Hi,
something for the guitarists around. This is the patch, that Miller Puckette
explained during the workshop at LAC2008.
Ciao
--
Frank
- Forwarded message from Miller Puckette mpuck...@imusic1.ucsd.edu -
Date: Mon, 24 Aug 2009 20:52:33 -0700
From: Miller Puckette
Jens M Andreasen wrote:
On Mon, 2009-08-24 at 21:10 +0200, Ralf Mardorf wrote:
Virtual synth often tend to make the mix muddy, when
playing pad sounds, because the polyphony isn't limited, every released
note is able to end the complete release decay. For the Oberheim some
notes are
Paul Davis wrote:
On Mon, Aug 24, 2009 at 6:13 PM, Ralf Mardorfralf.mard...@alice-dsl.net
wrote:
I don't know actual Peter Gabriel recordings, but I bet he still uses
old synth, e.g. the Fairlight, especially for pad sounds.
he doesn't.
I guess life he still plays old songs
Fons Adriaensen wrote:
On Tue, Aug 25, 2009 at 12:32:58AM +0200, Ralf Mardorf wrote:
Fons Adriaensen wrote:
Or some _explicit_ feedback from somewhere downstream the patch
telling the voice allocator that a particular voice has decayed
far enough to be a candidate for re-use. My
On Tue, Aug 25, 2009 at 04:58:32PM +0200, Ralf Mardorf wrote:
Or some _explicit_ feedback from somewhere downstream the patch
telling the voice allocator that a particular voice has decayed
far enough to be a candidate for re-use. My exploratory designs
for AMS II (gathering dust since four
Frank Barknecht wrote:
Smeck is not for midi, but for audio pickups. You need a separate pickup for
each string.
The Roland GK is designed for MIDI usage. I don't know the actual hex
pickups. If it's not directly to MIDI, does it mean for Smeck a sound
card with 6 IOs is needed and the
Fons Adriaensen wrote:
On Tue, Aug 25, 2009 at 04:58:32PM +0200, Ralf Mardorf wrote:
Or some _explicit_ feedback from somewhere downstream the patch
telling the voice allocator that a particular voice has decayed
far enough to be a candidate for re-use. My exploratory designs
for AMS II
On Tue, 2009-08-25 at 16:37 +0200, Ralf Mardorf wrote:
Today Zawinul often plays new synth, with the same sounds, but anyway
it sounds disgusting today and he's a good keyboarder, able to
compensate it a little bit, by the kind of playing.
On a side note: Today Joe Zawinul doesn't play any
Dennis Schulmeister wrote:
On Tue, 2009-08-25 at 16:37 +0200, Ralf Mardorf wrote:
Today Zawinul often plays new synth, with the same sounds, but anyway
it sounds disgusting today and he's a good keyboarder, able to
compensate it a little bit, by the kind of playing.
On a side
Hallo,
Ralf Mardorf hat gesagt: // Ralf Mardorf wrote:
Frank Barknecht wrote:
Smeck is not for midi, but for audio pickups. You need a separate pickup
for
each string.
The Roland GK is designed for MIDI usage. I don't know the actual hex
pickups. If it's not directly to MIDI,
Hi Frank :)
Frank Barknecht wrote:
Hallo,
Ralf Mardorf hat gesagt: // Ralf Mardorf wrote:
Frank Barknecht wrote:
Smeck is not for midi, but for audio pickups. You need a separate pickup
for
each string.
The Roland GK is designed for MIDI usage. I don't know the
Frank Barknecht wrote:
It does pitch detection inside of Pd to tune the transformations to the pitch
played, so you still get a bit of latency (pitch detection is made on blocks
of
1024 samples afaik.)
Hmm, 20 msecs at 48KHz doesn't sound too bad. The earliest pitch
trackers on MIDI guitars
On Tue, Aug 25, 2009 at 2:34 PM, Ralf Mardorfralf.mard...@alice-dsl.net wrote:
[ ... in response to news about some very clever work by miller puckette ... ]
I'm a guitarist, but if I like to play guitar by using my ability, I
prefer to play the guitar as a classical electric guitar. Even
Do you mean hexaphonic? Does it use the 'old' GR roland connector?
