn't much of an incentive to ever have the halftie direction computed in any manner, so givin

Re: Last note of a first alternative is a tie to the first note in the repeat; how to engrave this?

2022-07-28 Thread Kieren MacMillan
Hi David, > There isn't much of an incentive to ever have the halftie direction > computed in any manner, so giving the user interface to them another > hoop does not seem to give any return to the user. Fair point… I guess I was thinking it might be easier/clearer for documentation, since peopl

Re: Last note of a first alternative is a tie to the first note in the repeat; how to engrave this?

2022-07-28 Thread Aaron Hill
On 2022-07-28 6:29 am, David Kastrup wrote: \laissezvibrer might be an alias, though I am not sure whether it would not, in that function, be deserving of some tweaks giving it a longer minimal visual length. Isn't it also conventional to annotate it "l.v."? If we had a more general semi-tie c

Re: Last note of a first alternative is a tie to the first note in the repeat; how to engrave this?

2022-07-28 Thread Werner LEMBERG
rsion of the NR has the index entries tie, from nothing tie, to nothing It is straightforward to add more entries to the index, but which one? Werner