Re: LilyPond 2.18.0 released

Am 30.12.2013 17:50, schrieb David Kastrup: [...] We are proud to announce the release of GNU LilyPond 2.18.0 - the new stable release. LilyPond is a music engraving program devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to

Re: Numbers over double percent repeats

Am 03.01.2014 06:51, schrieb Daniel Rosen: How can I modify the code below so that it produces output more along the lines of the attachment (regarding the numbers over the percent repeats)? I want the number to express how many measures are being repeated, not how many repetitions. I think

Re: Numbers over double percent repeats

Am 03.01.2014 16:17, schrieb Daniel Rosen: -Original Message- [...] Nope, that gives me a 2 over the first percent and a 3 over the second. I need both of them to have a 2. Ah, ok, sorry, I misunderstood your request completely. Perhaps http://lsr.dsi.unimi.it/LSR/Item?id=883 is

Re: Numbers over double percent repeats

Am 03.01.2014 18:32, schrieb Marc Hohl: Am 03.01.2014 16:17, schrieb Daniel Rosen: -Original Message- [...] Nope, that gives me a 2 over the first percent and a 3 over the second. I need both of them to have a 2. Ah, ok, sorry, I misunderstood your request completely. Perhaps

Re: Learning Lilypond, comments invited - part 2

Am 03.01.2014 19:20, schrieb David Kastrup: Noeck writes: Why do I see side by side two keywords for setting properties: \set and \override. That is explained in the manual. With the promising caption "\set versus \override" and no content: http://www.lilypond.org/doc/v2.18/Documentation/n

Re: Numbers over double percent repeats

Am 03.01.2014 19:08, schrieb Marc Hohl: Am 03.01.2014 18:32, schrieb Marc Hohl: Am 03.01.2014 16:17, schrieb Daniel Rosen: -Original Message- [...] Nope, that gives me a 2 over the first percent and a 3 over the second. I need both of them to have a 2. Ah, ok, sorry, I

Re: Survey: Git (G)UIs

Am 06.01.2014 23:41, schrieb Werner LEMBERG: I'd like to make a survey on how you are working with Git. Do you use the command line exclusively, or a GUI (which one(s))? Or a GUI for certain tasks and the command line for others? I use git on the command line only. However, I use the excell

Re: What should be the default B7 chord?

Am 11.01.2014 20:06, schrieb Carl Sorensen: There has been a difference of opinion on why the default B7 guitar chord shape should be. I'm making a poll to determine what the users would prefer. Would you like the first chord in the attachment (barred on fret 2) or the second chord (open chord

Re: What should be the default B7 chord?

Am 12.01.2014 00:09, schrieb Eluze: Carl Sorensen-3 wrote There has been a difference of opinion on why the default B7 guitar chord shape should be. I'm making a poll to determine what the users would prefer. Would you like the first chord in the attachment (barred on fret 2) or the second cho

Fwd: Re: What should be the default B7 chord?

This message should go to the list IMHO Original-Nachricht Betreff: Re: What should be the default B7 chord? Datum: Sun, 12 Jan 2014 04:30:39 -0600 Von: Ed Faulk An: Marc Hohl Open chord, first position. Ed On 1/12/2014 4:17 AM, Marc Hohl wrote: Am 11.01.2014 20:06

Re: midiInstrument not rendered for some values

Am 13.01.2014 09:34, schrieb Bric: [...] Not to digress from lilypond /too/ much, but FWIW, some default patches for the timidity(++) on my Ubuntu sound significantly better than the ones in the FluidR3 soundfont (strings, for instance). I am talking about the quality (verisimilitude) and beauty

Re: how close are we to having an "addAt" or "insertAt" feature?

