Re: BendSpanner-engraver

2016-09-18 Thread Marc Hohl
Hi Harm, Am 18.09.2016 um 12:38 schrieb Thomas Morley: Hi Marc, 2016-09-13 22:41 GMT+02:00 Thomas Morley <thomasmorle...@gmail.com>: 2016-09-13 8:33 GMT+02:00 Marc Hohl <m...@hohlart.de>: The dashed line would also be great in cases like those: c'\3\startBend d'\3\stopBend~ d'

Re: Start of the first row of a staff

2016-09-21 Thread Marc Hohl
Am 21.09.2016 um 08:19 schrieb Marco Bagolin: Hello all, please, I need a help because I don't find a solution in the snippet repository. I need that the first line of the staff is aligned as subsequent lines, NOT as the attached example. Does \paper { indent = 0 } Do what you mean? Or am

Re: calculation of the total duration of a score

2016-09-16 Thread Marc Hohl
it would be easier to get the engraver to work somehow on a \score with a \midi { } block only and transferring the duration to another \score. Cheers, Marc Cheers Jan-Peter Am 15.09.2016 um 08:10 schrieb Marc Hohl: Am 14.09.2016 um 14:24 schrieb Marc Hohl: [...] I thought of writing the du

Re: BendSpanner-engraver

2016-09-17 Thread Marc Hohl
Hi Harm, Am 14.09.2016 um 23:00 schrieb Thomas Morley: [...] In general I'd vote for those shortcuts, but to fall back to the basic commands if needed. I had some time to re-think my basic approach ... maybe you are right and I think way too complicated in terms of taking each string into

Re: circle of fifths

2016-09-07 Thread Marc Hohl
Am 06.09.2016 um 19:34 schrieb David Kastrup: Simon Albrecht writes: [...] At least in mostly functional programming languages. It might be argued that German is perfectly appropriate for imperative languages. ;-)

Re: Changing MulitMeasureRest.stencil to a squiggle

2016-09-07 Thread Marc Hohl
Hi David, hi Harm, thanks a lot for your work! Am 06.09.2016 um 22:50 schrieb David Nalesnik: [...] P. S. This all might be easier if the C++ were translated to Scheme. Then there would be no need to try to match the old stencil's dimensions, and no redundant calculations. Looks like it

Re: Help required with tuplets

2016-10-19 Thread Marc Hohl
Am 19.10.2016 um 08:14 schrieb Bernhard Kleine: Hi, I do not see what is wrong with the following extract which is compilable but totally wrong. I think you misunderstood the way \tuplet works: \tuplet 3/2 is the way to go, because you want *3* notes to last as long as *2* notes normally

Re: InstrumentName on right side

2016-10-20 Thread Marc Hohl
Hi Harm, I cannot help with the instrument name problem, but ... Anyway, to give an imprssion a pdf is attached. This is impressive! Marc ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: BendSpanner-engraver

2016-10-20 Thread Marc Hohl
Am 13.09.2016 um 22:41 schrieb Thomas Morley: [...] 2016-09-13 8:33 GMT+02:00 Marc Hohl <m...@hohlart.de>: I hope to find the source somewhere to provide you a scan of how it should look like. Would be great. I finally found some examples, but the bend arrows are not quite "

Re: Trouble Combining Repeats and Closing Bars in tunes

2016-10-17 Thread Marc Hohl
Am 18.10.2016 um 05:24 schrieb Ben Beeson: Hi, I am looking at a 4 - part tune where the first and third parts are repeated and the second and fourth parts are not repeated. Try as I may, I cannot get Lilypond to put the repeats and closing bars in the right place when engraving the tune. The

Re: Ties across voices

2016-12-13 Thread Marc Hohl
Am 13.12.2016 um 11:11 schrieb Peter Toye: Urs, Andrew, Simon Thank you all very much for the solutions. I now have 4 ways to create what I need! My next task - to get ties across enharmonics, which I gather is impossible and I have to use slurs. There is a regtest for this, so it looks as

flip clef at end of line only

2017-04-15 Thread Marc Hohl
Hi list, I am working on a little piece that's played as written; after that, the musician has to turn the page upside down and play the resulting notes. I managed to get the clef displayed at the beginning and the end of each line, and I can flip the clef ;-) Unfortunately, overriding the

Re: flip clef, key and time signature [Re: flip clef at end of line only]

2017-04-17 Thread Marc Hohl
Am 17.04.2017 um 13:47 schrieb Thomas Morley: 2017-04-17 13:35 GMT+02:00 Marc Hohl <m...@hohlart.de>: Hi Harm, (ly:grob-set-property! grob 'space-alist '((staff-bar extra-space . 1)) Ah, that's the way to go here – thanks a lot for your brilliant so

