[LUTE] Re: Help in reading a French text fragment

2010-02-18 Thread Arto Wikla
Thanks Val and Dennis! Now I know, what should be the mood in that piece! :-) Arto To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] Re: Strange lute in French painting

2010-02-18 Thread David van Ooijen
One detail that jumps out at me is the fruit bowl. It's a Chinese bowl, with calligraphy on the side. There was a great demand for China wares, made in China and Japan, in the West. There was a whole industry set up which made their wares specifically for the Western markets. With different

[LUTE] Re: New frets

2010-02-18 Thread Martyn Hodgson
The gut should be pre-stretched before fitting. Mace (1676 p 69) confirms this and provides good practical advice: ' And you will find, that the first Fret, will be ever the hardest to Tye well on, for two Reasons. First, because it is the Thickest, therefore not so ready to

[LUTE] frottola

2010-02-18 Thread wolfgang wiehe
what a contrast! Io non compro piĆ¹ speranza http://www.youtube.com/watch?v=Yx5GFW5lJg0 http://video.libero.it/app/play?id=f2d31fbf4ef48f5f7a9e76cc695fd75c To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] Re: New frets

2010-02-18 Thread Martin Shepherd
Hi All, The breakthrough for me came when I changed my method of fret knotting. I used to tie a slip knot (granny knot - a reef knot with the second turn the wrong way). Works fine for thin frets, and with smooth-finished gut, but otherwise the slip knot is not so willing to slip. So I

[LUTE] Re: New frets

2010-02-18 Thread Sean Smith
It's very neat, too. But as for double frets. Do it twice! Honestly, it works though it doesn't seem HIP whatsoever. The advantage being you only need to replace one half (always take off the more worn fret and replace it w/ a new one on the bridge side). Anyway, I've done the

[LUTE] Re: New frets

2010-02-18 Thread Daniel Winheld
Do it twice! HEY! It's the SINGLE frets that ain't HIP - look at that damn picture again- (you know, the one with the boreless Oboe Muto) Is there any known historical information about single frets? Maybe Mace mentioned them? Don't want to make trouble- just askin' Dan Honestly, it

[LUTE] Re: New frets

2010-02-18 Thread David Tayler
This is the knot I mostly use, I saw it in Germany in th '70s so it has been in use for a while. Once, when tying this know, I was burning the end with a lighter, and the lighter had an unusually long flame, which instantly incinerated all seven of my long strings on the theorbo. Oh for a

[LUTE] Re: New frets

2010-02-18 Thread Christopher Stetson
And I thought the singed spots in the lacquer on my 10c. were bad! We missed so many good photo-ops back in the old days! Some day, though, everyone will have their entire lives on video. Best, and keep on playin' CS David Tayler vidan...@sbcglobal.net 2/18/2010 3:16 PM

[LUTE] Re: New frets

2010-02-18 Thread Christopher Stetson
Yes, double frets are historical, but not two separate frets tied in the same spot. The historical double frets are tied with one piece of gut (I used to know how to make the knot!), but you can't remove just one of them. Everybody knew the single frets were unHIP, but so much

[LUTE] Re: New frets

2010-02-18 Thread Sean Smith
Well, Dan, there's that special tomato knot that defies comprehension standing between me and HIP in this case. Can you imagine doing that w/ those monster 1mm 1st and 2nd frets? Brrr. I don't know if anyone answered the question on how often to change frets but I remember Jacob

[LUTE] Re: Louisiana and the Sun King, Louis XIV

2010-02-18 Thread tom
I heard an interesting radio article some years ago on NPR about early jazz in New Orleans. Apparently, most of the band leaders at the time were German immigrants. Many (most?) of the early jazz musicians learned how to play from German bandmasters, which had a definite influence on the

[LUTE] Re: Louisiana and the Sun King, Louis XIV

2010-02-18 Thread PeterD26
I wouldn't get carried away with making connections between place names and any specific musical style, he it baroque or blues. Just because Virginia is named after the Virgin Queen, doesn't give it an edge on things Elizabethan. La Salle was honoring his king by calling the place

[LUTE] Re: Louisiana and the Sun King, Louis XIV

2010-02-18 Thread Guy Smith
I doubt it. I was living in St. Louis at the time, so it was at least 15 years ago, and the Web was barely getting started... -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of t...@heartistrymusic.com Sent: Thursday, February 18, 2010 1:30

[LUTE] Re: Louisiana and the Sun King, Louis XIV

2010-02-18 Thread David Tayler
What is truly amazing is the matched set of baroque accordians which presumably were the basis for the Cajun accordion, the originals now at Tulane. d At 03:03 PM 2/18/2010, you wrote: I doubt it. I was living in St. Louis at the time, so it was at least 15 years ago, and the Web was barely

[LUTE] Re: New frets

2010-02-18 Thread Martyn Hodgson
Double frets indeed - as generally used historically and with the advantage of a simple elegant knot to boot. The advantages of double loop frets have been explained in this forum before. The continuing, if strange, fascination single loops seems to defy historical evidence and