Collected wisdom, any clues to the identities of Mr. Le Prince de
Conde in Gallot's Tombeau de Mr. Le Prince de Conde and the Madame
in Moutons' Tombeau de Madame, Pavanne?
David
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David van Ooijen
davidvanooi...@gmail.com
www.davidvanooijen.nl
For the first one, perhaps one of these guys
[1]http://en.wikipedia.org/wiki/Princes_of_Cond%C3%A9
As far as the 2nd one is concerned:
Dictionnaire de l'Academie franc,aise, 1st Edition (1694)
madame
Madame. s. f. Titre qu'on donne par honneur aux femmes de qualite,
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Please find attached the
Chorea Bohemica in german tab from the so called
Dlugoraj Lutebooke (on page 366)
and also transcribed into the french system
as available
Thank you kindly! What a nice treat. I will probably order the entire
Dlugorai edition, it seems to contain too much exciting material to
resist.
From the facsimile page, I see that the following chorea lepida is
apparently derived from the same melody as the chorea bohemica, being
Dear all,
Are there any Antico variations in Der Fluyten Lust-Hof or other late
Renaissance wind repertories? Would anyone have other suggestions where I might
look for single-line examples?
Thanks in advance,
Sean
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Hi Stephen,
I wish I had a title. I looked through the title pages and didn't see anything
that suggested the Antico, such as Milanesa or Passemezo. I realize that by his
time those variations were pretty played out but since his rep overlapped so
many earlier lutebooks that did contain it I
