f if someody else coughs or whatever
There are other subtleties that apply to an automixer, but this is
enough to get started.
-Ben Loftis
your method different than DRC? Does Aliki use ALSA or JACK for I/O?
I'll have a look at the code tonight but I was hoping you could fill me
in on the "big picture".
Thanks,
Ben Loftis
s before there is an influx of professional
interest. Open-source plugins may never sound as good as the best
commercial offerings ( *cough* Harrison *cough* ), but they shouldn't be
allowed to sound BAD, given the wealth of knowledge available in the LAD
group.
-Ben Loftis
www.harrisonconsoles.com
Andrew, get the M-Audio Audiophile 2496.
It is well supported and does exactly what you need. You can find them
cheap used.
Be aware the Audiophile 192 is NOT supported.
-Ben
n to work rather than rolling your own.
Just my $0.02
-Ben Loftis
>
> My first project will be a winner-takes-it-all-gain filter that takes
> n number of inputs and lowers the gain on all but the loudest signal.
> I want to use this on recordings of conversations where each spe
ter" is subjective but there's certainly
no "correct" way to do it. You can easily derive a center/sub channel but
most systems do something hideous when it comes to the rear channels.
-Ben Loftis
www.harrisonconsoles.com
I am going to be at the NAB show in Las Vegas this week. Any other LAD's
planning to be there?
-Ben Loftis
n IED system? :)
-Ben
know, this can't be removed by any sort of electronic correction. With this
setup and some modest room treatment, I've got very low distortion, AND flat
frequency response.
-Ben Loftis
http://www.harrisonconsoles.com
http://www.studiooutfitters.com
If you haven't tried out Denis' DRC program, you should. I have had great
success with it. I am in the process of documenting my results ... watch
this space.
-Ben Loftis
http://www.harrisonaudio.com
http://www.studiooutfitters.com
ange back to the M when they are told by
the M what their value is.
You'll also want some logic in the M that says "if I receive a change that
tells me to go to my current value, then don't send updates to anyone".
-Ben Loftis
;t seem to
be any different.
-Ben
> OK.
>
> So what exactly is meant here by "synchronized I/O"?
>
> Lee
>
>
How about a nicer interface to do synchronized I/O ? Currently the docs say,
in effect: "this is really hard .. just use JACK". I like JACK but there are
someinstances where it is not needed.
-Ben
order to be
> completely free of audible artefacts at 48 kHz (by Apogee, and they are
> quite expensive).
>
Is there an online publication of Mr Farina's findings? Google is not turning
up anything definitive for me.
-Ben
). I'm assuming
that the current samples lack "punch" only because they are from a piano
chord response file.
> By the way, Ben, what do you think of my idea of coupling triggering with
> convolution, as stated in my previous mail (above, third paragraph) ?
> Here&#x
undcard's outputs.
(jack_convolve may already do this for you, I can't check just this moment)
Now when you hit a pad, it should be "convolved" with the response signal
giving you something different than the simple "click" of the input signal.
I'm very interested to see how this works out (I suggested this path to
Olivier, I hope it's not totally worthless :) ). It could be a way to build
a cheap, responsive electronic drum kit that preserves the nuances of the
input signal. I wonder if this is how the Korg Wavedrum worked?
-Ben
station for a while now. How are you planning to do all this,
through jack.udp? If so, it'd be nice if somebody wrote a gui or
something to control jack.udp, I was thinking about doing this, but have
been too distracted with radio stuff to devote much time towards it.
Ben
ffer, but that's probably not going to get you where you want to
be.
-Ben Loftis
at all.
Pretty impressive though that my g4 1.5ghz could handle all that. All
this would probably work better on an intel system though?
- Ben
I've been trying to get oddcast to work the past couple days, but keep
running into this problem
ringbuffer full, tried to write 4096, but wrote 0
its
working for our radio
station. But if not oddcast, does anybody know if there is any other gnu
mp3 encoders out there (darkice?) that are jack compatible. Seems like
the darkice guy has been working on livesupport, which I can't wait to
see in action.
- Ben Racher
do audio work, is that it the poweredge makes
about as much noise as a 747. So... its not exactly an audio production
friendly unit.
So these are my thoughts. Am I crazy... or is there some magical way to
make this happen?
- Ben Racher
[EMAIL PROTECTED]
Thorsten,
Regarding the fan display, how do you handle the case where the fader
is at the very top or bottom of the screen?
-Ben
n to default (if there is such a thing for this
knob)
double-click to edit
radial just doesn't work for me.
-Ben Loftis
On Wed, 2004-06-09 at 15:15, Ben wrote:
> > Sounds interesting. This is what I do for a living. But would any
> > of
> > the linux audio developers actually follow it?
>
> You mean you're a usability engineer?
>
> Marek
>
Er, yes. In addition
Sounds interesting. This is what I do for a living. But would any of
the linux audio developers actually follow it?
-Ben Loftis
> Maybe some kind of audio app interface design proposal is in order:
> linux audio interface design - basic application control keys: LAID
> BACK
>
> Gerard
>
aw says your first 2 guesses will be wrong. The app
"Soundplay" for BeOS takes a novel approach ... the level is shown as a
knob but when you grab it, a rectangular box appears behind the knob
and you adust it like a fader. This is great because it gives you
visual feedback of which direction(s) to move the knob.
-Ben Loftis
cause enumerated values are a required
feature, but having to use RDF to get this data breaks the S in ladspa.
-Ben Loftis
ted in this job. Send resumes to [EMAIL PROTECTED]
-Ben Loftis
t playback and the host only has to preroll from the most recent state chunk.
Implementation is easy if you design for it... just stream all your internal variables
into a buffer.
-Ben
I'm new to the list. Is there a "general
overview" of XAP? I couldn't find one at the web site.)
-Ben Loftis
/kill clients
> (programs), and retrieve/store configurations (and maybe other
> stuff?). So this will be a "Project Manager" App, and with it you will
> be able to save/load projects and go back to them in no time. A good
> thing about this is that it resembles
> more how studios work, with all their equipment interconnected, so in
> some way this should make easier
> to integrate external stuff to our "projects".
>
> So, what do you think about this issue? I'd really like to hear views
> on this since i guess it's probably
> the biggest problem the audio community is facing.
>
> Regards
>
> Juan Linietsky
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
--
+-Ben Bell - "A song, a perl script and the occasional silly sig.-+
/// email: [EMAIL PROTECTED]www: http://www.deus.net/~bjb/
bjbDon't try to drive me crazy...
\_/...I'm close enough to walk.
with some sort of software sync workaround
you could knock together a simple 8 channel thing for $60 or so using
PCI64s. Although that's nothing like as good as a 1010, it is 10% of the
price.
Cheers,
Ben
--
+-Ben Bell - "A song, a perl script and the occasional silly sig.-+
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