The Galliard to Lachrimae is nice, the solos in LoST, the La Mia
Barbera--needs reconstruction, that one, the beautiful solo in Tresor D'Orphee.
I think are are one or two more. I like the "in Nomine" on at least 8
courses. Sempre Dolens, is nice to have the low F, and of course the
passionate p
Actually, if you use the quill in a "historically correct" way, it will not
affect the thumb at all. Vladimir Ivanoff writes ("Invitation to the
fifteenth-century plectrum lute" in _Performance on Lute, Guitar, and
Vihuela_, ed. by Victor Coelho, Cambridge UP, 1977 -- p.9): "Numerous
iconographical
At 05:34 PM 12/2/2008, David van Ooijen wrote:
>Now there are many refinements to the above summary, but for starters
>it should answer your question: if you want to play 'historically'
>with quill, you're stuck in the Middle Ages. A fine time to be stuck
>in with lots of wonderful music. Not a bad
David van Ooijen wrote:
A very general summary could be that a quill is fine for single line
medieval music, occasional strumming in a lively dance or
a strummed chord here and there. That would be done till about 1500.
Around then fingers took over to play polyphony.
Did Arthur recently menti
I bought Django and ran it under Virtual Windows. It seems to do
everything, but as usual with such programs there is quite a learning
curve, plus the whole Windows thing to learn. I haven't used it for a
year or two so maybe Roman or others would be better able to offer
comments on it.
I
Hi Neil,
Thumb in or out is a less important issue than is normally thought.
John Dowland is known to have changed from thumb in to thumb out
during the course of his career.
I personally play thumb in but one should see a player like Nigel
North who is the best proof of what can be done wit
For examples of plectrum lute, look for recordings by Crawford Young. It's
his specialty. AFAIK, there's nothing explicitly written for plectrum lute.
The people I know generally create their own arrangements.
Guy
-Original Message-
From: Narada [mailto:[EMAIL PROTECTED]
Sent: Tuesday, D
On Tue, Dec 2, 2008 at 11:13 PM, Narada <[EMAIL PROTECTED]> wrote:
> Since I bought my lute some 3 years ago now I have constantly struggled
> with the thumb in technique, it feels very uncomfortable and awkward
> even after many hours of practice. I was fortunate sometime ago to
> meet Ja
Greetings,
One or the collective wisdom.
Some months ago I remember reading a brief discussion on the forum
regarding the use of quill tips for `plectrums', which due to certain
"age" problems has got me wondering.
Since I bought my lute some 3 years ago now I have constant
Some time ago (half a year) I published this piece as a soprano lute
solo - intabulation and an unpolished video play - see
http://www.cs.helsinki.fi/u/wikla/mus/own/Intabs/
http://www.youtube.com/watch?v=4kFxMnbZJsQ
Some days ago I played also a version for the 10-course "real lute"
http:/
And specifically, the Galliard to Lachrimae.
If you consider at least some of the lute parts in LOST to be solos,
then yes (9 course) Martin Shepherd has it all nailed down on his
website and/or the Dowland site. Dan
--
To get on or off this list see list information at
http://www.cs
If you consider at least some of the lute parts in LOST to be solos,
then yes (9 course) Martin Shepherd has it all nailed down on his
website and/or the Dowland site. Dan
http://www.johndowland.co.uk/DowlandsLutes.htm
http://www.johndowland.co.uk/
>Dear collective wisdom,
>
>are there
I have the first version, from the French lute society, which I think
is almost identical to the new, English, version, and I think it is
excellent.
Jim
On 12/2/08, Ken Brodkey <[EMAIL PROTECTED]> wrote:
> Hi All,
>
> I'm wondering if anyone has had a chance to go through Miguel Serdoura's
> Baro
Dear collective wisdom,
are there any (late) J. Dowland pieces for 10 (or 9) course lute? I
remember that Robert's "Variete" has some, but those perhaps are not
by John?
Any advice appreciated,
Arto
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admi
>Or maybe the "Panama Red" temperament:-)
Strictly San Francisco, and only the higher octaves.
