I added 15+ concerts to our agenda
http://www.lute-academy.be/xlagenda327-nl/index.php
best regards
Bernd
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On Jan 18, 2015, at 5:37 AM, Martin Shepherd wrote:
> The issue of voice-leading is important in the identification of which pieces
> may or may not have used octave stringing, but it is not a simple matter of
> the octaves being constantly present or absent - a good player can emphasize
> th
On Jan 18, 2015, at 4:14 AM, Monica Hall wrote:
> But you will still hear the low G on the 6th course and the falling 7th in
> the bass (at least I will)
Try playing and singing it. In context, with the middle G completing the run,
and singer’s line doing what it does, and the chord beginning
- Original Message -
From: "Gary R. Boye"
To:
Sent: Sunday, January 18, 2015 2:56 PM
Subject: [LUTE] Authorial Control (was: 16th century tuning and stringing)
All,
I'll throw in one word-of-warning about this subject:
We automatically fall into a modern (20th-century) concept wh
Dear Monica,
My point was that you don't need to play the strings of a course
separately - no need to "eliminate" anything. The secret is in the
blend between the lower and upper octaves, which by the way is better if
the two strings are roughly the same tension, rather than the typical
mode
All,
I'll throw in one word-of-warning about this subject:
We automatically fall into a modern (20th-century) concept where the
"author" has absolute control of everything in the book: he (or she, on
occasion) writes the music, writes the preface that accompanies it,
organizes it all, and tak
- Original Message -
From: "Martin Shepherd"
To:
Sent: Sunday, January 18, 2015 1:37 PM
Subject: [LUTE] Re: 16th century tuning and stringing
A further thought on the issue of evidence from tablature concerning octave
stringing:
The issue of voice-leading is important in the iden
A further thought on the issue of evidence from tablature concerning
octave stringing:
The issue of voice-leading is important in the identification of which
pieces may or may not have used octave stringing, but it is not a simple
matter of the octaves being constantly present or absent - a go
Just to add to the list:
Hans Judenkunig (1523) gives tuning instructions which specify octaves
on courses 4-6.
A facsimile is available online from the Bayerische Staatsbibliothek and
there is a translation of the instructions in the Lute Society Journal 1972.
Martin
---
This email has b
On Jan 17, 2015, at 1:03 AM, Monica Hall wrote:
Unless I have misunderstood what you are saying.
Hard to tell. I’m saying that it appears to be evidence for unison
stringing on the upper five courses, and octaves on the sixth.
But you will still hear the low G on the 6th course and
a 9 course arciliuto and a 10 course lute:
http://www.lute-academy.be/advertenties/advertenties-en.php
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Hi,
Here is the list of new lute intabulations, or corrected and reworked
intabulations in Fronimo, with better layouts on IMSLP.
I recommend to exchange the old music files with my new ones!
Aichinger, Gregor O sacrum convivium 2 Sopranos, Tenor & 2 Lutes
x http
Use Stand Oil - see previous communications on it in the archives of
this forum
MH
__
From: Herbert Ward
To: lute@cs.dartmouth.edu
Sent: Saturday, 17 January 2015, 19:47
Subject: [LUTE] Is high-gloss quieter
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