Quantz uses these names.
Mathias
> -Ursprüngliche Nachricht-
> Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
> Auftrag von Lex van Sante
> Gesendet: Mittwoch, 2. März 2011 22:31
> An: Herbert Ward; lute mailing list list
> Betreff: [LUTE] Re: "good bad" instead of "
Hi Herbert
Nicolaus Harnoncourt writes about the hierarchy of beats in "Musik als
Klangrede" in English "Music as speech"
Maybe this is what you mean.
Cheers,
Lex
Op 2 mrt 2011, om 22:00 heeft Herbert Ward het volgende geschreven:
>
> Everyone is familiar with the idea of strong and weak
> b
Everyone is familiar with the idea of strong and weak
beats. I remember reading that, at some historical
time and place, these were called "good and bad beats"
(perhaps not in English). Any info on this?
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Coming Sunday I have to play Corelli's Folia (d-minor). Does someone
have a bass part he/she's willing to share? I have a 12 page score
with some very fast notes and equally fast page turns ... hope to
solve some of those.
David - other jobs this weekend include Tartini, Biber and De Visée
with a
Pun appreciated.
Chris.
On Tue, Mar 1, 2011 at 10:54 PM, Ron Andrico <[1]praelu...@hotmail.com>
wrote:
Hello Nancy:
I'm glad you like the courante, which is a favorite. Besard did
not
seem to be interested in notating ornaments - one imagines he was
to