Am 16.01.2014 06:35, schrieb David Kastrup: Alex Loomis writes: How much sense would it make for there to be a separate \mark-style command that functioned identically but didn't mess with the counter? What do you mean? Neither \mark #4 nor \mark "G" mess with the counter. Perhaps some ki

Re: Error with glissando and glissando spans

Am 04.12.2014 um 07:03 schrieb Jaime E Oliver: Dear All, I am getting the following error: Error: programming error: bounds of this piece aren't breakable. I vaguely remember having run into the same problem. Glissandi aren't breakable by default, so you have to explicitly allow a break here:

Re: markup with notes without noteshead

Am 08.12.2014 um 05:29 schrieb MING TSANG: Dear lilyponders: How can I code markup stem with flat only. Please refer to .png file. Hm, tricky. I don't think that a markup function will be able to create the 32th beams, so I'd probably use an extra staff with no lines and eliminate the note

Re: Automatically add empty pages at the end of a book

Am 09.12.2014 um 22:45 schrieb Urs Liska: [...] I have to repeat myself: My issue is not about the imposing from A4 to A3. I want to produce a file in A4 that *can* be imposed on a folded A4 paper. So it has to have a page count of a multiple of 4. Hi Urs, does http://lists.gnu.org/archive/htm

Re: lilypond fingeringOrientations spanner?

Am 10.12.2014 um 11:13 schrieb Peter Terpstra: Dear People, Don't know if this exists, could not find it on internet, guess that if it exists people in this group would now about it. I think http://comments.gmane.org/gmane.comp.gnu.lilypond.general/67470 is what you're searching for (scroll

Re: Automatically add empty pages at the end of a book

ow could I access that from within a music function? Sorry, no idea. Marc Urs Am 10. Dezember 2014 09:46:22 MEZ, schrieb Marc Hohl : Am 09.12.2014 um 22:45 schrieb Urs Liska: [...] I have to repeat myself: My issue is not about the imposing from A4 to A3. I want

Re: automatic vertical rests centering in single-staff polyphony

Am 31.12.2014 um 02:45 schrieb Alicuota618: Hello, I found long ago a way to center rests in single-staff polyphony. But I dont find it anymore, neither in doc or google (or did I use wrong words for searching). To be more explicit, lilypond gives naturally the first rests of the attachment (be

Re: programming error: Improbable offset for stencil: nan staff space

Am 03.01.2015 um 00:06 schrieb Karim Haddad: Hi First of all: Happy new year to all of you. Does someone knows the meaning of this programming error ?: programming error: Improbable offset for stencil: nan staff space Setting to zero. continuing, cross fingers Searched on the net but couldn'

Re: Custom DrumStaff

Am 23.01.2015 um 05:52 schrieb Kevin Tough: I just tried your example and Lilypond produced the following error messaages. Could it be due to my version of 2.18.2? I think so. Standalone lenghts were introduced later and should work with 2.19.x. HTH, Marc _

Re: Problem

Am 04.02.2015 um 09:15 schrieb Nat28: I have a problem. When I put test.ly in my Lilypond shortcut, it creates a test.log and not a test.pdf. In the test.log, there is this error message : # -*-compilation-*- Traitement de « C:/Users/Nat28/Desktop/test.ly » Analyse... C:/Users/Nat/Desktop/test.l

Re: Problem

Am 04.02.2015 um 10:18 schrieb Noeck: Hi, each lilypond file should contain a version statement, because parts of the syntax changes from version to version. If you have this line: \version "2.18.2" (i.e. you state the version for which the file was written) and you will use version 2.20 in futu

Re: Problem

Forwarding to -user, since my french is not good enough to subscribe to a french list ;-) Weitergeleitete Nachricht Betreff:Re: Re: Problem Datum: Wed, 04 Feb 2015 10:30:32 +0100 Von:marc.lanoiselee An: Marc Hohl Il y a une liste en français. lilypond

Re: Are these triple-dots of augmentation possible?

Am 20.01.2015 um 17:11 schrieb Graham King: [...] HTH, Simon Thanks Simon, that's why the dots are weird (excuse the typo in my original posting). O... would indeed multiply the duration of O by 15/8, but O:. is intended to multiply the duration of O by 9/4 ( i.e. O. + ..) I'm transcribing a

change note heads according to their current measure position?

Hi list, I want to change the note heads according to their current position within the measure. More precisely, I want eighth notes that are on a beat to keep their normal appearance, the notes off beat should be changed. In ASCII pseudo-notation: _ _ | | | | | | | 7 |\ 7 |\ o

Re: change note heads according to their current measure position?

15 at 10:39 AM, Marc Hohl mailto:m...@hohlart.de>> wrote: IIRC, there is no way to obtain the current measure position from the NoteHead grob itself ... You can find the location by finding the PaperColumn grob which is associated with the NoteHead. The properties &

Re: change note heads according to their current measure position?

