Bought my two lutes from JM Instruments
http://www.jminstruments.com/
I'm very pleased with both lutes you can also listen and see my 10 course lute,
on the website, go to renaissance lutes, Hans Burkholtzer (NE48) the pictures
are my lute. And that's how she sounds:
http://www.youtube.com/user/
I've heard very much good about Renatus Lechner's student lutes:
http://www.renatus-lechner.de/index_en.html
Renzo Salvador builds student lutes, too:
http://www.renzosalvador.be/lutren.html
Best wishes
Thomas
Am Mittwoch, 5. Oktober 2011, 10.43:57 schrieb Julian Templeman:
Thanks Jorge,
very interesting mail.
I think that for ex. the repeats of M. Galilei's Corrente in page 29 are
quite much in the French "separee" (or "brisee") style, even when I cannot
find any connections to French folks songs there, see this example in
http://www.cs.helsinki.fi/u/wikla/mus/1
Hello Jorge:
The origin and structure of the tunes found in 17th c. French music do
indeed invite the textural fragmentation that is a unique
characteristic of lute music in the arpeggio-friendly d-minor tuning.
But in an effort to slot historic musical styles into categories -
us
Prof. Friedemann Hellwig has just finished his new book on the Tielke
instruments. Have a look on:
http://tielke-hamburg.de/documents/Bestellformular_Tielke.pdf
Friedemann Hellwig, Barbara Hellwig
Joachim Tielke Kunstvolle Musikinstrumente des Barock
456 Seiten mit 512 meist farbigen Abbildungen
The so-called style Brisé is a very problematic term, as it does more to
confuse rather than elucidate stylistic details about the repertoire. The
period term for the breaking of notes is "notes separée." Nevertheless, to
refer to a laundry list of traits by the umbrella term "style brisé" does
Also beautiful and very clever early "style brisee" was written by
Michelangelo Galilei, published in his Il primo libro d'intavolatura
di liuto (Munich, 1620).
Arto
On 05/10/11 12:45, Mathias Roesel wrote:
Obviously, nothing is known so far.
Then, what about Gianoncelli? D
Obviously, nothing is known so far.
Then, what about Gianoncelli? Doni?
In a preface, Orlando Christoferetti wrote that what became to be known
as French stile brise in the 20^th century, was developed by Italian
lutenists long before the French showed up with it. The characteris
