I actually never thought of it...but it is a good idea as they would
tighten up upon drying.
Bruno
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Message d'origine
De : l...@reasonablefax.com
Date : 18-03-09 3:57 PM (GMT-05
the Montreal community will be able to get stoned legay as of july
1st...personally at 59..I am no longer interested..prefer playing
Ballard and Gaultier
Bruno
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pays.
Message d'origine --
I still, to this day, dont understand why we have no surviving examples
of lute bass strings on all those lutes in museums..surely not every
lute was transformed or adapted for post renaissance and baroque
playing..
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I have one in french tab somewhere can t remember where I found
it..will search and get back to u
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Original message
From: "Braig, Eugene"
Date: 2017-06-10 8:41 AM (GMT-05:00)
To: LuteNet list
Miles do yoy have the original ?
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Original message
From: guy_and_liz Smith
Date: 2017-04-15 5:37 PM (GMT-05:00)
To: Lute List
Subject: [LUTE] Der ander theil
Does anyone know where I can
Loose bar or bar no longer in contact with rib..have to open up to
check
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Original message
From: John Mardinly
Date: 2017-04-14 1:42 PM (GMT-05:00)
To: sterling price
Cc: lute@cs.dartmouth.e
On Feb 28, 2017, at 8:53 PM, fournierbru
wrote:
>
> Getting exact same tension between fundamental and octave is next
to
> impossible and ludicrous. Of course that wouldn't have been a
> possibility In the Renaissance and lutes must certainly have been
Getting exact same tension between fundamental and octave is next to
impossible and ludicrous. Of course that wouldn't have been a
possibility In the Renaissance and lutes must certainly have been out
of tune..but our modern ear wants otherwise. My strings are not THAT
much diffe
Hello all
I would like your opinions on this interpretation of the Vivaldu lute
concerto I found on YouTube.
https://youtu.be/u9m3ghjN0RE
BRUNO
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Hello
Masterclasses should always be about technique or performance.
Unfortunately some artists dont understand that. I remember one
masterclass with a well known japanese lutenist back in university in
1980, who spent more time criticizing the instrument I owned at the
time, ra
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