Depending upon the circumstance, I always resist the urge to improve
upon the choices made by an historical composer, scribe or publisher.
If performing a piece for the entertainment of myself or others,
anything goes. But if editing for the purpose of publishing an edition
of
Maybe it's really just an error...
Real playability-friendly "errors" can be found in Newsidler's pieces,
where he uses a chromatic coloring of the cadence to avoid a fast
stretch to the 4th fret.
On 14.10.19 22:34, r.ba...@gmx.de wrote:
Hi Rainer and all,
For those who didn't
I always feel compelled to "correct" these instances, because to me it
just does not sound right as is, and it's no big deal to play the 4 on
the next course. To me, the bottom line is what sounds good.
--Sarge
On 10/14/2019 13:34, r.ba...@gmx.de wrote:
Something a bit similar is where one
Hi Rainer and all,
For those who didn't check out these examples, they all involve a
simple melody where Milan drops down to an open string resulting in a
minor third jump rather than using a half or whole step which would
better match as an imitation.
For example, instead
