Am 27.10.2013 12:57, schrieb Janek Warchoł:
Hi,
2013/10/26 Urs Liska u...@openlilylib.org:
now the new Preview Modes in Frescobaldi have been available for a while I
would like to have some feedback. I know they aren't 'production quality'
yet and I want to improve them.
So please report any
Am 27.10.2013 16:07, schrieb Johan Vromans:
Urs Liska u...@openlilylib.org writes:
One thing I would like to add myself is a checkbox to disable/enable
the Preview Modes as a whole while keeping their settings. I find it
inconvenient to manually have to deselect all boxes when I want
Am 27.10.2013 19:24, schrieb Janek Warchoł:
2013/10/27 Urs Liska u...@openlilylib.org:
What I mean is:
When hitting Ctrl-M (Preview mode compilation) I practically always want
point-and-click on.
Sometimes I want the Preview Modes too, sometimes not. For example if I'm
working on something
Am 28.10.2013 05:22, schrieb Kevin Tough:
My lilypond install of 2.16.2 cannot parse the input file. It hangs at
fatal error: failed files: SnippetForBookWithTitleAndTOC
(4 of 29): error: unknown escaped string: *\markuplines'
I am guessing now that a snippet then is a separate file that should
That should be added to the new Editor Preferences page I think.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Am 28.10.2013 09:59, schrieb Johan Vromans:
This is probably hard to do, but nevertheless... asking is easy :).
Would it be possible for frescobaldi to have pointclick adjust the midi
player to the correct position (or measure)?
-- Johan
___
Am 28.10.2013 13:56, schrieb René Brandenburger:
Am 26.10.2013 10:53, schrieb Urs Liska:
Hi,
now the new Preview Modes in Frescobaldi have been available for a
while I would like to have some feedback. I know they aren't
'production quality' yet and I want to improve them.
So please report
Am 29.10.2013 09:49, schrieb Wilbert Berendsen:
Dear friends,
some people asked for a simple way to disable the preview debug modes
in current git (2.0.12dev) for a while without unselecting all the
checkboxes, but keeping the point and click links (i.e. the good old
Preview mode). Also some
Paul Morris p...@paulwmorris.com schrieb:
Wilbert Berendsen-4 wrote
What do you think of a third main mode:
- Preview mode (just point and click, as it has been)
- Publish mode (no point and click)
- Debug mode: this mode listens to the settings in the Debug mode
panel.
I think this makes
Could this be something like a trill notation where you also often parenthesize
the secondary note?
David Toms d...@dgtoms.com schrieb:
Hello,
I have been publishing mainly vocal music for over 10 years with
Sibelius. This year I have ditched it for Lilypond, and I am pleased
to say that my
Hi all,
I hope you'll not consider this post as spam, but as I'll tell you later
I think it _does_ have some general relevance to LilyPond ;-)
I have just released a post on lilypondblog.org starting a little series
of reports on the ominous Fried project that was mentioned every now
and
Am 29.10.2013 23:56, schrieb Simon Bailey:
Hiya,
On 29 Oct 2013, at 23:36, Janek Warchoł janek.lilyp...@gmail.com wrote:
As you may have noticed, we recently reorganized the repository and
now it should work more or less like you described. I hope you'll
like it!
i checked out the
Am 30.10.2013 11:28, schrieb Wilbert Berendsen:
Currently I think Debug suits best.
Which would relieve me from thinking about new command line option names ;-)
___
lilypond-user mailing list
lilypond-user@gnu.org
Ehm, where's the suggestion here? Frescobaldi already supports sessions
Francois Planiol alicuota...@gmail.com schrieb:
xcuse...
Hi and thanks for the helps,
I think this sequence do the trick for this workflow:
meta-alt-m (disappear music preview)
alt-space x redimension-window-switch
Am 31.10.2013 07:19, schrieb Jan Nieuwenhuizen:
Urs Liska writes:
Hi Urs,
I hope you'll not consider this post as spam, but as I'll tell you
later I think it _does_ have some general relevance to LilyPond ;-)
I would like to hear about professional productions like these; I
also posted about
I'm somewhat split in this question:
I very much like stackexchange and use it as a resource for latex, git and
python questions regularly.
Finding answers to Lilypond questions there would be nice too.
