--- Weitergeleitete Nachricht ---
Von: Stephan Olbertz [EMAIL PROTECTED]
An: Dr. Marion Ceruti [EMAIL PROTECTED]
Betreff: Re: The 'perfect' instrument?
Datum: Sun, 27 Feb 2005 00:28:45 +0100
Dear Marion,
have a look at
http://www.hermode.de/
Regards,
Stephan
Am Sat, 26 Feb 2005
Just before I got to Stephan's message, I was thinking of the possibilities
offered by Scala - I haven't got the energy this morning to see if there is
anything that corresponds in the list of scales they offer on:-
http://www.xs4all.nl/~huygensf/doc/scalesdir.txt
Happy Searching,
Tony
-
Ed Durbrow wrote:
I have not thought this through, but wouldn't you run into problems
if you modulate and then modulate back to the original key by a
different route?
This actually happens rather a lot in barbershop quartet singing.
Barbershoppers adjust intervals on the fly to get chords to
I have not thought this through, but wouldn't you run into problems
if you modulate and then modulate back to the original key by a
different route?
This actually happens rather a lot in barbershop quartet singing.
Barbershoppers adjust intervals on the fly to get chords to ring. Since
Dear all,
anyone s*bscribing Early Music will already know about a fascinating new
solution of an old problem: Bach's well-tempered tuning is supposed to have
been revealed from hints in his own hand. See the author's webpage at
http://www.larips.com/
I had no problems downloading from there a
For those with a 10-course who want to play Bach:
I have put an arrangement for 10-course of the original lute introduction to
the Komm, suesses Kreuz aria (tablature and staff-notaion) from Bach's
Matthew Passion (1729 version with lute in stead of viol in nrs. 56 and 57)
on my web site, as
What wonderful news. Have you decided what works you are going to play?
Be sure to let us know when the recital will take place. That must be a
I'll be there May 15 with Icarus, a group of violin, recorder, cembalo/organ
and me on theorbo, archlute or basslute. But this time I'll just bring a
There is a chapel inside the Palace of Queluz, 5 km from Lisboa, with a sort
of upper chamber with a beautiful baroque hole with a golden grid, as far as
I remember . Musicians used to play upstairs and the royals sat below the
hole. Scarlatti played there and the chapel was open for the Mass to
Dear All,
I've just published a piece kindly transcribed by Thomas Schall, for the
Baroque --pdf--, on Dalla Casa page on my site. ( go to tab and midi
files --your contributions ) On the page there is also the version for
archlute. Anybody willing to send more material transcribed from this
In a message dated 2/27/2005 12:50:23 PM Eastern Standard Time,
[EMAIL PROTECTED] writes:
There is a chapel inside the Palace of Queluz, 5 km from Lisboa, with a sort
of upper chamber with a beautiful baroque hole with a golden grid, as far as
I remember . Musicians used to play upstairs and the
There may be a bit of a problem about this as neither Fronimo nor Django
support some essential features of baroque guitar tablature - in particular
strumming. Alain Veylit was working on this problem with Django but I don't
know if he ever finally sorted it. I had an enormous problem
Dear Donatella,
Thank you for posting it. I will take a look. If you are interested in
intabulations
of the 6c mandolin parts from Dalla Casa, I can send you .pdf files, or is your
site
just for lute tab?
Cheers,
Marion
-Original Message-
From: Donatella Galletti [EMAIL PROTECTED]
Dear Ed,
Thank you for this information. I appreciate knowing it.
As for being able to return to the original key, maybe
we should conceptualize harmonic cycles as being
spirals rather than circles. (spiral of fifths?)
Movable frets is an interesting concept. Whereas I don't
know enought about
Dear Stephan,
Thank you - what a great web site! Very interesting
and educational.
Best regards,
Marion
-Original Message-
From: Stephan Olbertz [EMAIL PROTECTED]
Sent: Feb 27, 2005 12:54 AM
To: lute@cs.dartmouth.edu lute@cs.dartmouth.edu
Subject: Re: The 'perfect' instrument?
Thanks, Tony. I'll check out the site.
Cheers,
Marion
-Original Message-
From: Tony Chalkley [EMAIL PROTECTED]
Sent: Feb 27, 2005 1:43 AM
To: lute@cs.dartmouth.edu
Subject: Re: The 'perfect' instrument?
Just before I got to Stephan's message, I was thinking of the possibilities
offered
It all depends on how you define a problem. It is not a problem for them.
The main thing is that they should sound good together.
-Original Message-
From: Howard Posner [EMAIL PROTECTED]
Sent: Feb 27, 2005 5:27 AM
To: lute list lute@cs.dartmouth.edu
Subject: Re: The 'perfect' instrument?
-Original Message-
From: Roman Turovsky [EMAIL PROTECTED]
Sent: Feb 27, 2005 5:54 AM
To: Howard Posner [EMAIL PROTECTED], lute list lute@cs.dartmouth.edu
Subject: Re: The 'perfect' instrument?
I have not thought this through, but wouldn't you run into problems
if you modulate and then
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