Sean,
I'm not sure if it will help or not, but I see 5 surviving exemplars at
RISM locations: B-Br [the mf copy], DK-Kk, F-Pm, GB-Lbl, and NL-At.
Gary
On Sat, May 4, 2019 at 5:24 PM Sean Smith <[1]lutesm...@gmail.com>
wrote:
I found in the recent digitization of the LSA
Dear Luternetters-
Muchas Gracias for all the Reymann links- PDFs, fronimonstrosities and
other postcunabula renderings. Of the two or so that I was able to
access, I chose to print out the one with a table of contents- to anyone
else inclined to do likewise, DON'T FAIL TO INCLUDE THIS- the
I found in the recent digitization of the LSA microfilm library, a
second printing of E. Adriansen's Pratum musicum longe 1584 printed in
1600 with different music. I downloaded it but find it difficult to
read.
Is there a digitized facsimile (no microfilm middleman) available?
Here the cantus:
https://academica.edu.pl/reading/readSingle?cid=26782178=26426872
The tenor:
https://academica.edu.pl/reading/readSingle?cid=32808131=27517222
Best regards
Markus
Am 04.05.19 um 18:36 schrieb Markus Lutz:
Indeed it is a publication with 4 part books. It seems as if 2 of them
I find this type discussion fascinating. I was just looking at the
Adriaensen books and noticed Phalese & Bellere's first use of 7th and
8th course: an open 7th course was -a- (w/ a line going through it
since P always ciphered "in" the line instead of "in" the space). But
an open
That is a very good point.
Indeed that is what compelled me to print the scan on paper to bind as a
book.
The second part of the duets is printed upside down - also very
player-friendly.
On 04.05.19 18:06, Denys Stephens wrote:
Dear Alain,
Thanks! Thanks also for the link to the
Where did you fine the three copies? How?
-Original Message-
From: Rainer
To: lute
Sent: Sat, May 4, 2019 12:32 pm
Subject: [LUTE] Re: Klosmann
Dear Arthur,
Eitner was wrong. At least three part books have survived and are
on-line.
It contains Dowland
Printers were very dependent on the fonts they had - In the Ballard
book, the bar lines clearly use a single font (i.e. piece of metal...)
with a vertical bar and 6 horizontal dashes extending on both sides. In
Dowland's Book of ayrs, the barlines extend up and down from the staff
in notation,
Indeed it is a publication with 4 part books. It seems as if 2 of them
have survived in Poland.
One, the alto, is online already:
http://dlibra.kul.pl/dlibra/doccontent?id=15506
But there also seems to be the tenor partbook, but not yet digitized.
From the year, this Caspar Klosmann seems to
Dear Arthur,
Eitner was wrong. At least three part books have survived and are on-line.
It contains Dowland concordances, pieces stolen form Terpsichore and other well
known music.
In the table of contents he claims
"Sequuntur cantiones incertorum autorum, quibus voces intermediae ab authore
Dear Alain,
Thanks! Thanks also for the link to the Ballard print - it really is very
elegant. Single impression tablature had come a long way from Attaingnant's
first ground breaking prints. One more point about Phalese crossed my mind,
which is that in prints such as 'Hortus Musarum' he
--=_Part_1326960_1007781479.1556982707380
Content-Type: text/plain; charset="UTF-8"
Content-Transfer-Encoding: quoted-printable
The publisher is Caspar Klosman in Leipzig. An anthology with 100 dances,
fantasias, canzonas, et cetera. Unique copy (according to Robert Eitner:
I don't know if someone posted it here since last week but here is the pdf of
Noctes Musicae. Sorry for wasting bandwidth if I repost it.
Best regards
Jurgen
--
âClose your eyes. Fall in love. Stay there.â
JalÄl ad-DÄ«n Muhammad Rumi
Dear lute netters,
does anybody know anything about Caspar Klosmann and/or his "Amoenitatum musicalium
hortulus..." published in 1622?
There is almost nothing on the Internet and even nothing in Jstor.
Rainer
To get on or off this list see list information at
It's a possibility. Phalèse was known for pirating more luxurious tabs
for wider audience in Flanders, thus saving space would be a fitting
explanation.
Yet, Italian printers with the same goal did not use only 5 lines, so
why again is that? Was Phalèse an exceptional cheapskate? :)
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