I saw somewhere you could get a converter from that (19-pin?) to the
modern (12-pin?) connector, which can either be split or you can buy
a rather expensive box to get 6 outs. I'll try to find where that was.
I've got a lovely
I got my pins all wrong. What you have, apparently is a 24-pin connector,
for which you
can get schematics here: http://www.joness.com/gr300/24pin.htm
From there I guess you can either wire your own splitters or get a 24-13 pin
connector
(the modern one we all have today), like this one:
Albert Graef schrieb:
Frank Barknecht wrote:
It does pitch detection inside of Pd to tune the transformations to the pitch
played, so you still get a bit of latency (pitch detection is made on blocks
of
1024 samples afaik.)
Hmm, 20 msecs at 48KHz doesn't sound too bad. The
Albert Graef wrote:
Hmm, 20 msecs at 48KHz doesn't sound too bad. The earliest pitch
trackers on MIDI guitars had some 250 msecs latency IIRC, now those are
a real challenge to play. ;-) (Robert Fripp did it, though.)
In a music store I played Voodoo Chile on a guitar synth in the middle
Hi Victor!
victor wrote:
Do you mean hexaphonic? Does it use the 'old' GR roland connector?
Yes, that's what I meant. :) The ZD3 is supposed to be similar to the
Roland GK-1 (http://www.joness.com/gr300/korgz3.htm), but the pin
assignments (24 pins) are not exactly the same, so I'm not sure
Hallo,
victor hat gesagt: // victor wrote:
I got my pins all wrong. What you have, apparently is a 24-pin connector,
for which you
can get schematics here: http://www.joness.com/gr300/24pin.htm
From there I guess you can either wire your own splitters or get a 24-13 pin
connector
(the
Paul Davis wrote:
so in response to somebody else creating tools that they or others
want to use, you're going to lecture us about how to play a classical
electrical guitar
I guess there's nothing wrong to encourage somebody who guess that he
isn't able to play guitar, that he anyway should
On Tue, Aug 25, 2009 at 3:57 PM, Ralf Mardorfralf.mard...@alice-dsl.net wrote:
I guess there's nothing wrong to encourage somebody who guess that he isn't
able to play guitar, that he anyway should play guitar and ignore bullshit
like stupid guitar playing, similar to the Roland synth way. This
Looks good, but expensive? No price on the site.
Victor
- Original Message -
From: Frank Barknecht f...@footils.org
To: linux-audio-dev@lists.linuxaudio.org
Sent: Tuesday, August 25, 2009 8:51 PM
Subject: Re: [LAD] [PD-announce] smeck (6ch guitar processing patch)
released]
Hallo,
Frank Barknecht wrote:
Not finding an inexpensive and compact 6-channel preamp on the market
I guess there are some less expensive solutions in the web. Some might
be fine, some not. I would test them on a brad board, maybe this side on
German is okay:
Hallo,
victor hat gesagt: // victor wrote:
Looks good, but expensive? No price on the site.
They have a store, which shows the stringport as pretty pricey: $499 :(
Ciao
--
Frank
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Paul Davis wrote:
On Tue, Aug 25, 2009 at 3:57 PM, Ralf Mardorfralf.mard...@alice-dsl.net
wrote:
I guess there's nothing wrong to encourage somebody who guess that he isn't
able to play guitar, that he anyway should play guitar and ignore bullshit
like stupid guitar playing, similar to
Ralf Mardorf wrote:
victor wrote:
Looks good, but expensive? No price on the site.
Maybe this one does also enable to use the 6 audio signals by USB:
http://de.shopping.com/xPO-Terratec-TERRATEC-Axon-AX-50-USB-SET
http://www.thomann.de/de/terratec_axon_ax_50_usb_set.htm
:(
No
victor wrote:
Looks good, but expensive? No price on the site.
Maybe this one does also enable to use the 6 audio signals by USB:
http://de.shopping.com/xPO-Terratec-TERRATEC-Axon-AX-50-USB-SET
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Klaus Kosten wrote:
No this isn't true. Even the old GR-700 had about 30 ms, and modern
converters get hardly below 20 ms. See
http://www.joness.com/gr300/MIDI_SPEED.htm
Ok, then I didn't remember correctly. :) Thanks for the link.
Also, thanks to everybody else for the tips!
Albert
--
Dr.
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