Are you referring to his "Harmonic Mechanisms For Guitar"? It's
available online? It's in three huge volumes. I've been working on the
first ten pages of the first volume for 20 years, although I do follow
his advice to "sweet tooth" it by skipping through other parts of the
book.
Gary
On 2
The other musician I got a lot of inspiration from back in those early
lute days was John Renbourn. In 2006 the LSA published an interview
with him and I have some spare copies. If you would like one email me
back with a street address - snail mail only.
Nancy
I am a bit dismayed by a moder
Nice interview and great final piece,
Alain
On 12/07/2013 06:41 PM, Bruno Correia wrote:
As we are becoming more jazzier these days, I've just bumped into this
programme with Joe Pass:
[1]http://www.youtube.com/watch?v=2HAZP7nWo6A
--
Bruno Figueiredo
Pesquisador autonom
Dear All,
This forum, as I understand it, is devoted to the lute and all
pertinent topics. The contributions of Julian Bream are an important
part of the history of the lute in the 20th century. Or should we
consider that there is no history of the lute after the 18th century?
I,
"there were some jazzcats in the 16th century writing cool stuff for 7-courses
too."
Terzi Van Eps. My top R-lute student and I are doing his "frozen-in-time-for-our-benefit"
improvisations. The classical guitarist I alternate Saturday afternoon gigs with has a John
Coltrane arrangement or two
Great fan of Joe Pass here. But have a look at the next generation,
such as Steve Herberman: [1]http://youtu.be/m_tudeSvdTs - that's a
7-string with a low A.
I play a little jazz too. For those wanting to get into this style from
the beginning, try the three books (now in one Complet
On 08/12/2013 08:18, Ed Durbrow wrote:
I keep forgetting I really like good jazz, because I can’t play it, I guess.
Same here!
Stuart
On Dec 8, 2013, at 11:41 AM, Bruno Correia wrote:
As we are becoming more jazzier these days, I've just bumped into this
programme with Joe Pass:
>>
Playing melody, harmony and bass for a jazz guitarist was not new
when Joe Pass did it so superbly. Check out George Van Eps (7 string
jazz guitar), Charlie Byrd (jazz on a classical guitar), Jim Hall,
Buddy Fite, Chet Atkins (solo guitar version of Souza's "Stars and
Playing melody, harmony and bass for a jazz guitarist was not new when
Joe Pass did it so superbly. Check out George Van Eps (7 string jazz
guitar), Charlie Byrd (jazz on a classical guitar), Jim Hall, Buddy
Fite, Chet Atkins (solo guitar version of Souza's "Stars and Stripes
Forever" complete
I keep forgetting I really like good jazz, because I cant play it, I guess.
On Dec 8, 2013, at 11:41 AM, Bruno Correia wrote:
> As we are becoming more jazzier these days, I've just bumped into this
> programme with Joe Pass:
>
> [1]http://www.youtube.com/watch?v=2HAZP7nWo6A
> --
> B
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