But I think the user base of Lilypond is significantly smaller than of the
other mentiones
I think there is one thing the mailing list can't really offer compared to a
QA site: accepted answers. This is really a good thing. But definitely no
reason to spread our forceds and competence.
Ther already _are_ places to present solutions, although not as answersx to
posted questions: the
Am 02.11.2013 23:39, schrieb ryanmichaelmcclure:
I'm finishing up a score and I am encountering this problem in many places:
http://lilypond.1069038.n5.nabble.com/file/n153278/Urban.Allegory.png
What would be my best option for making this look better? Could I make the
barline at that section
Does it work if you redefine it with
transpose = {}
?
Joseph Rushton Wakeling joseph.wakel...@webdrake.net schrieb:
Hello all,
Is there a quick and easy way of disabling transposition (i.e. the
effects of
both \transpose and \transposition commands) for an entire Staff,
StaffGroup or
Wakeling joseph.wakel...@webdrake.net schrieb:
On 03/11/13 16:55, Urs Liska wrote:
Does it work if you redefine it with
transpose = {}
?
Nope. Remember that transposition statements are things like:
\transpose bf c' { ... }
and
\transposition bf
So, if you just define transpose
Hi,
I just got the call for help at the end of this message.
What would be the best advise/pointer/introduction to give someone
interested in migrating from Finale to LilyPond?
A quick glance seems to confirm that the relevant sections of the Usage
Manual aren't exactly inviting to someone
I don't think the OP would insist on not using the command line. He is just
completely confused and would need a helping hand.
Isn't there an installer for Mac by now? Or did I get something wrong there?
flup2 phili...@philmassart.net schrieb:
The problem is that any solution uses the
I'm sure pentagram is referring to staff.
Helge Kruse helge.kruse-nos...@gmx.net schrieb:
Am 03.11.2013 15:28, schrieb Son_V:
The problems that I encounter are often due to the fact that I'm not
English
mother language, so I often can't find how to put in English
questions that
maybe I have
A shot in the dark: what happens if you add acciaccaturas with spacer rests in
_all_ voice contexts?
st...@linuxsuite.org schrieb:
Howdy!
Seems my nice lilypond score gets messed up if I have a \break before
a \repeat volta followed by a \acciaccatura
Am 04.11.2013 20:34, schrieb st...@linuxsuite.org:
A shot in the dark: what happens if you add acciaccaturas with spacer
rests in _all_ voice contexts?
that fixed it
adding
\break
\acciaccatura s8
to guitar2 produces the desired result
Dear list,
as I generally don't see such topics on this list, I may be wrong to
post here. But I couldn't find anything else on the web.
I am looking for someone to typeset a few songs with lilypond for
transposition.
The conditions are:
* It has to be done quite fast (as the singer
I also get it this way.
I think he is talking about the dots in the first bar.
Best
Urs
Am 30.05.2011 11:03, schrieb Phil Holmes:
I get the music as attached, with tremolo and change staff. Could you
say what you expect?
Phil Holmes
- Original Message -
*From:* Mario Moles
I'm absolutely no expert here, but did you try to use hidden barlines (
\bar )
If I understand the documentation correctly this allows lilypond to
break lines or pages within bars.
Of course this would really be a workaround as you'd have to do this
manually.
But if it works at all you might
(except for the fact that you'd have to
manually enter these invisible bar lines)?
Am 30.05.2011 11:46, schrieb Urs Liska:
I'm absolutely no expert here, but did you try to use hidden barlines
( \bar )
If I understand the documentation correctly this allows lilypond to
break lines or pages within
Am 31.05.2011 20:24, schrieb Fredric Dannen:
I found one not very elegant solution: I can add one blank measure and
page break on every even page, and then use Adobe Pro to delete the
even-numbered pages. It works, but as I said, not very elegant.
Just look at the last three characters of the message title.
As the thread starter I can say that I didn't get a contract to publish
a piece for a major publishing house because I couldn't provide a Finale
file. They weren't willing to either use a Lilypond file or pay for
someone to newly
Well, there are two issues which might be valid arguments:
* They want a new edition to comply to the house's standards, i.e.
it should look like any other edition from this publisher.
