> Da: Bernd Haegemann [mailto:[EMAIL PROTECTED]
> Inviato: domenica 11 settembre 2005 12.15
> A: Arne Keller; lute list
> Oggetto: [LUTE] Re: Cat gut
>
> One source could be Lukian.
indeed: see the gods' dialogues.
c.
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> Da: Ron Fletcher [mailto:[EMAIL PROTECTED]
> Inviato: martedì 6 settembre 2005 11.07
>
> 'Here, I have just composed this piece. Will you see if you can play
> it for me on your instrument?'
>
> Rather than, 'I have had your instrument on my mind and written this
> piece especially for you to pl
> Da: Howard Posner [mailto:[EMAIL PROTECTED]
> Inviato: martedì 6 settembre 2005 6.38
>
> the two cello sonatas, opus 5, for Duport (the leading cellist in Berlin);
and the third cello sonata op.69, far more complex and daring than its
younger sisters, was written after romberg became the leading
> Da: jim abraham [mailto:[EMAIL PROTECTED]
> Inviato: giovedì 1 settembre 2005 4.23
>
> Also, there seem to be a number of good renaissance lute tutors
> (witness Lundgren and Damiani), but nothing for baroque.
there's a method for the baroque by toyohiko satoh, tree-edition,
muenchen. not a monu
> Da: gary digman [mailto:[EMAIL PROTECTED]
> Inviato: mercoledì 31 agosto 2005 10.44
>
>
> Does anyone have any suggestions for fingering the following from
> G.A.Terzi's intabulation of Di Lasso's "Veni in Hortum Meum":
>
> __
> __5___
> __4___
> __3___
> _
> However, in dramatizing phrasing and dynamics in a way that is not
> necessarily implied in period sources, how HIP is it?
one may be facing a sort of tradeoff - one may have to choose either
to preserve (technical) praxis or (emotional) achievement. if one can't
save them both, there are no wo
