On Dec 3, 2011, at 8:38 AM, A. J. Ness wrote:
I've witnessed Daniel Heartz, a piano virtuoso, when he ripped
through a lute tablature at tempo.
I'm reminded of one of my favorite professors back in college. I had
just taken up the lute and was so taken with Francesco's La Camp
In case you missed it: [1]http://www.youtube.com/watch?v=072CUf3b1_A
Luca
References
1. http://www.youtube.com/watch?v=072CUf3b1_A
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I have a 7c lute after Venere, complete with fingerboard stings and
stings at the ends of the bridge. I'm nowadays finding the neck too
narrow for me and am considering changing it to 6 courses by replacing
the nut and re-drilling the bridge and possibly shortening the head to
remove
Thank you much for the suggestions!
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of Andrew Hartig
Sent: Thursday, December 01, 2011 12:12 PM
To: lute-buil...@cs.dartmouth.edu
Subject: [LUTE-BUILDER] Re: Neck veneer inlay
I don't know i
Dear Roman and all,
is there really any experienced lute player, who does not correct his/her
intonation towards pure while playing? It is easier to the viola da gamba
players, of course, but very possible to us lutenists, too! Even if you do
not want to set your frets to non ET, you can easily sh
> And also a red cloak, as you know of the community's unease of
accepting ET.
> If a meantone maven starts bragging about his transposition
prowess..
That must be me: transposing Dowland's In darkness let me dwell a half
tone (down of course, for added interest) from tablatu
On Dec 2, 2011, at 1:44 PM, Roman Turovsky wrote:
> you know of the community's unease of accepting ET.
We're more accepting of it than Dowland was.
--
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From: "Stewart McCoy"
Transposing tablature at sight, or playing a keyboard instrument while
reading tablature, are not impossible. I find the first tricky, and the
second remarkably easy, as long as the tablature is French. It all
depends on how you learned the lute in the first place. If you s
Transposing tablature at sight, or playing a keyboard instrument while
reading tablature, are not impossible. I find the first tricky, and the
second remarkably easy, as long as the tablature is French. It all
depends on how you learned the lute in the first place. If you started
with tablature, yo
It has no current relevance, this culture is basically extinct.
It has perpetual relevance, but - as all music, it is olny relevant when it
is performed.
RT
- Original Message -
From: "David van Ooijen"
To: "Lutelist"
Sent: Friday, December 02, 2011 3:23 PM
Subject: [LUTE] Re: Chorn
From: "Christopher Wilke"
Roman,
--- On Fri, 12/2/11, Roman Turovsky wrote:
The idea of instant transposition on
an instrument PRECLUDES meantone
temperaments, for starters.
The affective quality of a piece was in part dependent on the key. Each
key had its own "flavor" imparted by the fact
No, just not good enough for that yet.
I did attend the seminar Yefremov had 2 weeks ago, and it was great.
There will be videos, on the Center for Traditional Music and Dance channel.
RT
- Original Message -
From: "David van Ooijen"
To: "Lutelist"
Sent: Friday, December 02,
Roman,
--- On Fri, 12/2/11, Roman Turovsky wrote:
> The idea of instant transposition on
> an instrument PRECLUDES meantone
> temperaments, for starters.
The affective quality of a piece was in part dependent on the key. Each key
had its own "flavor" imparted by the fact that the semi-tones w
Wow, that's something! Wish I could be there. Heard a BBC-World
documentary on wild-life in the Tsjernobyl (as we spell it in our neck
of the world) region some time ago, and that was fascinating.
Will you be performing too?
David
On 2 December 2011 20:33, Roman Turovsky wrote:
> 2011 marks the
And also -
Cantio Sarmatoruthenica XXII
http://www.torban.org/sarmatoruthenicae/images/325.pdf
performed by Richard Benecchi here -
http://torban.org/radio/richard/benecchiCSR22jck.mp3
is from the same region,
less than 100 miles east of my ancestral village.
RT
This is an example of that region
On Dec 2, 2011, at 11:19 AM, Roman Turovsky wrote:
> And speaking of such truly accomplished singers as Karamazov:
> He tends to have 4-6 archlutes on hand, for various minute instant
> adjustments of performance.
I guess that works if you have a large car and are very generous in tipping
bagg
This is an example of that regional polyphonic style -
http://www.youtube.com/watch?v=lODHbXHMtuI
RT
2011 marks the 25th Anniversary of the Chornobyl Disaster that irrevocably
ransformed the ecological and social dimensions of life in the Ukrainian
and
Belarusian regions now known as the "
2011 marks the 25th Anniversary of the Chornobyl Disaster that irrevocably
ransformed the ecological and social dimensions of life in the Ukrainian and
Belarusian regions now known as the "Chornobyl Zone."
Since 1986, the traditional communities
of the Chornobyl zone have been largely dispersed a
The idea of instant transposition on an instrument PRECLUDES meantone
temperaments, for starters.
It would only possible in EqualT. in a hypothetical situation that a given
transposition causes no hideously hard fingerings.
Say, your singer decides to transpose down a semitone from C-major. All yo
Howard, think a little -
transposition is precluded by temperament.
RT
- Original Message -
From: "howard posner"
To: "Baroque lute Dmth"
Sent: Friday, December 02, 2011 10:21 AM
Subject: [BAROQUE-LUTE] Re: Transposing lute tablature on sight [was Re:
A=392]
On Dec 2, 2011, a
On Dec 2, 2011, at 12:29 AM, Martyn Hodgson wrote:
> Have you anything constructive to add to the exchange?
No; once you've told us that transposition is unnecessary because almost half
the singers who'd want to sing the music can do it without transposition,
you've said it all.
--
To get on
Wow, thank you. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Rob MacKillop
Sent: Thursday, December 01, 2011 5:38 PM
To: Lex van Sante
Cc: lute mailing list list
Subject: [LUTE] Re: accords nouveaux
Temporary link for Panmure 4
h
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