To me it's all perfectly clear short hand to indicate musical
intentions: hold the B-flat till the A-flat. If the engraver was over
enthusiastic with the angle of his lines, it only tells us he didn't
want close-to horizontal lines hat would create 7-line tablature. My
personal solut
The situation in bar 7 is much worse :)
Rainer
On 12.03.2017 11:10, Rainer wrote:
In the first prelude of the first book of Le Secret des Muses there is a very
strange hold line in bar 15
For those who do not have a digital facsimile, have a look at the links at
http://www.cs.dartmouth.ed
I wrote about this manuscript already in 1976. The article is available
(in Swedish) at [1]http://www.tabulatura.com/musikmuseet724.pdf
It is also described in detail by Jan Olof Rudén in his catalogue,
Music in Tablature 1981 (I believe it is still available). Adolf
Lindgren own
As far as I can see the article deals with Joachim van de Hove’s Florida,
Utrecht 1601 and Pi`eces de Luth by Monsr. Mouton.( presently in the Claudius
Samling in Kopenhagen, Denmark)
Happy luting!
Lex
> Op 12 mrt. 2017, om 13:37 heeft Max Langer het
> volgende geschreven:
>
> Only deals wi
Agree with Lex. The G-major chord, including the b on course 3, should
be held.
David
***
David van Ooijen
[1]davidvanooi...@gmail.com
[2]www.davidvanooijen.nl
***
On 12 March 2017 at 11:37, Lex van Sante <[3]lvansa
Hi Rainer,
I think there is a fourth possibility.
It is the B on the third course which is meant to be held for the remainder of
the measure.
Happy luting!
Lex
> Op 12 mrt. 2017, om 11:10 heeft Rainer het
> volgende geschreven:
>
> In the first prelude of the first book of Le Secret des Muses t
In the first prelude of the first book of Le Secret des Muses there is a very
strange hold line in bar 15
For those who do not have a digital facsimile, have a look at the links at
http://www.cs.dartmouth.edu/~lsa/links/Digital-Facsimiles.html
The line starts at a non-existing bass note.
What