Hi David, thanks for your info – and your work in this area! Am 24.02.2015 um 15:29 schrieb David Nalesnik: Hi Marc, On Sat, Feb 14, 2015 at 11:15 AM, David Nalesnik mailto:david.nales...@gmail.com>> wrote: Hi Marc, On Sat, Feb 14, 2015 at 10:39 AM, Marc Hohl mailto:m...@hohl

Re: Help requested from LilyPond users

Am 01.03.2015 um 19:06 schrieb Werner LEMBERG: You may notice that, after almost 6 months, I've just uploaded a new version of LilyPond. Congrats to you and Masamichi-san for your hard work to make this important release possible! +1 Thanks a lot for the new release! Marc __

Re: Add articulation to last note in music

Am 13.03.2015 um 19:32 schrieb Mark Knoop: Hi, I'm trying to make a function to add a glissando to the last note of a music expression. I've got to a version which works with simple music expressions. However, I need to use it with transposed and relative music where the actual notes may be nest

Re: Enhancement: command line option to transpose N halftones up or down

Am 16.03.2015 um 16:09 schrieb Simon Albrecht: Hello Michael, I think this question is more appropriate for the -user list. Since I usually call lily from inside frescobaldi, my solution to this has been defining a variable for the resulting pitch: \version "2.18" newTonic = des music = \rel

cadence font and lilypond-book

Hi list, hi Abraham, I asked about this subject before, but now I think I did everything right, but still ... I use the self-compiled lilypond and install it after complilation: sudo make install After that, there is /usr/local/share/lilypond/2.19.18/ on my system (Ubuntu 14.04 LTS, by the

Re: cadence font and lilypond-book

Am 17.03.2015 um 09:36 schrieb Urs Liska: Am 17.03.2015 um 09:32 schrieb Marc Hohl: Hi list, hi Abraham, I asked about this subject before, but now I think I did everything right, but still ... I use the self-compiled lilypond and install it after complilation: sudo make install After

Re: cadence font and lilypond-book

Am 17.03.2015 um 10:27 schrieb Urs Liska: [...] does not help here, lilypond-book has ceased to work, obviously. I checked the contents of lilypond-book in a number of installations and have the impression there's a quite serious bug (if I'm not completely mistaken) as all paths seem to be ha

Re: cadence font and lilypond-book

Am 17.03.2015 um 10:57 schrieb Urs Liska: Am 17.03.2015 um 10:53 schrieb Marc Hohl: Am 17.03.2015 um 10:27 schrieb Urs Liska: [...] does not help here, lilypond-book has ceased to work, obviously. I checked the contents of lilypond-book in a number of installations and have the

Re: cadence font and lilypond-book

Am 17.03.2015 um 11:56 schrieb Urs Liska: Am 17.03.2015 um 09:57 schrieb Marc Hohl: Now I deleted every version directory (there were 2.19.16 and 2.19.17) in /usr/local/share/lilypond/ Did you also remove the entries in /usr/local/bin? Yes, but there's only *one* entry for lilypon

Re: cadence font and lilypond-book

Am 17.03.2015 um 20:02 schrieb Urs Liska: Am 17.03.2015 um 20:00 schrieb Marc Hohl: Am 17.03.2015 um 11:56 schrieb Urs Liska: Am 17.03.2015 um 09:57 schrieb Marc Hohl: Now I deleted every version directory (there were 2.19.16 and 2.19.17) in /usr/local/share/lilypond/ Did you also remove

Re: cadence font and lilypond-book

Am 17.03.2015 um 20:14 schrieb Marc Hohl: Am 17.03.2015 um 20:02 schrieb Urs Liska: Am 17.03.2015 um 20:00 schrieb Marc Hohl: Am 17.03.2015 um 11:56 schrieb Urs Liska: Am 17.03.2015 um 09:57 schrieb Marc Hohl: Now I deleted every version directory (there were 2.19.16 and 2.19.17) in /usr

Re: cadence font and lilypond-book

Am 17.03.2015 um 21:14 schrieb Urs Liska: [...] Well, almost. The minimal example I sent works as expected, but now I run into a strange problem: I still got these error messages concerning cadence in my real-life-project, and the first included song is displayed with the cadence font, all other

Re: Directional NoteHead Stencil Support

Am 19.03.2015 um 19:56 schrieb Abraham Lee: [...] When I get the 'stem-attachment property of the notehead, it always gives me the top-right value, regardless of where the stem is actually attached. I'm hoping this will work for chords, too, though I haven't experimented enough to know for sure.

