Me too, great stuff going on in here; daily.
> On 21.07.2015, at 23:47, Mathias Rösel wrote:
>
> I've been lurking here since well before 2000. This list has ever since been
> a treasure trove to me as well as many others. Thank you, Wayne, for
> offering this great service to us.
>
> Mathias
Turba in Bulgarian also means a bag.
> On 31.01.2014, at 21:43, "Roman Turovsky" wrote:
>
> No one knows.
> The only thing known is that the combination of consonants TRB
> is absent in all European languages, except for the Slavic ones.
> In Ukrainian TORBA means a sack, and TORBYNA means, well
Hello Luters,
Thanks for being so informative on a daily basis. Here is what
Marionas sounds like in reentrant and non-reentrant from Sanz. Same
tuning, same temperament, same fingering, all strung out on gut. My
extended version.
Reentrant
[1]http://www.youtube.com/watch
Dear luters,
I bought le secret des muses but can't begin to play from this second hand,
can someone help me with these Bartolotti theorbo pieces, Vienne, Austrian
national Library MS17706, Ebenthal, Austria,Goess Count von, Private library,
MS Xv 912 – 2277?
Dominic
To get on or off th
Hi luters,
Bartolotti starts with a passacaille in book I. Each passacaille
modulates to a different key. Was he ahead of Wagner? Were performers
of passacailles through all keys allowed to stop to tune, and change
fret spacing within a work? Was that okay and normal for the audi
I was born in a canoe in Quebec. My father raced them professionally
both in Candada and the US for nearly 20 years. My ancestors came to
Quebec around 1646. Keep up the research.
My mom even sang one of these all the time, Jolie Vent... But I do
have to say that the pronounciati
Hello Lute listers,
Perhaps some of you may have some interest in the music Bellorofonte
Castaldi. Although I would prefer to play his amazing theorbo duets,
his solo works for theorbo are also fantastic; he had a need to use all
of his 14 strings... I've uploaded two of my favori
Thanks for listening,
At the time leading to this concert I was playing without bourdons and
kept it so.
I like to avoid the bass line when playing continuo with gamba,
especially with full re-entrant tuning. This tuning also makes continuo
playing easier; you don't even have
And here, to make it easier in case you still might be interested in
hearing the rest of the suite.
[1]http://www.youtube.com/watch?v=JqDYN739EtE&feature=related
[2]http://www.youtube.com/watch?v=5jGPh4GMsAs&feature=related
[3]http://www.youtube.com/watch?v=k2E6MO8QvRQ&feature=rel
Hello members, perhaps some of you may be interested in some recorder
music by Jaques-Martin Hotteterre with a baroque guitar (fully
re-entrant) and viola da gamba continuo. There is no video but it was
a live concert in 2009.
Dominic
http://www.youtube.com/watch?v=hPjH4T-rcwM
Nearly on topic, there is this one book with Alfabeto plus B.C. from
begining to end; CANZONETTE, SPIRITUALI E MORALI, Che si cantano nell
Oratorio di Chiauena, eretto sotto la Protettione di S. Filippo
Neri...con le lettere della Chitarra Sopra Arie communi, e nuoue date
in luce pe
Hello Friends,
Here is Bach's ciaccona BWV 1004, arranged for baroque guitar, "extra"
Roman tuning. How else can a guitarist/theorbist get around to playing
Bach alone?
Dominic
[1]http://www.youtube.com/user/R0billard#p/a/u/0/ueSE1N_Qwks
___
Being of both parties, French speaking and theorbist as well, I can say
that your translation seems quite accurate. More singing like meaning
less chopped up with the 8ve jumps.
He is the one who strung his theorbo in A, the English way so to speak,
with only one re-entrant string.
Hello everyone,
Here is part of a school project I participated in a couple of years
ago; an all Kapsberger Libro Terzo concert in Bremen. For the concert,
I was encouraged to arrange a Toccata. I chose the 5^th Toccata for
some reason, probably because of the G major key I decid
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