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Just got back from Pennsic (medieval reenactment event in Pennsylvania)
and wanted to tell of the lute goodies I found!
I spent time talking with all the early music people I could find,
including one lutenist and a bandura player!
I thought I took a picture of the lute player, but
Just my small inexperienced opinion. The group that I do historical
reenactment with has a basic premise of learn history by doing which
you do at whatever level you can presently achieve. For me as a
player/performer it is like peeling an onion. I'm going to start where
I can,
All the advice and the pictures help a lot! Thank you Ned, Suzanne and
Jim! I haven't even gotten it fully tuned up yet, because I was so
worried it would slip off my lap while I was fooling with the tuner.
Here's my plan, I'll post some pictures and let you know how it works
out. I
Hello everyone!
I am new to Lutes, and new to the list. Most of the time, I just
quietly sit and read and listen, but today I have a question: how to
attach a strap to the lute? I have a new 8 course lute. It has a strap
button on the end, but it isn't really obvious to me where
http://perso.wanadoo.fr/jdf.luth/
- Original Message -
From: Duncan Midwinter [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, January 25, 2008 10:35 AM
Subject: [BAROQUE-LUTE] Weiss suite 36
Does anyone know where I can get hold of sonata 36 d-minor Dresden by
Weiss?
--
Hi Chris,
Can I find a copy of this Sonata II somewhere (on the web)?
Henk
- Original Message -
From: [EMAIL PROTECTED]
To: H L Pakker [EMAIL PROTECTED]; baroque-lute@cs.dartmouth.edu
Sent: Thursday, January 03, 2008 5:06 PM
Subject: [BAROQUE-LUTE] Re: harmonic tones
Henk
That really is a shame. Even the main Casanova theme was a lute tune. At
least you see A LOT of lutes in the movie. It would be nice if the music were
recognized for some awards.
[EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
Hello,
Paul O'Dette plays all the lute parts in the movie
Didn't the Globe in London do play recently, based on what we think real
Elizabethan dialects were?
Patrick
guy_and_liz Smith [EMAIL PROTECTED] wrote:
To get back to the point I was trying to make, BBC English is more or less
what your typical modern Shakespearean actor is using
I was thinking about a trip to Paris in the Spring.
Besides the Music Museum, http://www.cite-musique.fr/anglais/musee/, what are
the other good places to see lutes and other early instruments?
Patrick
Ladies and gentlemen, I've suffered for my music ... now it's your turn.
http://www.clayloomis.com/simsong.html
I cannot get the thing to play here.
Dr. Marion Ceruti [EMAIL PROTECTED] wrote:
This piece seems like a must play for all dedicated lutenists.
Does anyone have an 8c intabluation for it?
Yet another advantage of metal machine tuners is that they don't
I have been listening to a CD of works by Giuseppe Antonio Brescianello by
guitarist Anthony Glise (which is great, by the way), but I am intersted in the
instrument that Brescianello wrote for, the colascione. The pieces I have
found work really well on the lute, but from what I can find
To quote:
Everyone I know has a big but. C'mon, Simone, let's talk about YOUR big but.
Rainer [EMAIL PROTECTED] wrote:
Howard Posner wrote:
Stewart McCoy wrote:
If we corrected each other's mistakes in English, we'd be here all
day.
And wasting time at that, since it would largely be
I will be in London in a few days. I plan on stopping by the Victoria and Albert, but
beyond that, what would be of particular lute interest?
Are there any early music performances coming up?
Patrick
A fitting return
-
I am really reaching back here, but there was a movie from the '70s called Robin and
Marion with Sean Connery and Audrey Hepburn. In the movie, Will Scarlet played
something I think that looked like this, I think. I always wondered what it was.
Thomas Schall [EMAIL PROTECTED] wrote:
Just
Has anyone seen The Ladykillers yet?
From what I can tell, they are pretending to be Renaissance musicians. You can see a
lute of some kind on the website, http://ladykillers.movies.go.com/main.html.I
was hoping that this movie would do for Renaissance music what O Brother Where Art
I had a chance to see a preview of the Johannes Vermeer movie, Girl with a Pearl
Earing, several weeks ago, but due to a bad storm I missed it. I have since seen the
preview, and there are scenes of Vermeer with his models painting. I was wondering
if anyone had seen the movie yet, and
While some guitar headstocks are glued on, most are one piece with the neck.
Patrick
Doctor Oakroot [EMAIL PROTECTED] wrote:
Howard Posner wrote:
James A Stimson at [EMAIL PROTECTED] wrote:
There seems to be a very simple explanation for the bent-back pegbox:
The
joint is more
http://www.cnn.com/2003/TECH/science/12/08/stradivarius.secret.ap/index.html
This is an interesting story about the wood that was used by Stradivari; the Little
Ice Age that gripped Europe from the mid-1400s until the mid-1800s that slowed tree
growth and yielded uncommonly dense Alpine
I would second Arto's theory. I have never broken a chanterelle. Now, my guitar's e
string...that is another matter. I break them all the time.
Arto Wikla [EMAIL PROTECTED] wrote:
Dear Jon
I have joined the club, my flat back may or not be considered a lute, but
it shares one
I was thinking this question of what lute music may have cost in past is somewhat
accademic. If I am not mistaken, people could remember a lot more than they care to
now. Not that we cannot, it is just that we do not have to. There was a program with
James Burke (Connections or one of
All,
Just got a new CD, Anthony Rooley, Renaissnace Fantasias. Just started listening to
it and I like it, but the cover is the interesting thing. It is a picture of a lute
player in leg blocks, with the music laying on the blocks, and a large anchor
attached. I guess that is one way to get
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