On 05/25/2010 07:24 AM, torbenh wrote:
On Mon, May 24, 2010 at 11:37:32PM +0200, Olivier Guilyardi wrote:
[...]
That makes me think that the development environment can really completely
change the way you perceive a language or framework. There must be something
to
do for C lovers too, be
On Sat, May 22, 2010 at 9:44 PM, Jeremy jeremyb...@gmail.com wrote:
Hi,
I'm working on an lv2 plugin, and I'm having some difficulties debugging it.
What I would do is start up lv2_jack_host hosting my plugin, and then
connect it to an input. However, my plugin isn't returning in time (like,
Related to my last reply to your question about the tiling problem
vs undecidability...
Ever since they started putting out relevant articles for computer
scientists (in the last year), the American Math Society monthly
Notices has gone from dull to fascinating; in the spirit of
open-source, all
On Tue, May 25, 2010 at 11:48 AM, Niels Mayer nielsma...@gmail.com wrote:
PS: I think the tiling problem is actually a direct analogy to music
making... which involves fitting together tiles (musical passages,
patterns, etc) that are highly constrained in terms of geometry
(pitch, key,
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drew Roberts wrote:
I have been looking for an EDL capable audio player for a while now but have
not found one.
I don't think there's an open-source audio player that does.
Mplayer has support for EDL but is using it's own homebrew EDL format;
What is the particular advantage of EDL, versus something more standard:
http://www.w3.org/TR/SMIL/
http://en.wikipedia.org/wiki/Synchronized_Multimedia_Integration_Language ??
Mplayer (and thus http://en.wikipedia.org/wiki/K-Multimedia_Player ,
smplayer, and gnome-mplayer) supports SMIL although
On Tue, May 25, 2010 at 11:59:45AM -0400, Paul Davis wrote:
On Tue, May 25, 2010 at 11:48 AM, Niels Mayer nielsma...@gmail.com wrote:
music making involves fitting together tiles (musical passages,
patterns, etc) that are highly constrained in terms of geometry
(pitch, key, time-signature,
On Tue, May 25, 2010 at 07:24:20AM +0200, torbenh wrote:
This IDE with all this syntax checking and refactoring tools (and I might
call
them bells and whistles sometimes..) produces a real added value.
That makes me think that the development environment can really completely
change
Paul Davis p...@linuxaudiosystems.com:
this might be how users of ableton live think about making music, and more
generally, users of computer software aimed at pattern-based music
composition/creation.
but i would submit that if you offered this description of making music to
musicians
On Tue, 25 May 2010 12:31:57 -0700
Niels Mayer nielsma...@gmail.com wrote:
Paul Davis p...@linuxaudiosystems.com:
this might be how users of ableton live think about making music, and more
generally, users of computer software aimed at pattern-based music
composition/creation.
but i
On May 25, 2010, at 8:02 PM, Niels Mayer wrote:
What is the particular advantage of EDL, versus something more standard:
http://www.w3.org/TR/SMIL/
http://en.wikipedia.org/wiki/Synchronized_Multimedia_Integration_Language ??
more standard is relative and depends on the point of view.
EDL
On Tue, May 25, 2010 at 9:07 PM, Folderol folde...@ukfsn.org wrote:
On Tue, 25 May 2010 12:31:57 -0700
Niels Mayer nielsma...@gmail.com wrote:
Mathematics is fundamental to music -- everything from the
relationship of notes to frequency, to what people consider musical,
or rhythmic... has to
On Tue, May 25, 2010 at 03:46:23PM -0400, Paul Davis wrote:
On Tue, May 25, 2010 at 3:31 PM, Niels Mayer nielsma...@gmail.com wrote:
Ultimately, it doesn't matter what musicians recognize... what
matters is what music *is*
i believe it was lord kelvin who once said don't mistake
On Tue, May 25, 2010 at 1:33 PM, Chris Cannam
can...@all-day-breakfast.com wrote:
I think the point Neils has is just that the outcome of your noodling
is somewhat independent of your explicit intention. Notes that sound
satisfying together are probably going to sound satisfying largely
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