Sorry, the pdf for baroque lute appeared to be corrupted, I've uploaded it
again.
Donatella
- Original Message -
From: Donatella Galletti [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Cc: [EMAIL PROTECTED]
Sent: Saturday, March 13, 2004 8:24 PM
Subject: new piece- Madrid
I wrote a piece for
A tempting idea!
With signs in front of the player Don't throw bones on the artists -
they give their best
Best
Thomas
Am Son, 2004-03-14 um 06.18 schrieb Jon Murphy:
Thomas,
A suggestion for a recreation, at least of the earlier early music. Have
the audience sitting at long tables for
Dear members of the list,
the rose of my lute is a rather dense one, meaning
there a only small holes.
Now a friend told me that this could a have an
influence on the sound of the instrument.
Hm :-)
What do you think about this?
Thank you for your comments!
Bernd Haegemann
Dear all
Does anybody know how to contact the maker of Barocco gut strings? I'd like
to see a catalogue or something. I've done some web-searching, but could not
find a homepage.
Thanks
David
*
David van Ooijen
Email: [EMAIL PROTECTED]
David,
It's Baroco, French spelling because they're in Paris, though the
strings are made in Abruzzo, Italy. They're fantastic gut strings. E-mail:
[EMAIL PROTECTED]
Best,
James di Properzio
Hi Bernd,
actually everthing has an influence on the sound of the lute.
As far as I understood from recent discussions the form or way of
decoration is not so important but the stability giving by the small
barring beneath the rose would positivly influence the sound.
Hope this helps
Thomas
Am
There's a wonderful scene in Woody Allen's movie Annie Hall in which
Diane Keaton, doing her best on her first night singing in a bar, is
putting up with practically the same scenario. Perhaps all that's
needed for historical verisimilitude is for lutenists to do more bar
gigs.
Tim
On
Re: rose and sound
Dear Bernd,
Dense rose design shifts the overall response of your instrument to the
lower frequency range by lowering its body main air resonance (otherwise
known as Helmholz resonance), while the more airy design would do exactly
the opposite. You can experiment by covering
On Thu, 11 Mar 2004 14:01:24 -, Martin Shepherd
[EMAIL PROTECTED] wrote:
But back to art. Sorry, Art. Most of the art of the past which
we admire comes from a society, and an aesthetic, radically
different from our own. We struggle, therefore, to understand it
properly (why did I
Ah, yes, what are the things that give us versimilitude? Playing for
people who are talking loud enough to be heard above the music, people
who shout at you things like, hey, how many strangs you got on that
thang?, people who turn on the radio the second you get up to take a
break, people
--- Forwarded message ---
From: The Other [EMAIL PROTECTED]
To: Martin Shepherd [EMAIL PROTECTED]
Subject: Re: Life, the universe...
Date: Sat, 13 Mar 2004 09:42:27 -0600
On Thu, 11 Mar 2004 14:01:24 -, Martin Shepherd
[EMAIL PROTECTED] wrote:
But back to art. Sorry, Art. Most
Drear Bernd:
There was a discussion on this very issue not too long ago. Search the
archives on the subject and you should be busy reading for a few days. From
what I remember the consensus seems to be that it does make a difference.
Vance Wood.
- Original Message -
From: Bernd
All,
In Luis de Milan's fantasias #34 (twice) and #36 (once) there is a
quirky embellishment at a cadence consisting of the note sequence
g-f#-e#-f#-g (relative to g tuning). When I first encountered it I
thought it was an error, but it appears to be deliberate. I heard a
similar thing at the
does anyone know where i might find a photo of the ukrainian lute
called a kobsa?
does anyone know where i might find a photo of the ukrainian lute
called a kobsa?
Eccola qua':
http://polyhymnion.org/torban
RT
More specifically in Chapter 2 and the Iconography section.
RT
does anyone know where i might find a photo of the ukrainian lute
called a kobsa?
Eccola qua':
http://polyhymnion.org/torban
RT
Dear Bill, Here :
http://www.vanedwards.co.uk/Cobsa/cobsa.htm
Ukrainian...
Best wishes,
Ronny
- Original Message -
From: bill [EMAIL PROTECTED]
To: lute society [EMAIL PROTECTED]
Sent: Sunday, March 14, 2004 10:08 PM
Subject: kobsa
does anyone know where i might find a photo of the
grazie tutti.
Dear Stewart, Tim and All:
Perhaps a more appropriate tavern instrument would be the gittern, the
diminutive cousin of the lute. It's well documented as a tavern instrument,
apparently due to police records of tavern brawls and resulting arrests. In
addition, the gittern, carved from a single
I've wondered about that too, David. It's interesting that in #36 four
bars back from the place you're referring to, that same kind of figure
appears an octave higher, only at that point it's g-f#-e-f#. Where it
appears on the 4th course, it looks like an embellishment designed to
be played
Hi Craig,
Have you tried Anne Burns? Anne is the keeper of the LSA microfilm
library. I can't quite put my finger on her e-mail address, but I bet
it's in the LSA publications.
Talk to you later
David R
On Sunday, March 14, 2004, at 06:53 PM, [EMAIL PROTECTED] wrote:
I am still looking
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