--
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Or maybe the "Panama Red" temperament:-)
-Original Message-
From: Daniel Winheld [mailto:[EMAIL PROTECTED]
Sent: Tuesday, December 02, 2008 8:32 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Fret Calculator
Only if last October was the Victorian age. We're nostalgic here in
Berkeley,
Only if last October was the Victorian age. We're nostalgic here in
Berkeley, but it only goes back to the 1960's. That would be "Free
Speech & Tear Gas" temperament.
>perhaps it was last tuned in the victorian age?
I like the beer part. Definitely improves the flavor of the thirds.
>Should be
> >Even the piano (Ivers & Pond, 1906- their "Upright
>>Grand") is tuned to temperament one of my students calls "Victorian
>>Meantone"
Whoops should have seen that one coming! From what the piano tuner
told me, I gathered that it is one of a variety of "well"
temperaments, similar to what J.S.
Indeed.
At 11:08 AM 12/2/2008, Omer katzir wrote:
>You know you're all crazy, right...?
>
>On Dec 2, 2008, at 6:08 PM, Eugene C. Braig IV wrote:
>
>>At 10:51 AM 12/2/2008, [EMAIL PROTECTED] wrote:
>>>On Tue, Dec 2, 2008, "Eugene C. Braig IV" <[EMAIL PROTECTED]> said:
>>>
Just out of curiosity,
You know you're all crazy, right...?
On Dec 2, 2008, at 6:08 PM, Eugene C. Braig IV wrote:
At 10:51 AM 12/2/2008, [EMAIL PROTECTED] wrote:
On Tue, Dec 2, 2008, "Eugene C. Braig IV" <[EMAIL PROTECTED]> said:
Just out of curiosity, what exactly is "Victorian Meantone?"
perhaps it was last tu
At 10:51 AM 12/2/2008, [EMAIL PROTECTED] wrote:
>On Tue, Dec 2, 2008, "Eugene C. Braig IV" <[EMAIL PROTECTED]> said:
>
> > Just out of curiosity, what exactly is "Victorian Meantone?"
>
>perhaps it was last tuned in the victorian age?
>
>Should be strongly related to nickel-beer pianoroll meantone.
On Tue, Dec 2, 2008, "Eugene C. Braig IV" <[EMAIL PROTECTED]> said:
> Just out of curiosity, what exactly is "Victorian Meantone?"
perhaps it was last tuned in the victorian age?
Should be strongly related to nickel-beer pianoroll meantone.
--
Dana Emery
To get on or off this list see list
At 10:34 AM 12/2/2008, Daniel Winheld wrote:
>Even the piano (Ivers & Pond, 1906- their "Upright
>Grand") is tuned to temperament one of my students calls "Victorian
>Meantone"
Just out of curiosity, what exactly is "Victorian Meantone?"
Best,
Eugene
To get on or off this list see list info
>Hi Dan, no I don't think it's an illusion. Tuning ET is very hard,
>because the major thirds are already right at the limit of what the
>ear will accept (many would say, beyond) so if they're just the
>tiniest bit too wide it sounds dreadful. But with meantone
>temperaments, the major thirds
Hi Dan, no I don't think it's an illusion. Tuning ET is very hard,
because the major thirds are already right at the limit of what the ear
will accept (many would say, beyond) so if they're just the tiniest bit
too wide it sounds dreadful. But with meantone temperaments, the major
thirds can
Dear all,
Yesterday evening (29-11-08) my trial-violin and 3 bows were stolen
while travelling from Dordrecht to The Hague after a concert.
The violin is
labelled Georg Klotz, Mittenwald, 1770 and has a lion head-scroll and a
rather
large corpus.
The bows are: a modern bow (unlabelled, attributed
Vimeo does not have Youtube limitation to 10 mn and 100 Mo. I uploaded a
video of 141 Mo and 20mn on Vimeo.
Val.
-Message d'origine-
De : Rob MacKillop [mailto:[EMAIL PROTECTED]
Envoyé : mardi 2 décembre 2008 09:09
À : Daniel Winheld
Cc : lute@cs.dartmouth.edu; [EMAIL PROTECTED]
Objet :
Hi Dan,
Not sure why you split it up into three sections...if the file was too
big, did you convert the wav file into mp3 before uploading? I don't
know how the mac system works...it seems to me you must play around
with your software a bit more. You can obviously play well, so it
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