Op vrijdag 2 november 2007, schreef Ole Schmidt:
I'am a bit shy to out my ignorance...
what I'am missing (maybe I overlooked it) is an overview (maybe a
sort of tree?) of how the
all the terms:
\score
\new Staff
\new Voice
\VoiceOne
\VoiceTwo
\oneVoice
are (hieracial) related
[resent because i initially sent with a wrong sender address]
Op vrijdag 2 november 2007, schreef Ole Schmidt:
I'am a bit shy to out my ignorance...
what I'am missing (maybe I overlooked it) is an overview (maybe a
sort of tree?) of how the
all the terms:
\score
\new Staff
\new Voice
Mats Bengtsson wrote:
Ole Schmidt wrote:
I'am a bit shy to out my ignorance...
what I'am missing (maybe I overlooked it) is an overview (maybe a sort
of tree?) of how the
all the terms:
These issues are described to some extent in the section on Explicitly
instantiating
voices.
I
Ole Schmidt wrote:
I'am a bit shy to out my ignorance...
what I'am missing (maybe I overlooked it) is an overview (maybe a sort
of tree?) of how the
all the terms:
\score
\new Staff
\new Voice
\VoiceOne
\VoiceTwo
\oneVoice
are (hieracial) related and how their encapsulation ( and {
On 02.11.2007 (16:26), Wilbert Berendsen wrote:
Op vrijdag 2 november 2007, schreef Ole Schmidt:
There is also the { } \\ { } model for polyphony, when to use
which construction?
The short answer is that this is used for single-staff polyphony, but since
giving a short answer is
Am 02.11.2007 um 15:13 schrieb Mats Bengtsson:
Another point are the rules of the \relative mode when you have
polyphony/chord constructions (how to use , and ' properly)
Could you please check the following draft of the new revised manual
and see if it provides the relevant information:
I'am a bit shy to out my ignorance...
what I'am missing (maybe I overlooked it) is an overview (maybe a
sort of tree?) of how the
all the terms:
\score
\new Staff
\new Voice
\VoiceOne
\VoiceTwo
\oneVoice
are (hieracial) related and how their encapsulation ( and { })
works
There is
Graham Percival wrote:
Mats Bengtsson wrote:
Ole Schmidt wrote:
I'am a bit shy to out my ignorance...
what I'am missing (maybe I overlooked it) is an overview (maybe a
sort of tree?) of how the
all the terms:
These issues are described to some extent in the section on
Explicitly
On 02.11.2007 (11:05), Paul Scott wrote:
I haven't needed to look at the tutorial in a while. This is great!!
Thanks to everyone improving the documentation!!!
there's always room for one more to look at it, if you discover that your
new enthusiasm becomes too overwhelming :)
Eyolf
--
One solution is described in section Divisi Lyrics,
namely to use different Voice contexts for the different
parts of music. Notice that you have to keep the
original Voice context alive over the 6 measures
using s1*6.
/Mats
Ole Schmidt wrote:
I have to typeset lyrics for the first time
in section Divisi Lyrics,
namely to use different Voice contexts for the different
parts of music. Notice that you have to keep the
original Voice context alive over the 6 measures
using s1*6.
/Mats
Ole Schmidt wrote:
I have to typeset lyrics for the first time. I've studied the
manual
Ole Schmidt wrote:
I read Divisi Lyrics over and over but I'am afraid I don't
understand it. There are two different voices at one point and on
this point there are two different lyrics assigned. How can I use it
for my problem?
What I primarily had in mind was the second example in
thank you very much for the example, now I see how to use it and it
works fine
best
ole
Am 01.11.2007 um 22:56 schrieb Mats Bengtsson:
Ole Schmidt wrote:
I read Divisi Lyrics over and over but I'am afraid I don't
understand it. There are two different voices at one point and on
I read Divisi Lyrics over and over but I'am afraid I don't
understand it.
Now that you know how it works it would be a great help for us if you
tell us what exactly have missed in the docs which prevented you from
understanding it.
Werner
14 matches
Mail list logo
