Actally the two treatises in Sloane Ms 1021 deserve fuller treatment, since
they have much more to say about lute technique than just right-hand fingering.
They should be translated and published in one of our newsletters, or
journals. There is a dissertation in which the German text is transc
Michael Thames wrote:
> Auther, your tendency for misrepresentation, and exaggeration is quite
>obvious! I've never said lutinests were "musical illiterates" ...
>
>
Lutine is French for "fairy" so presumably a lutinest is one who plays
the fairy???
Marcus
To get on or off this li
Auther,
Transcriptions of original keyboard compositions to the lute, are NOT
original lute pieces, and transcriptions of original lute pieces to the
keyboard, are not keyboard pieces, they are what we "village idiots" refer
to as ARRANGEMENTS, or transcriptions, or neither, just popular tunes
Hi, lutefriends,
the next 2 weeks I'll be in Berlin. I would appreciate very much all
sort of tips and indications regarding our common interests. I know
already there is a nice musical instrument museum. What about
second-hand bookshops specializing in music? Does some of you know a
luthier n
On Jul 19, 2005, at 12:48 AM, Christopher Schaub wrote:
> I wonder if Paul O'Dette's playing is evolving as well.
He's not standing still.
He was playing thumb out in the early 70s, so I guess he could play
that way now anytime he wanted.
cheers,
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On Jul 19, 2005, at 12:30 AM, Arthur Ness wrote:
> Dear Ed and Arne,
>
> There are two sets of instructions in that manuscript
> (London, BL, Ms.Sloane 1021),
Thoughtful observations.
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>Ah, Texas. Is it any wonder that our president is the way he is?
Maybe the young man needs to audition in drag. Just to help the
audition committee get past their difficulty at the idea of a man
singing high.
Tim
>
>
> Original Message
>From: [EMAIL PROTECTED]
>To: lute@cs.dartmouth
Yes, and even though Dowland's compositions can be played with either method
this is surely not an endorsement either way. What about Dowland's own words on
the matter, don't they count more than a general assumption based on
compositional style?
I wonder if Paul O'Dette's playing is evolving as
Dear Ed and Arne,
There are two sets of instructions in that manuscript
(London, BL, Ms.Sloane 1021), one in the newer style of
play as advocated by Besard (and in translation by
Dowland--most of JD's "Obseruations" is a translation of
Besard). The second treatise on lute playing is about
the olde
A bit of musico-political help may be in order - got
this off the choral net today
Sal Salvaggio -
> Charles Q. Sullivan wrote (on ChoraList): > >
Perhaps listers would be willing to provide some much
needed > educational help to the Texas Music Educators
Association, as well as > to the Fort
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