I don't think the sound of carbon is that great even when treated
with a bit opf sanding, but I use them when I play under high
intensity spotlights, which is I'm afraid where most of the concerts
are these dayslights and A/C.
There is nothing as good as gut, especially for the ornaments.
Anyone on my list of tab providers that has changed their URL from
what I have at http://www9.plala.or.jp/edurbrow/webtab.html, please
send me the updated URL.
TIA
On Nov 2, 2007, at 9:11 PM, G.R. Crona wrote:
> Ed, many of those links do not work any more!
>
> On Fri, 2 Nov 2007 18:29:05 +0
On Nov 2, 2007, at 8:04 PM, Robert Clair wrote:
> The "no marker on the 7th fret" is a self-flagellating lunatic
> classical guitar thing. Someone once asked Paul about this at a
> summer workshop. He explained that he played lots of different
> instruments with widely varying string lengths and
On Nov 2, 2007, at 12:53 PM, Arne Keller wrote:
> Anyway, why are we all so afraid of the "copyright"-bogeyman?
> I mean, the Feds haven't nuked YouTube yet, have they?
The Feds aren't going to. The content providers whose videos have
been pirated will. YouTube is trying to avoid legal action
- Original Message -
From: "Caroline Usher" <[EMAIL PROTECTED]>
To: "lutenet"
Sent: Friday, November 02, 2007 8:23 PM
Subject: [LUTE] Re: Lute iconographic project - a proposal]
There is a long-standing effort to do for musical iconography what RILM
and RIMM do for musicology and mu
There is a long-standing effort to do for musical iconography what RILM
and RIMM do for musicology and music manuscripts, respectively:
http://web.gc.cuny.edu/rcmi/index.htm
They don't seem to be very web-oriented. Possibly they are concerned
about copyright issues in putting their images onlin
To All:
I haven't been following this thread too closely but in case anyone is
interested, we have posted a pdf of my performing edition of Poulton 73 on our
web site for download. You can find it at
http://www.mignarda.com/editions/downloads.html. I created this performing
edition after he
Dear All
After reading Mimmo Peruffo's interesting article, I find that it
explains an improvement, I obtained by changing my stringing, in an
experiment I described at http://tinyurl.com/2husza.
I would like to discuss various points raised by MP in the light of
my experiment, but I do r
hi daniel,
i just added a little starfish - from my daughters sticker albu - to the 7th
:-)hope it works.
w.
Original-Nachricht
> Datum: Fri, 02 Nov 2007 05:04:31 -0700
> Von: daniel shoskes <[EMAIL PROTECTED]>
> An: Robert Clair <[EMAIL PROTECTED]>
> CC: Lute List
> Betreff
Ed, many of those links do not work any more!
On Fri, 2 Nov 2007 18:29:05 +0900
Ed Durbrow wrote:
> Here are some URLs to get you started:
> http://www9.plala.or.jp/edurbrow/webtab.html
>
> On Nov 1, 2007, at 8:21 PM, Joshua E. Horn wrote:
>> Scratch that, where is some lut
Not long ago I came to the realization that every teacher I have ever worked
with has markers on "f" and "h". My daughter has given me penguin stickers
which now proudly adorn the back of every fingerboard I own.
DS
On Friday, November 02, 2007, at 07:05AM, "Robert Clair" <[EMAIL PROTECTED]>
He definitely has a marker on the 7th fret in this old clip at least!
On Fri, 2 Nov 2007 07:04:37 -0400
Robert Clair wrote:
>> ha,
>> did you noticed: PoD has a marker on the 7th bar!
>> i need one too!
>
> The "no marker on the 7th fret" is a self-flagellating
>lunatic
> There's one manuscript source for it, and it's a mess, so every
> performer has to make decisions about, for example, where rhythm
> signs should go.
It is in one of the Matthew Holmes manuscripts now in the Cambridge
University Library. He was evidently tired of copying at that point.
I
> ha,
> did you noticed: PoD has a marker on the 7th bar!
> i need one too!
The "no marker on the 7th fret" is a self-flagellating lunatic
classical guitar thing. Someone once asked Paul about this at a
summer workshop. He explained that he played lots of different
instruments with widely va
Here are some URLs to get you started:
http://www9.plala.or.jp/edurbrow/webtab.html
On Nov 1, 2007, at 8:21 PM, Joshua E. Horn wrote:
> Scratch that, where is some lute tablature on the internet?
Ed Durbrow
Saitama, Japan
[EMAIL PROTECTED]
http://www9.plala.or.jp/edurbrow/
--
To get on or off
On Nov 1, 2007, at 7:53 PM, Doc Rossi wrote:
> I think I misunderstood your question earlier. They use the flesh
> side of the nail for the strong beat - the stroke towards the body.
Thanks Doc,
Ah ha! So the interesting point would be where they change to and
from it, how they negotiate going
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