* Additionally, the piece in question will eventually be published
as part of a Complete
Am 05.06.2011 12:28, schrieb David Kastrup:
Shane Brandessh...@grayskies.net writes:
The most curious thing about the whole situation was the editor I
spoke with who was pretty enthusiastic and a supporter of my endeavors
was also very proud of the fact that he had originally gotten his
music
Am 05.06.2011 12:36, schrieb David Kastrup:
Urs Liskali...@ursliska.de writes:
The other argument is quite silly: They need to have the scores ready
to be eventually updated/corrected for future releases. This is really
silly, because as we all know, a well-structured and commented
lilypond
Am 05.06.2011 14:14, schrieb Christ van Willegen:
Oh goody..gives me an excuse to link to these:
http://img.photobucket.com/albums/v60/Langer/misc/aphex-twin-deathwaltz-1.jpg
or
http://www.well.com/user/bryan/quartet.gif
Nice! When can we expect the .ly file?
Christ van Willegen
How about
You could make an invisible time-signature change:
\once \override Score.TimeSignature #'stencil = ##f
\time 3/8 c' 16 d' e' d' c' 8
HTH
Urs
Am 28.06.2011 10:58, schrieb Stefan Thomas:
Dear community,
in the below quoted example I can reset the beam-exceptions only after
a
Hi,
for me it works as expected on 2.15.2.
Strange...
Am 30.06.2011 03:42, schrieb Edward Neeman:
Hello,
In this example (taken from the Documentation page,
http://lilypond.org/doc/v2.14/Documentation/notation/beams ), the beam
doesn't extend over the rest on the right. How can I get it
I think you will get what you want if you put the hairpin in a separate
Dynamics context. This way it doesn't care for the other dynamics items.
Maybe ...
Grr - Neil was faster ...
Am 03.07.2011 16:25, schrieb Jay Hamilton:
Ok I've missed that explanation before so thank you. I don't really
User \fermataMarkup for whole bar rests.
HTH
Urs
Am 05.07.2011 12:12, schrieb Mario Moles:
Hi lilyponders!
This is a bug?
In this ly-file lilypond don't print the fermata:
\version 2.15.2
\paper {
#(set-paper-size a3)
}
global = {
\key c \major
\time 4/4
}
violin = \relative c''
Probably Joey doesn't want to use \time 4/5 but to scale durations.
I adjusted your example a little bit so one sees better what happens:
{
\time 2/10
\times 4/5 { c'8 c'8 } \bar ||
% \scaleDurations scales without tuplet numbers or brackets
\scaleDurations #'(4 . 5) { c'8 c'8
Am 05.07.2011 13:45, schrieb Joseph Wakeling:
On 07/05/2011 12:26 PM, Urs Liska wrote:
Probably Joey doesn't want to use \time 4/5 but to scale durations.
I adjusted your example a little bit so one sees better what happens:
Nice solution! Very convenient to have since right now I'm working
Am 07.07.2011 11:37, schrieb Xavier Scheuer:
2011/7/7 Janek Warchołlemniskata.bernoull...@gmail.com:
I guess our G-clef is curved partly to distinguish itself from other
software' clefs. Default Finale clef has very straight vertical line
for example.
Maybe I’ve missed some discussions, but
BTW you should direct any bug reports to bug-lilyp...@gnu.org (see
http://lists.gnu.org/mailman/listinfo/bug-lilypond)
Best
Urs
Am 13.07.2011 02:41, schrieb K. Kellogg-Smith:
On 7/12/2011 5:09 PM, Janek Warchoł wrote:
2011/7/12 K. Kellogg-Smithi.wri...@comcast.net:
Good afternoon.
I'm new
BTW you should direct bug reports to bug-lilyp...@gnu.org (see
http://lists.gnu.org/mailman/listinfo/bug-lilypond)
Best
Urs
Am 12.07.2011 22:56, schrieb K. Kellogg-Smith:
Good afternoon.
I'm new to LilyPond and don't know my way around very well, so please
excuse my ignorance. The other
Try \include-ing the master_file.ly before your \header definition.
If you \include it later (as you do) conflicting elements are
overridden by the entry that lilypond finds later.
I assume in your case the problem is the oddFooterMarkup.
HTH
Urs
Am 15.07.2011 11:46, schrieb christophe 1710:
No, the behaviour is perfectly correct.