Re: Directional NoteHead Stencil Support

Am 21.03.2015 um 00:40 schrieb Thomas Morley: 2015-03-21 0:09 GMT+01:00 Thomas Morley : The 'arpeggio-property was deleted somewhere during 2.17. and I never managed to get back the info whether a NoteColumn has an arpeggio, Btw, I tried again to find the commit on the tracker which removed

Re: Directional NoteHead Stencil Support

Am 21.03.2015 um 14:37 schrieb David Nalesnik: [...] P.S. Just this moment, Marc Hohl posted the commit message I was ready to cut-and-paste! FWIW, I'll mention how I found it (though my bag of tricks is pretty small). I used git log -p lily/rhythmic-column-engraver.cc I just used

Re: Directional NoteHead Stencil Support

Hi Harm, Am 21.03.2015 um 21:02 schrieb Thomas Morley: [...] Thanks Marc and David pointing me in the correct direction. This is issue 3289 https://code.google.com/p/lilypond/issues/detail?id=3289 Curing a regression detected in 2.17. which was introduced during 2.15. Though, I have never see

Re: Abbreviations

Am 03.04.2015 um 20:28 schrieb Mattes: [...] Well, think of it like this (slightly oversimplified): 'tuplet' is a lilypond function, '\' will _call_ this function. Let's quickly check that: guile> tuplet #> If you do '#(define t tuplet)' 't' will have the same value as 'tuplet':

Re: Abbreviations

Am 04.04.2015 um 18:56 schrieb Simon Albrecht: Am 04.04.2015 um 14:13 schrieb Johan Vromans: On Sat, 04 Apr 2015 12:55:51 +0200 (CEST) Werner LEMBERG wrote: It depends. Especially \tuplet is awfully long, and it makes scores with a lot of triplets extremely hard to read. Maybe we can concei

Re: Stencils - first steps

Am 16.04.2015 um 10:35 schrieb Andrew Bernard: Paul, Thank you very much. Really excellent. Now that I can make additions to a notehead stencil, I find an issue with the stem being offset. What does one do to correct this? You have to set the stem-attachment like this: (ly:grob-set-property!

Re: Creating LilyPond Object Models

Am 23.04.2015 um 01:29 schrieb Carl Sorensen: David Elaine Alt finds that a major obstacle to understanding lilypond is the lack of a comprehensive (and/or comprehensible) object model. The question was asked: Does anyone really understand what a Voice is? I think there are two levels at which

Re: Guitar: Bend-release-bend

Am 25.04.2015 um 06:33 schrieb Kevin Tough: [...] This example gives me several error messages. I have always used :lcd %:p:h to work out of the directory of the source file. One of the messages logically is then that definitions.ily can't be found. Where do I find definitions.ily? Guitar bends

Re: Guitar Tab Quarter Tone Bends

Am 02.05.2015 um 08:39 schrieb Stephen MacNeil: I don't use tab but a friend asked how he could do it. So I came up with this. It allows you to at least print 1/4 3/4 tone bends. Anyway it's just a band aid to the problem. But hey it works. I just did a test nothing more. No real stuff... never

Re: Guitar Tab Quarter Tone Bends

Am 02.05.2015 um 15:12 schrieb Stephen MacNeil: Hi Marc >Yes, please! Is it based on bend.ily, or did you wrote it from scratch? I>IRC, 1/4 bends were possible in bend.ily ... It uses definitions.ily which I believe is based on bend.ily i think. Yes. I wasn't aware of this file being renamed

Re: Deal with repetitive rythm

Am 27.05.2015 um 00:12 schrieb Sébastien Besnier: Hello, In a lot a pieces, there are often a rhythmic motif which is repeated. For example, something like: c,8. c16 f8. e16 d8. d16 e8. f16 is quite annoying to write. Is it a way to specify the rhythm, and then gives the notes ? For example,

