Thanks for taking the initiative on this. The lack of high quality
samples usable on a Linux system has been quite a problem.
John
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On Fri, Aug 31, 2012 at 5:12 AM, John Rigg la...@jrigg.co.uk wrote:
Thanks for taking the initiative on this. The lack of high quality
samples usable on a Linux system has been quite a problem.
this is subtle, but i'd like to point out that the problem is actually
slightly more specific than
On Fri, 31 Aug 2012 07:58:07 -0400
Paul Davis p...@linuxaudiosystems.com wrote:
On Fri, Aug 31, 2012 at 5:12 AM, John Rigg la...@jrigg.co.uk wrote:
Thanks for taking the initiative on this. The lack of high quality
samples usable on a Linux system has been quite a problem.
this is
Hi
Kinda new to linux audio and still a bit new to dev generally and I'm
trying to understand the basis of linux audio.
By that, I mean the ALSA API :
I would like to use the PCM interface and the mixer interface to mix 2
sounds and understand the real meaning of a mixer used in the Audio
On Fri, Aug 31, 2012 at 8:39 AM, Alexandre alexdut...@gmail.com wrote:
Hi
Kinda new to linux audio and still a bit new to dev generally and I'm
trying to understand the basis of linux audio.
By that, I mean the ALSA API :
I would like to use the PCM interface and the mixer interface to mix
so if understand, a single audio stream is coming from the software mixer,
which mixes multiple stream from different sources, and transfered using the
PCM interface to th kernel and then to the hardware ? the software mixing in
alsa is done by dmix i guess ?
Paul Davis wrote:
On Fri, Aug
On Fri, Aug 31, 2012 at 9:19 AM, Zixns alexdut...@gmail.com wrote:
so if understand, a single audio stream is coming from the software mixer,
which mixes multiple stream from different sources, and transfered using
the
PCM interface to th kernel and then to the hardware ? the software mixing
For a few years I have used an Atom UMPC as my mobile development
terminal, allowing me to build and run code at much lower performance
than I would expect from a real system but good enough for working on
new bits of code and finding performance bottlenecks :)
I am migrating over to a Nexus 7
On Fri, Aug 31, 2012 at 1:03 PM, Nils l...@nilsgey.de wrote:
The direct and naive solution would be a reversed engineered kontakt
sample engine, yes.
Very naive.
The community could approach NI and ask if they're intrested in supporting
a Linux version of Kontact? I volunteer to write the
On Fri, Aug 31, 2012 at 9:43 AM, Harry van Haaren harryhaa...@gmail.com wrote:
On Fri, Aug 31, 2012 at 1:03 PM, Nils l...@nilsgey.de wrote:
The direct and naive solution would be a reversed engineered kontakt
sample engine, yes.
Very naive.
The community could approach NI and ask if
Hello Harry!
Yes, I am pretty sure, that it had been done before. But I can't remember
when exactly. I suppose it's always wrth a trial. You will never know, if you
don't say a word. Perhaps we could get together sort of a friendly petition or
at laest a list of interested parties and attach
On Fri, 31 Aug 2012 14:43:13 +0100
Harry van Haaren harryhaa...@gmail.com wrote:
The community could approach NI and ask if they're intrested in
supporting a Linux version of Kontact? I volunteer to write the
email, and if they laugh then what harm done...
The community could also ask them
ok, last questions on the software mixer. On my linux distribution, i have
alsa with pulseaudio. i know that pulseaudio is doing software mixing. If I
remove pulseaudio, I can still do software mixing : which lib / program in
alsa is doing it ?
Paul Davis wrote:
On Fri, Aug 31, 2012 at 9:19
On Fri, 31 Aug 2012 14:43:13 +0100
Harry van Haaren harryhaa...@gmail.com wrote:
On Fri, Aug 31, 2012 at 1:03 PM, Nils l...@nilsgey.de wrote:
The direct and naive solution would be a reversed engineered kontakt
sample engine, yes.
Very naive.
The community could approach NI and ask
- Original Message -
From: Zixns alexdut...@gmail.com
ok, last questions on the software mixer. On my linux distribution, i
have
alsa with pulseaudio. i know that pulseaudio is doing software
mixing. If I
remove pulseaudio, I can still do software mixing : which lib /
program in
On 08/31/2012 04:56 PM, Nils wrote:
On Fri, 31 Aug 2012 14:43:13 +0100
Harry van Haarenharryhaa...@gmail.com wrote:
On Fri, Aug 31, 2012 at 1:03 PM, Nilsl...@nilsgey.de wrote:
The direct and naive solution would be a reversed engineered kontakt
sample engine, yes.
Very naive.
The
On Fri, Aug 31, 2012 at 10:59 AM, rosea.grammostola
rosea.grammost...@gmail.com wrote:
On 08/31/2012 04:56 PM, Nils wrote:
On Fri, 31 Aug 2012 14:43:13 +0100
Harry van Haarenharryhaa...@gmail.com wrote:
On Fri, Aug 31, 2012 at 1:03 PM, Nilsl...@nilsgey.de wrote:
The direct and naive
On Fri, Aug 31, 2012 at 9:34 AM, Bill Gribble g...@billgribble.com wrote:
For a few years I have used an Atom UMPC as my mobile development
terminal, allowing me to build and run code at much lower performance
than I would expect from a real system but good enough for working on
new bits of
Hi!