Re: flip clef, key and time signature [Re: flip clef at end of line only]

2017-04-17 Thread Marc Hohl
Hi Harm, Am 16.04.2017 um 21:25 schrieb Thomas Morley: 2017-04-16 17:54 GMT+02:00 Marc Hohl <m...@hohlart.de>: [...] I tried to go one step further and include the key signature and time signature in my example, see the attached code. [...] Hi Marc, how about

Re: flip clef at end of line only

2017-04-15 Thread Marc Hohl
Am 15.04.2017 um 18:11 schrieb Son_V: Hi list, I am working on a little piece that's played as written; after that, the musician has to turn the page upside down and play the resulting notes. I'm sorry, I'm just adding noise, but the thing you're working on seems interesting for me. I

Re: flip clef at end of line only

2017-04-15 Thread Marc Hohl
Am 15.04.2017 um 18:02 schrieb Malte Meyn: Am 15.04.2017 um 17:32 schrieb Marc Hohl: Hi list, I am working on a little piece that's played as written; after that, the musician has to turn the page upside down and play the resulting notes. I managed to get the clef displayed at the beginning

flip clef, key and time signature [Re: flip clef at end of line only]

2017-04-16 Thread Marc Hohl
Am 15.04.2017 um 18:02 schrieb Malte Meyn: Am 15.04.2017 um 17:32 schrieb Marc Hohl: Hi list, I am working on a little piece that's played as written; after that, the musician has to turn the page upside down and play the resulting notes. I managed to get the clef displayed at the beginning

Re: How to read a error message?

2017-03-14 Thread Marc Hohl
Am 14.03.2017 um 08:49 schrieb Scoutladen - Ralph Fröhlich: Hi, hope to find some informations here about reading error messages Example: Processing `.../file.ly' Parsing... .../file.ly:16:30: error: unrecognized string, not in text script or \lyricmode fis8 fis fis fis d d d4 g (

Re: Adding an introductory note(s)

2017-08-01 Thread Marc Hohl
Am 31.07.2017 um 17:27 schrieb Stephen Nesbitt: [...] 2) The inability to have more than one instance of partial. Fiddle tunes are often notated with pickups for the A & B sections. AFAIK, it is allowed to put a \partial in mid-piece since 2.19.11. HTH, Marc

Re: Remove all occurrencies of "0" fingerings

2017-08-15 Thread Marc Hohl
Am 08.08.2017 um 12:35 schrieb Thomas Morley: 2017-08-08 11:46 GMT+02:00 Marc Hohl <m...@hohlart.de>: [...] Hi Marc, your initial code had two problems, comments inline: \override Fingering.stencil = #(lambda (grob) (let* ((text (ly:grob-property grob 'text)) (s

Re: Remove all occurrencies of "0" fingerings

2017-08-15 Thread Marc Hohl
Am 15.08.2017 um 10:15 schrieb David Kastrup: Marc Hohl <m...@hohlart.de> writes: [...] For the record: First, I used the solution with grob-transformer, but then I found out that removing the grob completely yields to problems with glissando lines between fingerings, so I sw

Re: Include file handling in lilypond-book

2017-07-12 Thread Marc Hohl
Am 12.07.2017 um 01:54 schrieb Karljurgen Feuerherm: Hello, Putting together an exercise book using XeLaTeX and the lilypond environment. Everything works relatively well until I try to use an include file with variable definitions. MWE: % !TEX encoding = UTF-8 Unicode

String Number collision

2017-07-05 Thread Marc Hohl
Hi list, I have the following MWE: \version "2.19.60" up = { c'8\5 e'' ~ 2. } down = { c'4\5 ~ 2. } %{ uncomment this to trigger error \layout { \context { \Voice \remove "New_fingering_engraver" } \context { \Staff \consists "New_fingering_engraver" } } %} \score {

Re: String Number collision

2017-07-06 Thread Marc Hohl
Hi Harm, Am 05.07.2017 um 23:21 schrieb Thomas Morley: Hi Marc, 2017-07-05 8:13 GMT+02:00 Marc Hohl <m...@hohlart.de>: Hi list, I have the following MWE: [...] It causes the string number "5" to appear twice, strangely overlapping. I tried to move the New_fingering_e

Remove all occurrencies of "0" fingerings

2017-08-08 Thread Marc Hohl
Hello list! I wanted to write a little callback to remove all occurrencies of "0" fingerings. This is what I got so far: \version "2.19.63" music = { c'4-3 d'-0 e'-2 f'-3 | g'1-0 } \score { \new Staff \with { \override Fingering.stencil = #(lambda (grob) (let* ((text

