From the point of view of a renaissance lutenist...
The must have number one is the Folger, the first lute Best of of
English music (from Mrs Winter's jump to Lachrimae, with some Johnson, and
many nice accessible anonymous pieces)
Casteliono for Italian music (and tab... A student should learn
hi,
i have uploaded a new and easy lute trio for 3 equal lutes. (Unisono)
It sounds very well.
--Florentino Maschera - Canzon 14--
at mediafire
Enjoy
Anton
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Dear List,
Years ago a member of this list mentioned this very interesting tuner: Sonic
Research turbo tuner st-122 (www.sonic-research.com)
Finally in need of a new tuner, i got back to my e-mail archive, reached their
website and realized that the st-122 is temporarily out of stock.
Does
Hello lute-listers,
In case anybody might be in the market for a good (Lawrence K. Brown)
nine-year old 10-course lute, mine is now on the market. You can see
the ad on Wayne Cripps's Lute Page. I'm concentrating pretty much on
the Dm lute these days, so...anybody interested, pleae get
I have put a few more pieces up on my web site for you folks to enjoy.
There is a Passymeasures from Marsh that includes some nice pedal point
divisions, and a couple of pieces I arranged for lute and recorder back
in the 1970s. They are based on pieces in the Fitzwilliam Virginal
A student should learn italian tab
as soon as possible, too late they say, oh, I do prefer french tab...)
I found it difficult to read both, and began with 'french-like' forms
(French with numerals as well as french with letters).
Each of the publishers had arguments for their form, all of
I think trying to make an argument that one form of tab. is better than
another is both counter-productive and epistemologically unsound. The fact
will in the end remain, that a serious Lute student will have to be at the
least familiar with Italian, French and German tab (if not fluent)
What you say makes good sense, Vance.
Ned
On Aug 11, 2010, at 5:39 PM, vance wood wrote:
I think trying to make an argument that one form of tab. is better than
another is both counter-productive and epistemologically unsound. The fact
will in the end remain, that a serious Lute student