If you enter in \relative mode, lilypond interprets as following:
* reference point is c,
* first note is g, relative to c, - first one fourth below and then
one more octave below
* The following notes are each one octave lower than the
Obviously the tagline isn't printed if there is something present in
xxxFooterMarkup.
I didn't find anything in the docs on this, but maybe the above
description is more to the point and helps others finding ideas.
Good luck
Urs
Am 15.07.2011 12:10, schrieb christophe 1710:
Le 15/07/2011
On my Ubuntu I often have the bar lines at double width in the default
viewer but not when printed with them.
So it looks like there are plenty of reasons, maybe also the
interference between the viewer and the printer driver...
Am 18.07.2011 03:34, schrieb Shane Brandes:
On Ubuntu, for many
+1
+1
+1 (Hi Janek ;-) )
Urs
Am 23.07.2011 12:00, schrieb Trevor Daniels:
Janek
I agree this could be a useful addition to the LilyPond distribution
and the docs (both at the same time, preferably). Broken slurs in
particular are often poor by default and messing with the control
points
Am 23.07.2011 19:38, schrieb Reinhold Kainhofer:
Am Samstag, 23. Juli 2011, 19:28:08 schrieb Ruud van Silfhout:
However, I thought now compoundMeters made it into lily, it is also time
that multiple meters should make it into lily as a logical successor :-).
Actually, dual times (like 3/4 5/4)
Hello list members,
after fiddling around too long and getting lost with the basics, I
decided to ask my question here.
I know it's basic, and I wonder why I get stuck this way, but obviously
I'm confused and unable to find the right place in the docs.
I want to write a function instr to
Am 26.07.2011 10:27, schrieb m...@apollinemike.com:
On Jul 26, 2011, at 10:14 AM, Urs Liska wrote:
Hello list members,
after fiddling around too long and getting lost with the basics, I decided to
ask my question here.
I know it's basic, and I wonder why I get stuck this way, but obviously
Am 26.07.2011 11:28, schrieb Dmytro O. Redchuk:
On Tue 26 Jul 2011, 10:14 Urs Liska wrote:
Hello list members,
after fiddling around too long and getting lost with the basics, I
decided to ask my question here.
I know it's basic, and I wonder why I get stuck this way, but
obviously I'm
Am 26.07.2011 11:34, schrieb James Lowe:
Hello,
)-Original Message-
)From: lilypond-user-bounces+james.lowe=datacore@gnu.org
)[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On
)Behalf Of Urs Liska
)Sent: 26 July 2011 09:35
)To: m...@apollinemike.com
)Cc: Lilypond
Am 26.07.2011 12:14, schrieb Dmytro O. Redchuk:
On Tue 26 Jul 2011, 11:39 Urs Liska wrote:
Am 26.07.2011 11:28, schrieb Dmytro O. Redchuk:
So (if so), you need to define markup function.
#(define-markup-command (instr layout props what) (markup?)
(interpret-markup layout props
(markup
Am 26.07.2011 12:25, schrieb David Kastrup:
Urs Liskalilyp...@ursliska.de writes:
Hello list members,
after fiddling around too long and getting lost with the basics, I
decided to ask my question here.
I know it's basic, and I wonder why I get stuck this way, but
obviously I'm confused and
Just for entertainment a very nice slur example (attached): a
\phrasingSlur spanning three lines :-)
Am 23.07.2011 12:00, schrieb Trevor Daniels:
Janek
I agree this could be a useful addition to the LilyPond distribution
and the docs (both at the same time, preferably). Broken slurs in
Am 02.08.2011 16:10, schrieb David Nalesnik:
On Tue, Aug 2, 2011 at 8:20 AM, Urs Liska li...@ursliska.de
mailto:li...@ursliska.de wrote:
Just for entertainment a very nice slur example (attached): a
\phrasingSlur spanning three lines :-)
breathtaking!
Are you talking
Hi list,
I tried to adapt the shapeSlur_rev.ly function recently posted by David
Nalesik to also work for PhrasingSlurs and Ties.
However, when I use
\once \override Tie #'control-points = #(shape-slur $offsets)
as part of the function, the Tie isn't printed at all.
Is there any
Hi folks,
I run into a problem with a grace note.
It seems to be the problem described in NR 1.2.6, while here it is a
time signature that is printed twice.
In the NR it says to add corresponding skip graces to the other staves,
but that doesn't seem to work in my case.