Re: Color note heads outside nominal instrument range

Am 30.05.2015 um 12:38 schrieb Peter Gentry: FWIW I have attached a slightly simplified and better version of instrument_ranges.ly I haven't tested your code, but I like the idea of defining instrument-specific tonal ranges quite a lot! Some ideas/proposals: 1) Can you store the tone rang

Re: Color note heads outside nominal instrument range

Am 31.05.2015 um 18:18 schrieb Peter Gentry: [...] Actually Marc I have revised and simplified the calculation (see attached) - I simply wanted to indicate notes outside the range modify then to fall inside the range. The colour then gives engraver/player the option to play within range or if

Re: Music symbols in Inkscape

Am 09.06.2015 um 16:12 schrieb Carlo Stemberger: Hi, I'd like to use LilyPond glyphs[1] in Inkscape. Currently what's the best practice? You could download the notation manual as pdf and load the pages with the glyphs into inkscape ... Or you install the feta font as a system font. Then it sh

Re: Help wanted from a blind user

Am 18.06.2015 um 03:33 schrieb Daniel Contreras: Hello ponders, Just wanted to thank you guys first of all for all your help with my questions. What I am trying to accomplish this time is the following. A common practice in arranging for salsa or Latin music I am finding out is that when one is

Re: A bunch of problems at score part changeover

Am 18.06.2015 um 10:59 schrieb 70147pers...@telia.com: Hello all LilyPond users, I assume the score below is impossible to achieve in LilyPond, or is it? The image is fake and produced in Gimp as an overlay from two different results from LP. You can manually insert ties with \laissezVibrer ht

Re: beaming question

Am 20.06.2015 um 04:04 schrieb William Zeitler: I want to do like the attached gif: notice the broken 16th note beams. Please do not introduce a new topic by answering to an existing thread, this causes confusion. (More in the score dictates that this needs to be 6/8. Meanwhile the general qu

Re: adjustment of arc shape according to papersize

Am 20.06.2015 um 10:25 schrieb Venus' Wink: Hi All, Would you see the following to codes? http://lilybin.com/57gfma/2 http://lilybin.com/57gfma/3 The paper widths, and according to them, the lists of control points for slurs differ between these examples. I'd like to switch the con

Re: adjustment of arc shape according to papersize

Am 20.06.2015 um 13:45 schrieb Venus' Wink: Hi Marc, Thanks for your reply. To say the truth, I'm under situation that I can't access the setting of paper size, so I can't put tag to stand for paper width. I'd like to expect a way with scheme. Ok. I played a bit with your example files: \ve

Re: adjustment of arc shape according to papersize

Am 21.06.2015 um 14:36 schrieb Venus' Wink: Hi Marc, -Original Message- From: m...@hohlart.de Sent: Sun, 21 Jun 2015 10:11:28 +0200 To: lilypond-user@gnu.org Subject: Re: adjustment of arc shape according to papersize Ok. I played a bit with your example files: \version "2.18.2" #(set

Re: organizing orchestral music

Am 25.06.2015 um 12:00 schrieb Orm Finnendahl: [...] violin-music.ly (containing the music only) To make life easier, I'd use violin-music.ily to make clear that this is an _included_ file, not a standalone compilable one. violin.ly (containing the part layout and including violin-music.ly) s

Re: dash line in text spanner

Am 27.06.2015 um 07:54 schrieb Venus' Wink: Hi all, Is there a way to specify interval of dashes in text spanner? Yes. Have a look at http://lilypond.org/doc/v2.18/Documentation/internals/textspanner { \override TextSpanner.dash-period = #1 c\startTextSpan c c c \stopTextSpan } You may

\parenthesize and optional arguments

Hi list, my scheme-fu is a bit rusty, so I tried to get a new start by enhancing the parenthesize function defined in ly/music-functions-init.ly with the code to be found in http://lsr.di.unimi.it/LSR/Snippet?id=902 Here is what I have so far: \version "2.19.20" parenthesize = #(define-music-

Re: \parenthesize and optional arguments

Am 04.07.2015 um 09:17 schrieb David Kastrup: [...] You are thinking of LilyPond/Scheme as a procedural language here. What happens here is that you calculate a suitable override and, well, throw it away. The return value of this function, calculated later as "arg", does not care what you have

