[LUTE] Re: Mozart?

2006-01-31 Thread Are Vidar Boye Hansen
Ops, I was thinking about who performed in the Mozart version. Could that have been Straube? Of course, it would be interesting to know who performed in the original version as well! And what kind of lutes where used? Archlute for H=E4ndel and baroque lute for Mozart? It would be extremly

[LUTE] Re: Lute tablatuRe: two more questions

2006-01-31 Thread LGS-Europe
A short vertical line is often used to visually connect wide-spaced elements of a chord (forestalling misreading) - c- -- |- -- -- c- Or a most definitive plaquée (together) as opposed to séparée (broken chord) in some French baroque sources. David To get

[LUTE] Re: Haydn with lute picture?

2006-01-31 Thread David Van Edwards
Dear Arthur, Thanks very much for that info about the picture. I thought Mozart looked rather podgy and round nosed compared with other portraits!! I'll add your information to the page. Best wishes, David At 10:30 AM -0500 30/1/06, Arthur Ness wrote: Dear David, Thanks for posting the

[LUTE] Re: Ron McFarlane

2006-01-31 Thread Herbert Ward
Can anyone tell me Ron McFarlane's email address and/or adress and phone number. His WWW site http://www.ronnmcfarlane.com/ has has a Contact link which yields 2555 Snowberry Ridge Court West Linn, OR 97068 [EMAIL PROTECTED] To get on or off this list see list

[LUTE] Re: Women in historical performance art.

2006-01-31 Thread Herbert Ward
The social stigma attached to acting had to do with its lowly origins, a sort of form of beggary, even associated with prostitution. Even Many Elizabethan moralists wanted to ban theater as licentious ... To make this lute related, the same stigma doesn't seem to have applied to music.

[LUTE] Re: Women in historical performance art.

2006-01-31 Thread Sean Smith
From this perspective, what should we make of Thos. Campion's Maske of Flowers where nobility acted out and sang the parts? Sean Smith Herbert Ward [EMAIL PROTECTED] wrote: The social stigma attached to acting had to do with its lowly origins, a sort of form of beggary, even

[LUTE] Re: Women in historical performance art.

2006-01-31 Thread Gordon J. Callon
Shakespeare is referring to a minstrel. In the late sixteenth and seventeen century in England (and I suspect elsewhere) there were several classes of musicians. On the scale of respectability, minstrel would be relatively low. At the top were the Court musicians and members of the Chapel

[LUTE] POD on iTunes

2006-01-31 Thread Daniel Shoskes
For fans of both O'Dette and iTunes, I notice that they have just added 16 POD albums (Harmonia Mundi) to the iTunes store. Of course, most readers of this list probably own them already. Hopefully this trend will continue! To get on or off this list see list information at

[LUTE] Re: POD on iTunes

2006-01-31 Thread Roman Turovsky
This refefines podcast, doesn't it? RT For fans of both O'Dette and iTunes, I notice that they have just added 16 POD albums (Harmonia Mundi) to the iTunes store. Of course, most readers of this list probably own them already. Hopefully this trend will continue! To get on or off this

[LUTE] Re: Women in historical performance art.

2006-01-31 Thread Howard Posner
Herbert Ward wrote: How did music so completely escape its low-class association, and drama so completely fail? Music, as such, was not associated with low class. Musicians occupied valued positions in churches and noble/royal households, and every well-bred person was expected to be able

[LUTE] Re: Women in historical performance art.

2006-01-31 Thread marigold castle
Good point. Court masques were certainly acceptable activities for nobles of both sexes. Elizabeth herself performed in them. I'm not sure how we can explain the difference in perception. Perhaps the fact that the theater was a paid venue? Or that with court masques the audience was composed of