Maybe it has to do with
Am 03.08.2011 14:22, schrieb harm6:
u_li wrote:
Hi list,
I tried to adapt the shapeSlur_rev.ly function recently posted by David
Nalesik to also work for PhrasingSlurs and Ties.
However, when I use
\once \override Tie #'control-points = #(shape-slur $offsets)
as part of the function,
Hi folks,
I run into a problem with a grace note.
It seems to be the problem described in NR 1.2.6, while here it is a
time signature that is printed twice.
In the NR it says to add corresponding skip graces to the other staves,
but that doesn't seem to work in my case.
Maybe it has to do with
Am 03.08.2011 17:08, schrieb Xavier Scheuer:
On 3 August 2011 15:34, Urs Liskalilyli...@googlemail.com wrote:
Hi folks,
I run into a problem with a grace note.
It seems to be the problem described in NR 1.2.6, while here it is a time
signature that is printed twice.
In the NR it says to add
Am 03.08.2011 17:24, schrieb Henning Hraban Ramm:
Am 2011-08-03 um 15:34 schrieb Urs Liska:
Voice Four:
\oneVoice
\time 3/4
\grace { h, h'8~ } \voiceTwo q2 s4 | %17
Does it help if you move \oneVoice after \time ?
Are you sure there aren't any other voices, e.g. chords or dynamics?
Hey
That's what I'd done if nobody could show me the right direction just
from looking at the basics.
Hennings hint showed me what I had forgot ...
Thank you nevertheless for digging so deep!
Best
Urs
Am 03.08.2011 17:35, schrieb Xavier Scheuer:
On 3 August 2011 17:14, Urs
Am 04.08.2011 20:35, schrieb David Kastrup:
Christopher R. Madencr...@maden.org writes:
On 08/04/2011 01:21 PM, Patrick Karl wrote:
I discovered that the \repeat unfold 2 in:
\relative a' { \repeat unfold 2 {a' b c} }
is not equivalent to: a' b c a' b c
but rather to: a' b c
-bounces+james.lowe=datacore@gnu.org
)[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On
)Behalf Of Urs Liska
)Sent: 04 August 2011 19:48
)To: lilypond-user@gnu.org
)Subject: Re: \repeat unfold behavior
)
)Am 04.08.2011 20:35, schrieb David Kastrup:
) Christopher R. Madencr
If I understand you correctly you want to change the appearance (the
curve) of a single Tie?
Then you can use the shapeTie function that was discussed here lately.
Have a look at the attached shapeXXX.ily which exports functions to
shape Ties Slurs and PhrasingSlurs. Maybe this is what you
Hi list,
I know that I can tweak the ties in a chord to my liking by overriding
#'tie-configuration like in the following (intentionally useless) example:
\relative c' {
%\once
\override TieColumn #'tie-configuration =
#'( ( 8 . -1)
( 3 . 1 )
( -3 . 1)
)
c e g2~
Am 09.08.2011 02:55, schrieb Reinhold Kainhofer:
On Di., 9. Aug. 2011 01:34:02 CEST, David Kastrupd...@gnu.org wrote:
harm6thomasmorle...@googlemail.com writes:
Yes. But the Notation Reference demonstrates:
\relative c' {
c e g2~c e g
\override TieColumn #'tie-configuration =
#'((0.0 . 1)
Am 09.08.2011 10:32, schrieb harm6:
u_li wrote:
Am 09.08.2011 02:55, schrieb Reinhold Kainhofer:
On Di., 9. Aug. 2011 01:34:02 CEST, David Kastrupd...@gnu.org wrote:
harm6thomasmorle...@googlemail.com writes:
Yes. But the Notation Reference demonstrates:
\relative c' {
c e g2~c e g
Am 15.08.2011 04:57, schrieb Evan Laforge:
On Sun, Aug 14, 2011 at 7:27 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi Evan,
I'm guessing both of these are possible, but I don't know quite the
right knobs to tweak to modify a voice in this way. And I imagine it
must be a
Am 17.08.2011 07:15, schrieb Vaughan McAlley:
Bertrand Bordage wrote:
Ok, I'll keep LilyPond's default beaming since it's the usual notation.
Thanks!