Re: \parenthesize and optional arguments

Am 04.07.2015 um 09:17 schrieb David Kastrup: [...] You are thinking of LilyPond/Scheme as a procedural language here. What happens here is that you calculate a suitable override and, well, throw it away. The return value of this function, calculated later as "arg", does not care what you have

Re: \parenthesize and optional arguments

Am 04.07.2015 um 10:08 schrieb David Kastrup: [...] Well, I'm not enthusiastic about both code and interface. The problem with the code is that { c'8-\parenthesize-1 [ f'8] } will no longer compile. Ah, I see. The first reason for that is that one-paren parenthesize will not work for any

Re: \parenthesize and optional arguments

Am 04.07.2015 um 11:12 schrieb Marc Hohl: [...] I remember getting such error messages in combination with some unbalanced parentheses, but my editor tells me that this is not the case here :-( Found it! It was "unbalanced '"'s in the do

Re: \parenthesize and optional arguments

Am 04.07.2015 um 10:08 schrieb David Kastrup: [...] Well, I'm not enthusiastic about both code and interface. What about \version "2.19.20" #(define (set-paren-property arg) (if (memq 'event-chord (ly:music-property arg 'types)) ;; arg is an EventChord -> set the parenthesize proper

Change color after a line break

Hi list, for strange reasons, I have to color complete lines in different colors. I found http://lsr.di.unimi.it/LSR/Item?id=443 which works great for complete scores, but if I call \applyContext ... after a line break, the color of the Staff lines does not change. I tried \stopStaff/\startStaff

Re: Change color after a line break

Am 17.07.2015 um 18:59 schrieb Marc Hohl: Hi list, for strange reasons, I have to color complete lines in different colors. I found http://lsr.di.unimi.it/LSR/Item?id=443 which works great for complete scores, but if I call \applyContext ... after a line break, the color of the Staff lines

Re: Change color after a line break

Am 19.07.2015 um 10:04 schrieb David Kastrup: Marc Hohl writes: [...] This \applyContext is executed at Score level as no other contexts have yet been created. c4\pp\< d e f \break \stopStaff \applyContext #(override-color-for-all-grobs (x11-color 'red)) This \applyCo

Re: Change color after a line break

Am 19.07.2015 um 11:03 schrieb David Kastrup: David Kastrup writes: Marc Hohl writes: Thanks a lot! Just to check that I have understood the underlying mechanism, I rewrote that according to overrideColorForAll = #(define-music-function (color) (color?) #{ #@(map (lambda (dsc

Re: Lilypond and LaTeX - margins

Am 25.07.2015 um 08:06 schrieb Beda Szukics: Hello all I try to print a songbook with gregorian and modern songs. For the gregorian part I use gregorio, for the modern songs I use lilypond. The main document is a (Lua)LaTeX-file that has text and scores in it. [...] lilypond-book --pdf Versu

Re: Lilypond and LaTeX - margins

Am 25.07.2015 um 09:55 schrieb David Kastrup: Beda Szukics writes: Am 25.07.2015 um 08:55 schrieb Marc Hohl: Am 25.07.2015 um 08:06 schrieb Beda Szukics: Hello all I try to print a songbook with gregorian and modern songs. For the gregorian part I use gregorio, for the modern songs I use

Re: Lilypond and LaTeX - margins

Am 25.07.2015 um 14:36 schrieb Beda Szukics: Am 25.07.2015 um 14:25 schrieb Marc Hohl: Am 25.07.2015 um 09:55 schrieb David Kastrup: Beda Szukics writes: When I compile Versuch.tex I get: ! LaTeX Error: File `10/lily-071f91b4-1' not found. ! LaTeX Error: File `10/lily-071f91b4-2'

Re: Lilypond and LaTeX - margins

Am 25.07.2015 um 18:12 schrieb Víctor: On a separate subject, I'd like to recommend you to use lyluatex instead of Lilypond-book. I've found it to be a cleaner way to work as it is a LuaLaTeX package (developed by the Gregorio team!) and not an engine. That'

OT: Getting lyluatex to work [was: Re: Lilypond and LaTeX - margins]

