sted in conducting this kind of study, and no I
didn't search extensively if it's already been done, a quick search
engine check didn't find anything interesting with some studies maybe
relevant (I don't have subscriptions to some of the publishing
platforms) [0][1][2].
Al
Hi Fons,
Took a while to catch-up with threads...
On 25/04/2024 09:36, Fons Adriaensen wrote:
On Thu, Apr 25, 2024 at 08:02:19AM +0200, Lorenzo Sutton wrote:
I think I can provide you with some female voice clips from a while ago but
they are a bit short.
Any ideal length of the phrases
some of these to send and or quickly produce but might be
helpful to know any preferred specs ;-)
Lorenzo
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s something along the lines of:
pactl load-module module-jack-sink
pactl load-module module-jack-source
and get pulseaudio as an in/out jack client.
[1] which means I won't fall flat on my face in front of
a customer or a concert audience because of some software
hickup.
Ciao,
Loren
In the tradition of previous seasonal Python chiptunes, a Summer 2022
one, now with Python 3
https://gitlab.com/lorenzosu/python-chiptune-summer-2022/
Wishing all Linux || audio || hackers a great end of summer!
:-)
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Hi Wim,
Thanks for the very detailed info!
On 18/01/22 19:24, Wim Taymans wrote:
On Mon, 17 Jan 2022 at 16:03, Lorenzo Sutton wrote:
My problem with that set-up is that it seemed that something like Ardour
would need to be explicitly run via pw-jack so e.g.
pw-jack ardour
You distro
-)
One interesting (yet still anecdotal?) aspect is that potentially
pipewire manages to provide better latency?
Lorenzo
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On 01/04/21 00:43, Sven Jaehnichen wrote:
Hi,
after weeks of hard work I just released the first official version of a
new sound effect plugin.
B.Spacr is a unique LV2 effect plugin that enables a clear and brilliant
audibility of your music production.
B.Spacr is suited for *any* kind of mu
On 10/07/12 17:00, Brett McCoy wrote:
Oh, this indeed looks like a fun job. Too bad I am in the wrong country :-(
So true. All the (fun) jobs seem to be abroad - sob sob :-(
On Tue, Jul 10, 2012 at 10:56 AM, Victor Lazzarini
wrote:
We have a vacancy for a technical officer, which is full-tim
ng it.
In both cases you can see how proprietary is the 'bad guy' in all of
this. How do you know that skype isn't malware when you doenload a
binary .deb blob and install it? Even on linux?
Lorenzo.
[1] http://en.wikipedia.org/wiki/Computer_virus
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,0 -r 44100
Starting synchronisation
/me makes connections in qjackctl and hears lovely piano intro...
[...]
If I understood everything correctly you *still* need to set up your
.asoundrc with the jack plugin to have this working right?
Lorenzo.
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It seems Dennis Ritchie [1] passed away last week end.
He was the inventor of the C programming language and core developer of
UNIX.
I guess we are all relying in some way or another on this man's research
and inventions in our 'contemporary computer lives'.
Lor
t; this an enjoyable event; in particular Frank Neumann, John Lato, Victor
> Lazzarini and special thanks to Jörn Nettingsmeier.
Just wanted to add my Thank You to all the organizers, volunteers and
participants for a very nice conference both in Maynooth and online :)
Ciao,
Lorenzo.
> enjo
Fons Adriaensen wrote:
> On Mon, Apr 11, 2011 at 09:43:45PM +0200, Lorenzo Sutton wrote:
>> Try Gramofile [1] or Gnome Wave Cleaner [2].
> Both seem to be quite old and it's not clear at all if they
> are still being developed or maintained.
True. Nontheless they are the only o
dered if
> there is a plugin for Audacity that might do it.
Try Gramofile [1] or Gnome Wave Cleaner [2]. Results will very a lot
depending on the source material. There is a noise removal plugin of
Audacity, but IMHO it's not great, but let your ears judge.
Good luck,
leave untouched.
For normalization you can look at normalize [1] (aka normalize-audio on
some distributions) it has a --peak option.
Lorenzo.
[1] http://normalize.nongnu.org/README.html
I wanna in first step detect MAX sample in whole WAV file.
For example we gottaMAX sample 10 000, then
ittle optimism and hope sure as
hell isn't going to hurt this place anyway. Anyway, talk is cheap, and
at the end of the day the ratio between actual decent work done and
amount of time spent irritating people on mailing lists says a lot about
any given developer. Mine has taken
a kind of a dsp-writer's-block as of late. Namely, I am
dealing with a project where (at least as of right now) I would like to explore
human whisper and its percussive/rhythmic power.
IMHO granulation might also be interesting...
Lorenzo.
This would take place in an
ensemble of "voices."
ontrol and
with enough hardware 'capabilities' is still a need I personally have
and will have for many years.
Lorenzo.
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Parallel successions of perfect fifths in the Bach chorales:
cim08.web.auth.gr/cim08_papers/Fitsioris.../Fitsioris-Conklin.pdf
Lorenzo
Victor Lazzarini wrote:
Not to mention Jazz musicians, arrangers, Debussy, Ravel, Stravinsky...
Sounds like a teutonic idea of Musik (sorry Joern...), rather
when posting a CfP. ;)
"Conservatorio", "Cesare" and "Pollini" are all very Italian...
But of course I'm biased !
Yea, "Conservatorio" especially, but I'm biased too.
Lorenzo
Ciao,
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the decoding "by hand" the result (from a mere
subjective point of view was remarkable). What - empirically - struck me
is that the 'sweet spot' seemed to be particularly big, that is if I
moved off the centre I could still hear things pretty localised, as if
you move in alon
creative potential (i.e. not using it to reproduce a recorded sonic
space, but creating it from zero)
Lorenzo.
We all have 2 ears and 1 brain that has to do a lot of work, regarding
to information from the sense organs. The brain needs to do math because
usually the left and right ear are not equa
clearly fascinated to learn some of the things behind
music, and I still have great fun making it.. but of course that's me :)
Lorenzo
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n of the definition of 'electronic music' spans from
dance-like music with an 'electronic' flavour to what some would call
'electronic art music'.
In general I can see a point in being as extreme as considering only two
applications, but I find the 'they have
s but it's
the number of grains played in a certain amount of time, the more the
grains the 'denser' the sound)
etc.
There are many granular tools out there for linux. I made a
'minimalistic' one with Pd if anyone were interesterd
Best,
Lorenzo
-Harry
2010/4/26 Louig
a 'custom tone' moves up/down following the movement a
certain frequency is the zero and another is the maximum.. all should be
totally customisable of courses.
What do you think? Does it make any sense at all or is this idea
completely off?
Kind regards,
Lorenzo.
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It /is /an audio programming language /but/ it's visual, so might id
well suited for that and it can go from simple oscillators to funky
maths. I would take a look at it.
Bests,
Lorenzo
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Hello Gene and thank you for your response.
Gene Heskett ha scritto:
> On Thursday 06 November 2008, OrazioPirataDelloSpazio (Lorenzo) wrote:
>
>> Hi all,
>> I need to use a microphone input as a trigger. In other words my idea is
>> to connect a switch to the micro
same time playback at 16 bit, stereo,
44.100 ?
Thank you!
Lorenzo
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