I have just gathered that element 112, Copernicum, has the symbol Cn
because Cp had already been used for Cassiopeium (71) which is now known
as Lutetium.
Martin
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Lutetium from the ancient latin name of Paris, Lutetia.
M.
On 06/03/2010, Martin Shepherd mar...@luteshop.co.uk wrote:
I have just gathered that element 112, Copernicum, has the symbol Cn
because Cp had already been used for Cassiopeium (71) which is now known
as Lutetium.
Martin
To get
I commit a non-orthodox and non-hip version of Lachrimae Pavan, using
the arrangement by Jamie Holding. Purists, please, don't watch...
[1]http://www.youtube.com/watch?v=scbY0toLxy0
Val ;-)
--
References
1. http://www.youtube.com/watch?v=scbY0toLxy0
To get on or off
Lutetium from the ancient latin name of Paris, Lutetia.
And Paris was the centre of the French lute school! Fascinating!
B.
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Wonderful! (Though one does begin to miss the lower pitches after a
time). Eat your heart out, Tiny Tim!
Ned
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PARALLEL UNISONS!
-But very nice anyway. Four strings is all you need, with enough talent.
Thanks, Val.
I commit a non-orthodox and non-hip version of Lachrimae Pavan, using
the arrangement by Jamie Holding. Purists, please, don't watch...
--
To get on or off this list see list
I have a Caccini instrument which was made for me made for me which
is exactly as Chris describes, a large bodied bass lute. I opted for
seven courses, although eight or nine seemed like a good idea.
I then played around with the tuning for a while, winding up with G
single reentrant because
Also, for those who wish to use a theorbo or archlute, when you have
your instrument made, always ask the maker to build it so that it can
be 6+8, 7+7 or 8+6. This is very easy to do, and allows you to fret
the F sharp in any number of ways.
I have the archlute in that configuration, and the
On Sat, Mar 6, 2010 at 8:59 PM, David Tayler vidan...@sbcglobal.net wrote:
I have a Caccini instrument which was made for me made for me which
is exactly as Chris describes, a large bodied bass lute. I opted for
seven courses, although eight or nine seemed like a good idea.
Same story here. I
Dear all,
I am looking for instructions on intabulation techniques. Fronimo and
Le Roy's Briefe and Plaine Instruction come to mind immediately,
and Grove mentions several other 16th-century treatises. I was
wondering, however, if there are any works from later periods, and also
All right, I will not ...
- Original Message
From: Sauvage Valéry sauvag...@orange.fr
To: Lute List lute@cs.dartmouth.edu
Sent: Sat, 6 March, 2010 4:13:40
Subject: [LUTE] Lachrimae pavan
I commit a non-orthodox and non-hip version of Lachrimae Pavan, using
the arrangement by
Cute and beautiful. And Jamie is great!
Arto
On Sat, 6 Mar 2010 11:13:40 +0100, Sauvage Valéry sauvag...@orange.fr
wrote:
I commit a non-orthodox and non-hip version of Lachrimae Pavan, using
the arrangement by Jamie Holding. Purists, please, don't watch...
I think the original article by Harwood, et al., is a pretty thorough
study, it just draws the wrong conclusion from its own research by
conflating theorbo and chitarrone. Conflating the terms is
understandable, because many of the terms were used interchangeably.
The big mistake they made was
Thankfully we have Renato Meucci to have sorted out the HArwood mess.
RT
- Original Message -
From: David Tayler vidan...@sbcglobal.net
To: lute-cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Saturday, March 06, 2010 7:03 PM
Subject: [LUTE] Re: Caccini's theorbo
I think the original
You're right ! don't !
;-)
V.
- Original Message -
From: Antonio Corona abcor...@yahoo.com
To: Sauvage Valéry sauvag...@orange.fr
Cc: Lute Net lute@cs.dartmouth.edu
Sent: Saturday, March 06, 2010 11:21 PM
Subject: [LUTE] Re: Lachrimae pavan
All right, I will not ...
-
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