Am 25.07.2015 um 18:12 schrieb Víctor: On a separate subject, I'd like to recommend you to use lyluatex instead of Lilypond-book. I've found it to be a cleaner way to work as it is a LuaLaTeX package (developed by the Gregorio team!) and not an engine. I wan

Re: OT: Getting lyluatex to work [was: Re: Lilypond and LaTeX - margins]

same holds for the gregorio mailing list. May you send me his mail address privately? He is quite a supportive person, and clearly the most qualified to help you. That sounds promising! Marc Víctor. El 26/07/15 a las 05:33, Marc Hohl escribió: Am 25.07.2015 um 18:12 schrieb Víctor: On a sep

Re: OT: Getting lyluatex to work [was: Re: Lilypond and LaTeX - margins]

Am 27.07.2015 um 12:06 schrieb Ralf Mattes: Am Sonntag, 26. Juli 2015 12:33 CEST, Marc Hohl schrieb: Am 25.07.2015 um 18:12 schrieb Víctor: On a separate subject, I'd like to recommend you to use lyluatex <https://github.com/jperon/lyluatex> instead of Lilypond-book. I've

Re: reloading \set TabStaff.minimumFret = #x

Am 23.01.2018 um 15:26 schrieb bb: Is it possible to omit \set TabStaff.minimumFret = #x for a sequence of measures/bars? One can simply override the statement by defining a string for a note. I have a couple of bars in sequence that should be fingered below that minimumFret. The fingering of

Re: tie polyphony

Am 24.01.2018 um 09:31 schrieb Gianmaria Lari: Hello, In the following code \version "2.19.80" \fixed c' {   r4 a b d'   << {4 4 4 4} \\ c1 >> } ... I would like to tie the "a" with the very first chord 4. How I can do it? That's not a tie then. IIUC, you'll need a phrasing slur for this

Re: endless tab?

Case 1: I set an arbitrary bar (the manual calls it "bar check") Because it is a *check*, not a bar line! You insert bars by \bar "|" or \bar "|." or whatever, no by the bar *check* symbol alone, that's quite a difference. Just my 2 ct, Marc __

Re: Three simultaneous slurs

The smallest "slur" in the picture is a tie, isn't it?The next bigger slur can be typeset directly, and the outmost slur is a PhrasingSlur IMHO.HTH, MarcAm 21.02.2018 11:56 vorm. schrieb Andrew Bernard :Referring to the attached image from the MS I am engraving, I have three simultaneous slurs goin

Re: Three simultaneous slurs

Oh sorry, it looks lie a tie between b-flat and b-flat, but the handwritten note heads could also be interpreted differently :)Am 21.02.2018 12:34 nachm. schrieb Andrew Bernard :Hi Marc,Actually not a tie. If it were, the next note would not have an accidental. It's a slur for vocal music. Sorry I

Re: fisisis impossible?

Am 10.03.2018 um 21:20 schrieb bart deruyter: Hi all, got in a situation, trying to describe the bis augmented chord in second inversion, which would contain fisisis in a slashed chord name. Lilypond returns an error, unexpected symbol, expecting tonicname pitch, which makes me believe that

Re: fisisis impossible?

Am 12.03.2018 1:50 nachm. schrieb Torsten Hämmerle :Marc Hohl wrote > This is on the issue tracker: > > https://sourceforge.net/p/testlilyissues/issues/3356/ Thank you, Marc, This 2013 issue (like this thread, too) may be related mainly to \chordmode,No. If LilyPond has no

Re: How to read a error message?

Am 14.03.2017 um 08:49 schrieb Scoutladen - Ralph Fröhlich: Hi, hope to find some informations here about reading error messages Example: Processing `.../file.ly' Parsing... .../file.ly:16:30: error: unrecognized string, not in text script or \lyricmode fis8 fis fis fis d d d4 g (

flip clef at end of line only

Hi list, I am working on a little piece that's played as written; after that, the musician has to turn the page upside down and play the resulting notes. I managed to get the clef displayed at the beginning and the end of each line, and I can flip the clef ;-) Unfortunately, overriding the Cl

Re: flip clef at end of line only

Am 15.04.2017 um 18:11 schrieb Son_V: Hi list, I am working on a little piece that's played as written; after that, the musician has to turn the page upside down and play the resulting notes. I'm sorry, I'm just adding noise, but the thing you're working on seems interesting for me. I reme

