Re: transposition: entering parts in absolute pitch

2014-01-08 Thread Tom Yates
On Wed, 8 Jan 2014, David Kastrup wrote: Tom Yates writes: On Wed, 8 Jan 2014, David Kastrup wrote: You use \transposition to state the relation of printed to played music, regardless of whether you are entering in concert pitch or printed pitch. You use \transpose to change the printed pi

Re: transposition: entering parts in absolute pitch

2014-01-08 Thread David Kastrup
Tom Yates writes: > On Wed, 8 Jan 2014, David Kastrup wrote: > >> Which version of LilyPond are you using? In 2.17.13 the behavior >> was changed and is much simpler now. I am describing how this works >> now: > > GNU LilyPond 2.17.26, which is apparently handy! i'm sorry for not > including t

Re: transposition: entering parts in absolute pitch

2014-01-08 Thread Tom Yates
On Wed, 8 Jan 2014, David Kastrup wrote: Which version of LilyPond are you using? In 2.17.13 the behavior was changed and is much simpler now. I am describing how this works now: GNU LilyPond 2.17.26, which is apparently handy! i'm sorry for not including that information earlier. You u

Re: transposition: entering parts in absolute pitch

2014-01-08 Thread David Kastrup
Tom Yates writes: > I apologise if this is a FAQ; I've gone back a few months in the > archives and can't find anything that seems relevant, and I want to > get my head straight before I do any more work on my arrangement. > > I'm arranging something for brass band, which means dealing with 22 >

transposition: entering parts in absolute pitch

2014-01-08 Thread Tom Yates
I apologise if this is a FAQ; I've gone back a few months in the archives and can't find anything that seems relevant, and I want to get my head straight before I do any more work on my arrangement. I'm arranging something for brass band, which means dealing with 22 lines in a variety of trans