Re: Remove all occurrencies of "0" fingerings

2017-08-08 Thread Marc Hohl
Hi Malte, Am 08.08.2017 um 10:30 schrieb Malte Meyn: Am 08.08.2017 um 10:23 schrieb Marc Hohl: I wanted to write a little callback to remove all occurrencies of "0" fingerings. This doesn’t empty the stencil but removes the Fingering grobs completely (by suicide)

Re: Remove all occurrencies of "0" fingerings

2017-08-09 Thread Marc Hohl
Am 08.08.2017 um 18:44 schrieb David Kastrup: Marc Hohl <m...@hohlart.de> writes: Am 08.08.2017 um 13:00 schrieb Thomas Morley: 2017-08-08 12:47 GMT+02:00 David Kastrup <d...@gnu.org>: You can do this by using [...] Nice one. I always forget about 'grob-transformer'. Missing

Re: Remove all occurrencies of "0" fingerings

2017-08-08 Thread Marc Hohl
Am 08.08.2017 um 12:47 schrieb David Kastrup: Marc Hohl <m...@hohlart.de> writes: I wanted to write a little callback to remove all occurrencies of "0" fingerings. This is what I got so far: \version "2.19.63" music = { c'4-3 d'-0 e'-2 f'-3 | g'1-0

Re: Remove all occurrencies of "0" fingerings

2017-08-08 Thread Marc Hohl
Am 08.08.2017 um 13:00 schrieb Thomas Morley: 2017-08-08 12:47 GMT+02:00 David Kastrup : You can do this by using [...] Nice one. I always forget about 'grob-transformer'. Missing bracket, tho' I wasn't aware of grob-transformer at all. And I am still unsure about what it

Re: How to make vertical arrow between staves

2017-06-14 Thread Marc Hohl
Am 14.06.2017 um 12:34 schrieb Rutger Hofman: Good morning list, [...] Does http://lsr.di.unimi.it/LSR/Item?id=962 what you want? Marc Rutger Hofman Amsterdam ___ lilypond-user mailing list lilypond-user@gnu.org

Re: opus conflict

2017-05-01 Thread Marc Hohl
Am 01.05.2017 um 09:55 schrieb Trevor Daniels: Thomas Morley wrote Monday, May 01, 2017 12:05 AM 2017-04-30 23:09 GMT+02:00 Mark Stephen Mrotek : [...] I have very limited knowledge as to how to customize (write Lilypond), [...] So here a little tutorial about

Re: restrain string numbers

2017-09-22 Thread Marc Hohl
Am 22.09.2017 4:51 nachm. schrieb bb :I want to restrain/omit string numbers in the score. But I need them to define because of the guitar tabs. How can I do that? \new Staff \with { \omit StringNumber } { ... your music

Re: \justify & break

2017-10-05 Thread Marc Hohl
Am 05.10.2017 9:32 vorm. schrieb Gianmaria Lari :On 5 October 2017 at 09:28, Thomas Morley wrote:2017-10-05 6:56 GMT+02:00 Gianmaria Lari : > On 5 October 2017 at 01:05, Thomas Morley wrote: >>

Re: \justify & break

2017-10-05 Thread Marc Hohl
I misread the mail, this is nonsense.Sorry for the noise.Am 05.10.2017 9:50 vorm. schrieb Marc Hohl <m...@hohlart.de>:Am 05.10.2017 9:32 vorm. schrieb Gianmaria Lari <gianmarialari@gmail.com>:On 5 October 2017 at 09:28, Thomas Morley <thomasmorley65@gmail.com> wrote:2017-10

Re: Fwd: coloring notes according harmonic function

2017-09-08 Thread Marc Hohl
Am 07.09.2017 um 21:20 schrieb Rita Composer: Dear David and other Experts, Unfortunately I couldn't really follow you. You have to use << \new Voice { \voiceOne ... } \new Voice { \voiceTwo ... } \new Voice { \voiceThree ... } >> The curly brackets { ... } are important, otherwise

Re: How can I make a 7.9+.9- chord?

2017-09-28 Thread Marc Hohl
Am 28.09.2017 um 18:31 schrieb gumblex: [...]And how can I display this chord correctly in a ChordNames line? This is untested, but IIRC \once\override ChordName.text = \markup { ... } should work. ___ lilypond-user mailing list

Re: How can I make a 7.9+.9- chord?

