Bonjour à tous,
Anyone know if transcriptions/adaptations for luth of some important "Arab"
Oud music were made ?
Best regards
Lino
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Caldibi Castigliano, the first piece in Dalza,1508, is apparently an
Arabic tune.
RA
> Date: Fri, 10 Apr 2015 12:21:51 +0200
> To: lute@cs.dartmouth.edu
> From: messina.calog...@free.fr
> Subject: [LUTE] Silly question...
>
> Bonjour `a tous,
> Anyone know if transcrip
Thanks Ron, but I meant the kind of music played still today on the Oud
De : Ron Andrico [mailto:praelu...@hotmail.com]
Envoye : vendredi 10 avril 2015 13:03
A : Messina Calogero; lute@cs.dartmouth.edu
Objet : RE: [LUTE] Silly question...
Caldibi Castigliano, the first piece
Paulo Galvao had an arrangement of something of the sort for oud and
lute duo, 10 or so years ago.
Otherwise I'd say the idea of arranging microtonal fretless music for a
diatonic fretted instrument is just implausible.
RT
On 4/10/2015 7:09 AM, Messina Calogero wrote:
Thanks Ron, but I m
not that I know of, most arabic music, except Andalucian Algerian and
Morrocan music uses quarter tones. A lot of arabic music is transmitted
orally. the one that is written uses regular notation with special flat
and sharps characters to indicate the quarter tones.
Here is a site fo
Nigel North, in his liner notes, posits that Weiss's "L'Infidele"
sonata was composed with the Ottoman siege of Vienna in mind. He claims
that the augmented intervals in the musette and minuet are references
to Arabic music. I'm not sure I buy that aurally. However, Weiss was
certai
On 2015-04-10 8:55 AM, Christopher Wilke wrote:
However, Weiss was
certainly employed by the Sobieski house in Rome and it was Jan
Sobieski who had previously lead the army that broke the Ottoman siege.
As a lutenist and astronomer I'm always interested in links between my
two love
Thanks you all, a lot of interesting infos
Bruno, your site is what I'm looking for
Best regards
Lino
-Message d'origine-
De : lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] De la part
de Christopher Wilke
Envoyé : vendredi 10 avril 2015 14:56
À : messina.calog...@free.fr
Cc
For anyone who hasn't come across the wonderful collaboration of Jacob
Heringman and Adel Salameh, here's a link:
[1]https://www.youtube.com/watch?v=gRG_zeKPPJ0
Helen
On 10 April 2015 at 15:44, Messina Calogero
<[2]messina.calog...@free.fr> wrote:
Thanks you all, a lot of i
Good thing about the lute; gut frets can easily be removed, or added.
Might drive yourself crazy tying in quarter tone frets, but such things
have been done. Lily Afshar, Iranian classical guitarist, had some
quarter tone frets added to one of her guitars at certain strategic spots.
Dan
On 4/
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