Hi,
take a look at
http://www.jarchow.com/#14-16N
Best wishes
Thomas
>
Herb--
> A peculiarity of that old Spanish printing is the occasional omission
>of m's and n's (and an accompanying vowel), with a replacement in the form
>of a bar above the point where they belong. If you've ever lo
Carl,
Congratulations on the litter, and for taking in the stray. I note that the
expected comments on lute string supplies have come in. My one cat (the vet
calls her "dilute tortoise shell", I call her muddy grey) is a feral
refugee. Born in a friend's garage with littermates, but then taken bac
Carl wrote:
>I don't know how this came to be an inventory of lutes and cats, but... we
>just took in a stray mother with a litter of 6.
>
>That's cats, not lutes. (sigh)
>
>Good news is I recently finished repairing the 13c I built, and am now
>building a case for it.
With all those cats you'll
--- Carl Donsbach <[EMAIL PROTECTED]> wrote:
> I don't know how this came to be an inventory of
> lutes and cats, but... we
> just took in a stray mother with a litter of 6.
very "gutsy" of you carl.
"and thus i made...a small vihuela from the shell of a creepy crawly..." - Don
Gonzalo de Gu
Greetings,
I don't know how this came to be an inventory of lutes and cats, but... we
just took in a stray mother with a litter of 6.
That's cats, not lutes. (sigh)
Good news is I recently finished repairing the 13c I built, and am now
building a case for it.
-Carl Donsbach
To get on or of
Herb--
A peculiarity of that old Spanish printing is the occasional omission
of m's and n's (and an accompanying vowel), with a replacement in the form
of a bar above the point where they belong. If you've ever looked at old
latin stuff, it's the same format.
With a similar project
"Arto Wikla" <[EMAIL PROTECTED]> schrieb:
> just forget the highest string f the lute
> and play the 5 course guitar tabulature! Of course it is different,
> but but anyhow possible. And when I went through some de Visee and
> Sanz pieces playing my 6 course lute with 3 basses having octave
> strin
At 21:19 19-09-2005 +0300, Arto Wikla wrote:
>
>Dear lutenists,
>
>some time ago here was the idea of trying the gallichon music by
>a normal, at least 7 course lute in renaissance tuning - just by
>forgetting the highest string and reading directly the gallichon
>tabulature. Just occured in mind:
Dear lutenists,
some time ago here was the idea of trying the gallichon music by
a normal, at least 7 course lute in renaissance tuning - just by
forgetting the highest string and reading directly the gallichon
tabulature. Just occured in mind: why not do the same to the
baroque guitar music: j
Hi,
The edition of "El Maestro" from Ralph Jarchow comes with translation of
the preface (and other texts) into german and english along with the
spanish original.
Best wishes
Thomas
-Ursprüngliche Nachricht-
Von: Herbert Ward [mailto:[EMAIL PROTECTED]
Gesendet: Montag, 19. September 20
Sometimes, it would be nice to know exactly how close
the RH little finger is to a vibrating first course, in
order to avoid unwanted damping.
One way to do this would be to put a little "curb"
(like one of those flat toothpicks) on the soundboard.
Then the little finger could feel the "curb", a
Hello. Anyone know where to get a translation of the
text/preface/instructions in Luis Milan's "El Maestro"?
I've tried Goog searches several times, but without
much sucess.
I had three years of high school Spanish. But they
do not fare well against the complex and old-fashioned
Spanish in que
Dear Thomas and all,
I heard about a new baroque luth CD by Michael Freimuth; any hint about it?
Best wishes
Paolo Declich
To get on or off this list see list information at
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On Sunday 18 September 2005 18:06, you wrote:
> Hola amigos
>
> yes, finally I finished the midis of the 6 Martino
> Trios.
> Take a look a the Trio VI, its simply great, some
> unusual chromatic pasages in the Allemande & Menuet
> II!
> You can download them from
>
> http://www.savefile.com/projec
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