From: [EMAIL PROTECTED]
Date: 10/07/2006 9.26.16
To: lutelist
Subject: [BAROQUE-LUTE] Re: chaconne by vieux gautier
On Sunday 09 July 2006 14:16, you wrote:
Thanks a lot for all the quick responses and especially scans of this great
piece! I didn't know that the piece is
Murphy is alive and well, and quite busy. But I thought I'd toss in my
opinion on maintaining pitch. As most of you know I play and make harps (as
well as making one lute, and playing it). Pitch, as we all know, it a matter
of the tension and length of the string (given the string guage). Any
I have a 63cm VL lute, it is over length for a G chanterelle. (The kit maker
has shrunk his lute by a bit since I communicated with him).
Look at Andrea Damiani's book, as translated from the Italian by our list
member Doc Rossi. Without going into details of string characteristics
Damiani lists
Mr. Ward,
A look inside a piano, or some harpsichords will reveal that they dampen the
vibration of the unstopped strings with pieces of felt wound between the
strings. I would try a piece of felt about 2mm wide. Wind it between the
offending strings at the bridge. For more dampening, move the
In regard to our Brecianello discussion, I have posted
the remaining two movements for the Sinfonia.
http://mysite.verizon.net/vzepq31c/arthurjnesslutescores/
===
I have posted two movements from the anonymous sinfonia.
It seems to be a six course instrument with
Arthur Ness [EMAIL PROTECTED] wrote in message news:...
In regard to our Brecianello discussion, I have posted
the remaining two movements for the Sinfonia.
http://mysite.verizon.net/vzepq31c/arthurjnesslutescores/
===
I have posted two movements from the
On Jul 11, 2006, at 1:59 PM, Steve Bryson wrote:
I seem to recall
hearing that Aria was a Yamaha product, but all I knew at the time of
purchase is that it was made in Japan. It is obviously mass-
produced, with a simple soundboard and a punch-cut rosette.
It was my understanding that Aria
Hello,
A suggestion about the format: It is possible to put music in pdf?
The screen graphical format has very low resolution to print.
Thanks.
Best wishes,
Jose Luis
El 11/07/2006, a las 16:02, Arthur Ness escribi=F3:
In regard to our Brecianello discussion, I have posted
the remaining two
Why do you think this 'Sinfonia' was written for Gallichon/Mandora? As
mentioned earlier, like Bob, I see no reason to doubt the title which clearly
states 'arciliuto'. It also does not fit particularly well in the D Gallichon
tuning (and much worse of course in the E tuning) - but fits
just received from forni in italy
taco
Gentile Cliente / Dear Client,
Ho il piacere di informarLa che da pochi giorni รจ uscita la ristampa sotto
riportata. Nel caso fosse interessato non esiti a contattarmi.
Cordiali saluti.
I am pleased to inform you that the following works, peridicals,
Dear Martyn,
I looked through it paying attention to the slurs. And
will stay with the archlute designation since the open
strings seem to be like d-minor tuning.. But I am
wondering about the Vivaldi concertos written for
Prague. Does any one have information about the source
for the
Dear Arthur,
I don't think I'm necessarily the source for associating
the Vivaldi works with the mandora, but I did write an article
for the LSA Quarterly exploring the possibility, and I found
nothing to disqualify the mandora in particular. I've sent you
a private note summarizing the article
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