2017-09-28 Thread Marc Hohl
Am 28.09.2017 um 18:31 schrieb gumblex: Dear list, I would like to write a "dis:7.9+.9-" chord in \chordmode. However, both in ChordNames lines and in scores, it appears to be a "dis:7.9-" chord. If I write "dis:7.9-.9+", it appears to be a "dis:7.9+" chord. This is a current restriction of

Re: Draw line between fingerings, but how does this go?

2017-09-26 Thread Marc Hohl
Hello Pieter, I used the code in this thread: http://lilypond.1069038.n5.nabble.com/glissando-in-fingering-notation-td159875.html This works out of the box for almost all occurrences in my scores. HTH, Marc Am 25.09.2017 um 22:49 schrieb Pieter Terpstra: Dear readers, Trying to draw a

Re: Header

2017-09-26 Thread Marc Hohl
Am 25.09.2017 um 20:37 schrieb Mario Moles: Hi lilyponders! How to make like in tha jpg? Please provide us some more informations. The jpg looks like a LaTeX document, so the commands used there do not apply for LilyPond. Marc ___ lilypond-user

Re: [OT] Linux Users

2017-11-19 Thread Marc Hohl
Am 18.11.2017 um 17:58 schrieb Jacques Peron: Linux, LilyPond, LuaLaTeX (and Gregorio for gregorian chant) here. To integrate LilyPond into LaTeX, I developped lyluatex . Which is a great tool and IMHO easier to use than lilypond-book! Linux, LilyPond,

Re: Invisible note lines?

2017-10-27 Thread Marc Hohl
Am 27.10.2017 um 18:04 schrieb bb: For a backing track I want a melody line and chords printed on a lead sheet - standard with lilypond. But a midi should have an aditional kickdrum/bassdrum for rhythm. The notes should not be visible on the lead sheet but to hear in the midi. Is it possible to

Re: Invisible note lines?

2017-10-27 Thread Marc Hohl
, there is no graphical output. See http://lilypond.org/doc/v2.18/Documentation/notation/creating-midi-files for clarification. HTH, Marc Regards BB Am 27.10.2017 um 18:07 schrieb Marc Hohl: Am 27.10.2017 um 18:04 schrieb bb: For a backing track I want a melody line and chords printed

Re: endless tab?

2018-02-05 Thread Marc Hohl
Case 1: I set an arbitrary bar (the manual calls it "bar check") Because it is a *check*, not a bar line! You insert bars by \bar "|" or \bar "|." or whatever, no by the bar *check* symbol alone, that's quite a difference. Just my 2 ct, Marc

Re: Three simultaneous slurs

2018-02-21 Thread Marc Hohl
The smallest "slur" in the picture is a tie, isn't it?The next bigger slur can be typeset directly, and the outmost slur is a PhrasingSlur IMHO.HTH, MarcAm 21.02.2018 11:56 vorm. schrieb Andrew Bernard :Referring to the attached image from the MS I am engraving, I have

Re: Three simultaneous slurs

2018-02-21 Thread Marc Hohl
Oh sorry, it looks lie a tie between b-flat and b-flat, but the handwritten note heads could also be interpreted differently :)Am 21.02.2018 12:34 nachm. schrieb Andrew Bernard :Hi Marc,Actually not a tie. If it were, the next note would not have an accidental. It's a

Re: reloading \set TabStaff.minimumFret = #x

2018-01-24 Thread Marc Hohl
Am 23.01.2018 um 15:26 schrieb bb: Is it possible to omit \set TabStaff.minimumFret = #x for a sequence of measures/bars? One can simply override the statement by defining a string for a note. I have a couple of bars in sequence that should be fingered below that minimumFret. The fingering

Re: tie polyphony

2018-01-24 Thread Marc Hohl
Am 24.01.2018 um 09:31 schrieb Gianmaria Lari: Hello, In the following code \version "2.19.80" \fixed c' {   r4 a b d'   << {4 4 4 4} \\ c1 >> } ... I would like to tie the "a" with the very first chord 4. How I can do it? That's not a tie then. IIUC, you'll need a phrasing slur for

Re: fisisis impossible?

2018-03-12 Thread Marc Hohl
Am 12.03.2018 1:50 nachm. schrieb Torsten Hämmerle <torsten.haemme...@web.de>:Marc Hohl wrote > This is on the issue tracker: > > https://sourceforge.net/p/testlilyissues/issues/3356/ Thank you, Marc, This 2013 issue (like this thread, too) may be related mainl

Re: fisisis impossible?

2018-03-11 Thread Marc Hohl
Am 10.03.2018 um 21:20 schrieb bart deruyter: Hi all, got in a situation, trying to describe the bis augmented chord in second inversion, which would contain fisisis in a slashed chord name. Lilypond returns an error, unexpected symbol, expecting tonicname pitch, which makes me believe that

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