Only Craig Russell's work has a staff notation transcription. Lorimer's is
just a facsimile of the tablature.
Monica
- Original Message -
From: Rob MacKillop [EMAIL PROTECTED]
To: Vihuela [EMAIL PROTECTED]
Sent: Thursday, May 08, 2008 7:36 AM
Subject: [VIHUELA] Saldivar Codex 4 -
G. wrote:
obvious mistake in tablature. He must have had problems with his tablature
program. Does not look like Fronimo or Django.
Well, in that case it is not good for the thesis, because It happens
throughout the transcriptions...
Arto
To get on or off this list see list information at
If you can hang on until Sunday, Jakob Lindberg is doing a concert at
the Holywell Music Room on his wonderful 1590 Sextus Rauwolff Lute of
mainly Dowland. See http://www.musicamano.com/ for more details of his
lute and the programme...
-Original Message-
From: Liutista [mailto:[EMAIL
Thanks. Unfortunatly on Sunday I'll be already back to Italy.
Cheers
Peter Jones-RR ha scritto:
If you can hang on until Sunday, Jakob Lindberg is doing a concert at
the Holywell Music Room on his wonderful 1590 Sextus Rauwolff Lute of
mainly Dowland. See http://www.musicamano.com/ for more
To All:
Since we are carping about the music included in this thesis, the 'diplomatic
facsimile' tablature, or tablature with all the mistakes as in the original, is
not really useful to lutenists, that is if the intention is future commercial
publication. In such cases, it is better to
Dear Lutists,
Returning to the issue of frets, are all the fret-gut availlable today of
the same quality? I'm probably buying from Aquila (as I have been doing
lately) but they wear out very fast.
Also, for an 8 course instrument in g, what would be the avarage gauge for
the first fret? I use 1
Dear Giuliano,
I have consulted various websites on line, and unfortunately there
doesn't seem to be anything of early music interest happening this
evening in Oxford. It's a pity you only have this evening, because they
often have early music concerts there. I guess the alternative is to
find a
Well, you could start by translating every Portuguese guitar book or
manuscript from the 17th to 19th centuries...Too much to ask? Oh well...
Seriously, Bruno, I appreciate your offer, and if I come across something I
need translated, I'll get in touch. Many thanks.
Rob
2008/5/8 Bruno Correia
Subject: [LUTE] Re: machete
Well, you could start by translating every Portuguese guitar book or
manuscript from the 17th to 19th centuries...Too much to ask? Oh well...
Actually there isn't that much from the 17th century unless it is
lurking unseen in Portuguese libraries.
There
Greetings All,
I am a rare poster to this list, but I was practicing last night and
found an interesting issue cropping up.I am a beginning lute player and
most of the songs I have learned to this point have been out of the DeGroot
Learning to play the lute book. This is the one that
If I read you correctly you should be using a bar with the index finger when
the stops are on the same fret. You might want to pick up a copy of Variety
of Lute Lessons, a facsimile edition of a Lute primer from the sixteenth
Century, there is some information on both hands.
- Original
On Thu, May 8, 2008, Ron Andrico [EMAIL PROTECTED] said:
Since we are carping about the music included in this thesis, the 'diplomatic
facsimile' tablature, or tablature with all the mistakes as in the original,
is not really useful to lutenists
SOunds to me that this was intended as a
On Thu, May 8, 2008, Arto Wikla [EMAIL PROTECTED] said:
I do not have the facsimile of the original, and I could not find any
explanation of this in the thesis.
It is an application of the rules of 'perfection' as was common in
renaissance mensural notation. Morley writes about this, it is
Daniel,
It would be worthwhile getting a teacher to guide you through these early
stages, but I appreciate that there might not be any teachers in your area.
In that case you will have to start analysing the natural movements of each
hand very carefully, because if you try to ask the hand to do
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