Last time this went to the lute list.
Wayne, this message( and the previous one) is clearly, definitely,
explicitly Cc'd to the cittern list.
Hello citternophiles,
There is a book of chorales in tablature from c.1750 in the Moravian
Archives in Bethlehem PA, that may be for
Dear Ray:
I have performed these fantasias in the combination of lute, harp and
bass viol. I think I just shared two or more voices with the harp and
gave the viol the more active line. No intabulations though.
Best wishes,
Ron Andrico
[1]www.mignarda.com
Date: Fri,
Beats me
RT
From: Rob MacKillop [EMAIL PROTECTED]
What's not 'serious' about folk music?
Rob
2008/9/26 Michael Gillespie [EMAIL PROTECTED]
I was wondering... when (with who) did study of the early guitar
become
more serious. Sanz used spanish folk melodies where as
Hello Ray,
Is it this?
Greet (who's also supposed to play this too with a vocal ensemble next
november and has a Adriaenssen setting in G (Pratum Musicum 1984 f.88) with
diminutions and also Valerius in F)
-Oorspronkelijk bericht-
Van: William Brohinsky [mailto:[EMAIL PROTECTED]
Hundreds of 16th c sources show playing over or just behind the sound hole.
The situation thus reflects layers of diversity
in technique: just as there was thumb middle in
addition to over under, there are clearly
players who played close to the bridge, near the
bridge, halfway to the sound
I think one can basically assume that EIN (noise) figures, which must
be known to the designers, are not published because they are too
low. If they were even fair to middling, they would be on the box.
From a practical point of view, the difference in noise equates to
about $20 per channel,
damian dlugolecki [EMAIL PROTECTED] schrieb:
Regular breathing is essential to maintaining composure
while playing; but I wonder if some of you might think
about breathing in more detail when learning a piece.
Do you breathe differently when playing a Courante than
an un-measured prelude?
Hi all,
if you should be interested you will find a small report with many
pictures about the trip of the swiss lute players to the Ticino on
[1]http://apps.new.facebook.com/wildfire_slates/6118840
35?tablet_id=48362mode=0
If this report should raise interest to join us -
On Sep 27, 2008, at 2:39 PM, Mathias Rösel wrote:
Once you put the lute into a broader frame of 16th century
ensemble, one
might argue that there _was_ kinda ideal sound. On my way through the
museum of musical instruments in Vienna, I learned that in the 16th
century it was Spaltklang.
Congratulations, Steve, on your new lute. Mel did a similar job for
me, turning a 70's vintage Aria lute into a wonderfully playable
instrument. I didn't know about Mel's photo stream, and was surprised
to find a picture of the guts of my lute there as well.
Thanks for the
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