Re: flip clef at end of line only

Am 15.04.2017 um 18:02 schrieb Malte Meyn: Am 15.04.2017 um 17:32 schrieb Marc Hohl: Hi list, I am working on a little piece that's played as written; after that, the musician has to turn the page upside down and play the resulting notes. I managed to get the clef displayed at the begi

flip clef, key and time signature [Re: flip clef at end of line only]

Am 15.04.2017 um 18:02 schrieb Malte Meyn: Am 15.04.2017 um 17:32 schrieb Marc Hohl: Hi list, I am working on a little piece that's played as written; after that, the musician has to turn the page upside down and play the resulting notes. I managed to get the clef displayed at the begi

Re: flip clef, key and time signature [Re: flip clef at end of line only]

Hi Harm, Am 16.04.2017 um 21:25 schrieb Thomas Morley: 2017-04-16 17:54 GMT+02:00 Marc Hohl : [...] I tried to go one step further and include the key signature and time signature in my example, see the attached code. [...] Hi Marc, how about below? [...] (ly:grob-set

Re: flip clef, key and time signature [Re: flip clef at end of line only]

Am 17.04.2017 um 13:47 schrieb Thomas Morley: 2017-04-17 13:35 GMT+02:00 Marc Hohl : Hi Harm, (ly:grob-set-property! grob 'space-alist '((staff-bar extra-space . 1)) Ah, that's the way to go here – thanks a lot for your brilliant solution!

Re: opus conflict

Am 01.05.2017 um 09:55 schrieb Trevor Daniels: Thomas Morley wrote Monday, May 01, 2017 12:05 AM 2017-04-30 23:09 GMT+02:00 Mark Stephen Mrotek : [...] I have very limited knowledge as to how to customize (write Lilypond), [...] So here a little tutorial about writing custom book/scoreTit

Re: How to make vertical arrow between staves

Am 14.06.2017 um 12:34 schrieb Rutger Hofman: Good morning list, [...] Does http://lsr.di.unimi.it/LSR/Item?id=962 what you want? Marc Rutger Hofman Amsterdam ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/l

String Number collision

Hi list, I have the following MWE: \version "2.19.60" up = { c'8\5 e'' ~ 2. } down = { c'4\5 ~ 2. } %{ uncomment this to trigger error \layout { \context { \Voice \remove "New_fingering_engraver" } \context { \Staff \consists "New_fingering_engraver" } } %} \score {

Re: String Number collision

Hi Harm, Am 05.07.2017 um 23:21 schrieb Thomas Morley: Hi Marc, 2017-07-05 8:13 GMT+02:00 Marc Hohl : Hi list, I have the following MWE: [...] It causes the string number "5" to appear twice, strangely overlapping. I tried to move the New_fingering_engraver to Staff, but then I

Re: Include file handling in lilypond-book

Am 12.07.2017 um 01:54 schrieb Karljurgen Feuerherm: Hello, Putting together an exercise book using XeLaTeX and the lilypond environment. Everything works relatively well until I try to use an include file with variable definitions. MWE: % !TEX encoding = UTF-8 Unicode

Re: Adding an introductory note(s)

Am 31.07.2017 um 17:27 schrieb Stephen Nesbitt: [...] 2) The inability to have more than one instance of partial. Fiddle tunes are often notated with pickups for the A & B sections. AFAIK, it is allowed to put a \partial in mid-piece since 2.19.11. HTH, Marc ___

Remove all occurrencies of "0" fingerings

Hello list! I wanted to write a little callback to remove all occurrencies of "0" fingerings. This is what I got so far: \version "2.19.63" music = { c'4-3 d'-0 e'-2 f'-3 | g'1-0 } \score { \new Staff \with { \override Fingering.stencil = #(lambda (grob) (let* ((text (l

Re: Remove all occurrencies of "0" fingerings

Hi Malte, Am 08.08.2017 um 10:30 schrieb Malte Meyn: Am 08.08.2017 um 10:23 schrieb Marc Hohl: I wanted to write a little callback to remove all occurrencies of "0" fingerings. This doesn’t empty the stencil but removes the Fingering grobs completely (by suicide): thank

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