On Tue, 28 Apr 2015 13:48:54 +0200, Gerald wrote:
On 28.04.2015 12:31, Ralf Mardorf wrote:
PS: Keep in mind that A440 not necessarily is always true. When you
program, please keep in mind, that one day, when your program should
be able to do what you want it to do, users should be able to chose
I understand. Thanks again
Gerald
On 28.04.2015 21:09, Chris Cannam wrote:
On Tue, Apr 28, 2015, at 05:12 PM, Gerald wrote:
By 'crude' do you mean it does the job, but not that well?
What I really mean is that it wasn't written for use in a specific
application, so it hasn't had any real
well the goal is to not that dependent on the frequencies being played,
but rather on the timbre/frequency envelope of the instrument. This way
not the current tuning would be the serious issue,
but the declining quality of the strings over time.
Gerald
On 28.04.2015 12:31, Ralf Mardorf wrote:
Hi Ralf,
this works pretty good with my lowpass-rectify-aubio pitch detection.
What I want to work on (once GuitarSynth is ported to DPF) is a
source-filter analysis (see U Zölzer: DAFX) to extract the spectral
envelope (timbre) of the guitar. As Zölzer putts it, it is then possible
to obtain a
On Tue, Apr 28, 2015, at 04:10 PM, Gerald wrote:
[...] dividing the FFT'd input signal by the envelope
This LADSPA plugin
https://code.soundsoftware.ac.uk/projects/preprocess
will do a crude job of that, if you want to try it out. It uses a
cepstral envelope estimator.
Chris
Thanks Chris.
By 'crude' do you mean it does the job, but not that well?
Gerald
On 28.04.2015 17:45, Chris Cannam wrote:
On Tue, Apr 28, 2015, at 04:10 PM, Gerald wrote:
[...] dividing the FFT'd input signal by the envelope
This LADSPA plugin
On Tue, 28 Apr 2015 17:10:55 +0200, Gerald wrote:
Hi Ralf,
this works pretty good with my lowpass-rectify-aubio pitch detection.
What I want to work on (once GuitarSynth is ported to DPF) is a
source-filter analysis (see U Zölzer: DAFX) to extract the spectral
envelope (timbre) of the guitar. As
No problem.
I wish I had polyphony!! It's only monophone since i'm not an expert on
the matter.
Right now i'm converting it into a lv2 plugin (actually lv2,vst, au by
virtue of falktx's DPF).
I have no idea when and how (well not quite how) i'll achieve polyphony,
probably never.
But alot of
On Tue, Apr 28, 2015, at 05:12 PM, Gerald wrote:
By 'crude' do you mean it does the job, but not that well?
What I really mean is that it wasn't written for use in a specific
application, so it hasn't had any real testing or evaluation. The
purpose of it is to be a handy tool that you can use
PS: Keep in mind that A440 not necessarily is always true. When you
program, please keep in mind, that one day, when your program should be
able to do what you want it to do, users should be able to chose the
pitch for non-standard A in decimal place steps.
On Tue, 28 Apr 2015 01:55:04 +0100, Harry van Haaren wrote:
On Tue, Apr 28, 2015 at 12:57 AM, Tim E. Real termt...@rogers.com
wrote:
The effect is striking. You can hear it without even plugging the
guitar in. As you adjust the pickup ever higher, and pluck the
strings, you can hear the
Interesting note, you must have ears if you can hear the overtones that
clear without amplification.
It also depends on the guitar body itself? A solid body (loke LP) would
behave different than a strat?
Gerald
On 28.04.2015 02:55, Harry van Haaren wrote:
On Tue, Apr 28, 2015 at 12:57 AM, Tim E.
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