Bertrand
No! Beam it how _you_ like. Otherwise it’s like using Times font just
because it’s the Microsoft Word default :-) Just say you’re
Although not being interested in this competition (as I'm not a
composer), I read through the contest rules.
I totally agree with you that it doesn't _seem_ to make sense to
restrict the composition to the two commercial software packages.
a)
For the whole process of the contest they only need
Am 18.08.2011 13:34, schrieb Joseph Wakeling:
On 08/18/2011 12:01 PM, m...@apollinemike.com wrote:
The rules state that one can only use Sibelius or Finale. Thinking that
this was perhaps an oversight, I contacted the administrator to see if I
could use Lilypond, who replied:
Hmmm. It can be
Am 18.08.2011 14:33, schrieb Colin Campbell:
On 11-08-18 04:01 AM, m...@apollinemike.com wrote:
snipped a sad case of NIH syndrome
In the meantime, if anyone has six organs at their disposition,
please let me know and I will write a piece for you.
Cheers,
MS
Well, I've got a couple of
Am 18.08.2011 17:42, schrieb Robert Schmaus:
I even feel I have to come to those guys' defence - zero of my
professional as well as non-professional musical friends knew (of)
LilyPond before I told them, and I don't think many of them will use it
because they prefer the apparent comfort of
^^
HH
HH
HH==3
HH==3
HH==3
HH==3
(This is a miserable attempt in drawing a thumbs up.
That's very nice!
Best
Urs
Am 19.08.2011 14:30, schrieb Tim Sawyer:
Hi Folks,
Over the years I've written four drum/percussion tutor books using
lilypond-book. I've just put these up on the web, with the
Hi,
please search the archives (or your mailbox) for a thread called
Shaping slurs - both broken and unbroken.
This was discussed quite recently, and a very useful function was shared
for this purpose
HTH
Urs
Am 20.08.2011 17:55, schrieb Mario Moles:
Hi!
Before and after brek the slur
Am 20.08.2011 19:27, schrieb Mario Moles:
Ok! I found!
Thank you.
Nevertheless, please follow Phil Holmes' advice (I hadn't noticed)
Best
Urs
In data sabato 20 agosto 2011 18:32:19, Urs Liska ha scritto:
Hi,
please search the archives (or your mailbox) for a thread called
Shaping
Am 20.08.2011 19:41, schrieb Mario Moles:
In data sabato 20 agosto 2011 19:30:41, Urs Liska ha scritto:
Am 20.08.2011 19:27, schrieb Mario Moles:
Ok! I found!
Thank you.
Nevertheless, please follow Phil Holmes' advice (I hadn't noticed)
Best
Urs
Correct! But I live
Am 22.08.2011 11:52, schrieb Martin Tarenskeen:
Hi,
Just a thought:
I'm not very familiar with the use of Finale or Sibelius.
But I guess it is possible to import external graphics into a Finale
or Sibelius score ?
It would be fun to do the following:
- create your score with Lilypond.
-
Am 22.08.2011 15:47, schrieb Mike Solomon:
You can always get Lilypond's music stream (you can see it via the
\displayMusic function), which is everything expanded out (save quoted voices)
unless you do some real tricky Scheme work with delays, the latter of which
you'd need to be really
Am 22.08.2011 16:40, schrieb Mike Solomon:
Yup.
I started doing this a while back - most of it is doable, and Jan has implemented some
helper functions as well. It is kinda thorny, though, and only works for a certain
category of tame music.
Is this a restriction/problem on the LilyPond
Am 22.08.2011 16:55, schrieb Mike Solomon:
On Aug 22, 2011, at 4:48 PM, Urs Liska wrote:
Am 22.08.2011 16:40, schrieb Mike Solomon:
Yup.
I started doing this a while back - most of it is doable, and Jan has implemented some
helper functions as well. It is kinda thorny, though, and only
Am 22.08.2011 15:30, schrieb David Kastrup:
Urs Liskalilyp...@ursliska.de writes:
The point is to be more open in a bidirectional exchange. This option
would allow to write scores in LilyPond even when you for some reason
or the other are obliged to produce Finale/Sibelius files. There are
Am 22.08.2011 17:13, schrieb Kieren MacMillan:
Hi Urs,
Is it also measure oriented (vs. voice oriented)?
There are Timewise and Partwise schemas, and stylesheets to translate between
the two.
Cheers,
Kieren.