I was recently helping a small Dutch radio station run by volunteers to
set up their new studio.
It's a modular system with a 16 I/O firewire card:
http://www.d-r.nl/AXUM/AXUM.htm
We managed to support it in FFADO. The playback software runs on a
virtualised Windows machine that's
On Mon, Aug 27, 2012 at 10:54:28PM -0600, Bearcat M. Şándor wrote:
Folks,
Is there a Linux program out there that i can throw a wave file at that
will tell me what the lowest and highest frequencies are in it, where
they are and at what dB they occur?
Do you mean dBm? dB is a ratio.
--
If
On Fri, Aug 31, 2012 at 7:27 PM, Paul Davis wrote:
NI already have inhouse versions of many of their software tools for Linux,
and they use it in house for some development. I met with them in person
several years ago when I was teaching in Berlin. They are quite big
technical fans of JACK
On Fri, Aug 31, 2012 at 11:26 AM, Chris Bannister
cbannis...@slingshot.co.nz wrote:
On Mon, Aug 27, 2012 at 10:54:28PM -0600, Bearcat M. Şándor wrote:
Folks,
Is there a Linux program out there that i can throw a wave file at that
will tell me what the lowest and highest frequencies are
As you may know from the other sampling thread here on this list I have written
several emails to sample developers over the last two days and suggested
CC-By-Sa as sampling license.
Clearly the intention of sample developers, they all write it in their currenct
licenses, is that the
On Fri, 31 Aug 2012 19:56:27 +0400
Alexandre Prokoudine alexandre.prokoud...@gmail.com wrote:
On Fri, Aug 31, 2012 at 7:44 PM, Nils wrote:
But for Creative Commons ShareAlike? Is music a derived work from samples
under cc-by-sa?
Is your video a derivative work from fonts that you used
On 08/31/2012 05:44 PM, Nils wrote:
Also if yes: Is there even a pre-packaged license that allows:
There is this one, not sure if it fits your purposes, it can probably be
flavored like most CC licenses:
http://creativecommons.org/licenses/sampling+/1.0/
Another important tool is a decent
On 08/31/2012 06:08 PM, Luis Garrido wrote:
There is this one, not sure if it fits your purposes, it can probably be
flavored like most CC licenses:
http://creativecommons.org/licenses/sampling+/1.0/
And a discussion about why that license was retired (but it is still
usable) here:
On Fri, 31 Aug 2012 18:08:20 +0200
Luis Garrido l...@vagar.org wrote:
On 08/31/2012 05:44 PM, Nils wrote:
Also if yes: Is there even a pre-packaged license that allows:
There is this one, not sure if it fits your purposes, it can probably be
flavored like most CC licenses:
On Fri, Aug 31, 2012 at 4:27 PM, Paul Davis p...@linuxaudiosystems.comwrote:
A lot of people (even on this list) don't understand the extent to which
*supporting* a piece of software is often a far bigger cost than the
initial development, and providing support for a platform with very few
On 08/31/2012 05:44 PM, Nils wrote:
But for Creative Commons ShareAlike? Is music a derived work from samples under
cc-by-sa?
From http://creativecommons.org/licenses/by-sa/3.0/legalcode:
'Adaptation' means a work based upon the Work, or upon the Work and
other pre-existing works (...) or
You're probably even more interested in the lowest frequency component of
the bass itself. If you're able to freeze JAAA at a point where the bass
is playing a loud clear note and there isn't much other noise, then you
should be able to see a pattern in the spectrogram. There should be a
series
On Fri, Aug 31, 2012 at 6:40 PM, Paul Davis p...@linuxaudiosystems.comwrote:
On Fri, Aug 31, 2012 at 11:26 AM, Chris Bannister
cbannis...@slingshot.co.nz wrote:
On Mon, Aug 27, 2012 at 10:54:28PM -0600, Bearcat M. Şándor wrote:
Folks,
Is there a Linux program out there that i can throw
On Fri, Aug 31, 2012 at 09:47:56PM +0300, Sakari Bergen wrote:
However, the biggest problem in the question is that it doesn't consider
the time-frequency uncertainty, and the fundamental nature of time limited
signals (a time limited signal can't be band limited).
You can not measure
On Friday 31 August 2012 11:32:35 Adrian Knoth wrote:
Hi!
I was recently helping a small Dutch radio station run by volunteers to
set up their new studio.
It's a modular system with a 16 I/O firewire card:
http://www.d-r.nl/AXUM/AXUM.htm
We managed to support it in FFADO. The
On Friday 31 August 2012 12:08:20 Luis Garrido wrote:
On 08/31/2012 05:44 PM, Nils wrote:
Also if yes: Is there even a pre-packaged license that allows:
There is this one, not sure if it fits your purposes, it can probably be
flavored like most CC licenses:
On Sat, September 1, 2012 3:12 am, Harry van Haaren wrote:
On Fri, Aug 31, 2012 at 4:27 PM, Paul Davis
p...@linuxaudiosystems.comwrote:
A lot of people (even on this list) don't understand the extent to which
*supporting* a piece of software is often a far bigger cost than the
initial
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