Ah, clever. I read these words but didn't really think of what it could
mean...
Hi list,
can you tell me the difference between
\override TupletBracket #'bracket-visibility = ##f
and
\override TupletBracket #'stencil = ##f
?
I know that bracket-visibility is more flexible but if I just want to
turn off the brackets both commands are equivalent, isn't it?
Best
Urs
:
Am 23.08.2011 15:32, schrieb Urs Liska:
Hi list,
can you tell me the difference between
\override TupletBracket #'bracket-visibility = ##f
and
\override TupletBracket #'stencil = ##f
?
AFAIK, the former makes the TupletBrackets invisible, but they are still
there and are taken into account
:
On Aug 23, 2011, at 4:34 PM, Urs Liska wrote:
Hi Marc,
thanks for the thoughts.
Unfortunately it obviously works differently.
if it set
#'transparent = ##t
then the TupletBrackets uses its space.
But with
#'bracket-visibility = ##f
it doesn't.
And no, the TupletNumber doesn't need
Hello list,
I have just put a new tutorial online. You can read it at
http://www.ursliska.de/73.0.html
It is meant for intermediate beginners who want to go for some more
complex tasks and are as confused with LilyPond as I was not long ago.
I'd give it a version number of 0.8.
So any
Am 24.08.2011 08:41, schrieb Ben Luo:
On 24/08/2011 08:00, Urs Liska wrote:
Hello list,
I have just put a new tutorial online. You can read it at
http://www.ursliska.de/73.0.html
...
Hi Urs,
Hi Ben,
Very nice article.
Thanks
What's the license?
Interesting question. I thought about
Am 24.08.2011 09:50, schrieb Ben Luo:
On 24/08/2011 15:16, Urs Liska wrote:
Am 24.08.2011 08:41, schrieb Ben Luo:
On 24/08/2011 08:00, Urs Liska wrote:
Hello list,
I have just put a new tutorial online. You can read it at
http://www.ursliska.de/73.0.html
...
Hi Urs,
Hi Ben,
Very nice
Am 24.08.2011 10:05, schrieb Henning Hraban Ramm:
Am 2011-08-24 um 02:00 schrieb Urs Liska:
Hello list,
I have just put a new tutorial online. You can read it at
http://www.ursliska.de/73.0.html
Hi Urs,
that’s what I should have read before starting your Fried scores ;-)
Thank you
Am 24.08.2011 10:42, schrieb David Kastrup:
Janek Warchołjanek.lilyp...@gmail.com writes:
2011/8/24 Graham Percivalgra...@percival-music.ca:
On Tue, Aug 23, 2011 at 07:40:50PM -0600, Colin Campbell wrote:
Very nicely done, indeed, Urs! Thanks for putting this together. Graham,
Am 24.08.2011 11:19, schrieb David Kastrup:
Urs Liskali...@ursliska.de writes:
OTOH I don't think there is any problem with the mere existence of
non-free documentation.
Correct. The actual problem is the non-existence of free documentation,
and creating references to non-free documentation
Dear Francois,
I'm sorry to tell you that I'm convinced that Robert's translation -
although not completely literally correct - does very well match what
Schott wanted to express:
Am 25.08.2011 00:29, schrieb Francois Planiol:
Dear Robert,
The translation doesnt match totally.
(In my own
Am 24.08.2011 11:49, schrieb Reinhold Kainhofer:
Am Wednesday, 24. August 2011, 02:00:16 schrieb Urs Liska:
Hello list,
I have just put a new tutorial online. You can read it at
http://www.ursliska.de/73.0.html
[..]
Really nice.
Comments that arent' interesting for the public (linguistic
Am 24.08.2011 15:15, schrieb Colin Campbell:
On 11-08-24 03:26 AM, Urs Liska wrote:
Am 24.08.2011 11:19, schrieb David Kastrup:
Urs Liskali...@ursliska.de writes:
OTOH I don't think there is any problem with the mere existence of
non-free documentation.
Correct. The actual problem
Am 25.08.2011 01:48, schrieb Carl Sorensen:
On 8/24/11 5:31 PM, Michael Ellismichael.f.el...@gmail.com wrote:
On Wed, Aug 24, 2011 at 6:34 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi all,
In short, the only way to make it extendable for the future (so
that one day we can
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